Hong Kongs oudste triade staat op het punt een nieuwe leider te kiezen, totdat blijkt dat het heilige symbool, een staf met een drakenkop zoek is. Vijf regionale leiders, bekend als de Tijgers, gaan tot het uiterste om de staf terug te vinden, voordat de diverse individuele belangen een bedreiging kunnen vormen voor de gemeenschap.
Nee, helaas is Hak Se Wui nog niet beschikbaar op Netflix in Nederland.
| Directing | 杜琪峯 | Director |
| Production | Chiu Chi-Shing | Unit Manager |
| Sound | 林偉信 | Foley Artist |
| Sound | Lee Sin-Kwok | Sound Recordist |
| Crew | Catherine Chan Dao-Ho | Production Controller |
| Production | 杜琪峯 | Producer |
| Editing | Patrick Tam Kar-Ming | Editor |
| Art | Tony Yu | Art Direction |
| Costume & Make-Up | Stanley Cheung Sai-Kit | Costume Design |
| Production | 禤志傑 | Assistant Production Manager |
| Writing | Yau Nai-hoi | Writer |
| Writing | Yip Tin-Shing | Writer |
| Production | Kuk Kok-Leung | Line Producer |
| Production | Elos Gallo | Consulting Producer |
| Production | 陳明英 | Administration |
| Sound | 羅大佑 | Original Music Composer |
| Camera | Cheng Siu-keung | Director of Photography |
| Costume & Make-Up | Kit Ling Chan | On Set Dresser |
| Costume & Make-Up | Rachel Kong Tak-Yen | Hairstylist |
| Editing | Elaine Chu Suk-Yee | Project Manager |
| Production | Jackson Ha Chak-Shun | Production Manager |
| Production | Ding Yuin-Shan | Production Supervisor |
| Directing | 陳偉雄 | Assistant Director |
| Art | Brian Lau Shui-Yin | Assistant Art Director |
| Directing | Law Wing-Cheong | Assistant Director |
| Art | 區永基 | Property Master |
| Crew | 林碧雯 | Special Effects Coordinator |
| Sound | 區俊宏 | Foley Artist |
| Sound | Sona Balam | Sound Re-Recording Mixer |
| Sound | Choy King-Fai | Foley Artist |
| Sound | Fung Wing-Hong | Foley Artist |
| Sound | Kwong Sek-Kei | Foley Artist |
| Sound | 林漢釗 | Foley Artist |
| Sound | Charlie Lo Pak-Yue | Sound Designer |
| Sound | Charlie Lo Pak-Yue | Sound Editor |
| Sound | 莫美華 | Sound Designer |
| Sound | 莫美華 | Sound Mixer |
| Camera | Hirotake Okazaki | Still Photographer |
| Sound | Man Keung Ngai | Boom Operator |
| Sound | 任廣香 | Foley Artist |
| Sound | 余志文 | Foley Artist |
| Sound | Tommy Yu Ka-Luk | Foley Artist |
| Visual Effects | Pak Chung Kwan | Animation |
| Visual Effects | Siu Lun Leung | Animation |
| Visual Effects | 馬文現 | Visual Effects Supervisor |
| Lighting | Kwong Ting-Fong | Best Boy Electric |
| Camera | To Hung-Mo | Second Unit Director of Photography |
| Lighting | 胡國超 | Gaffer |
| Editing | Simon Fung | Assistant Editor |
| Crew | Cathy Lau Wai-Fong | Post Production Assistant |
| Directing | Andy Ma Kun Wai | Script Supervisor |
| Crew | 向華強 | Presenter |
| Crew | Dennis Law | Presenter |
| Crew | Lu Ching-Ting | Set Runner |
| Writing | Po Sang Sie | Story Consultant |
| Crew | Chan Siu-Pang | In Memory Of |
| Costume & Make-Up | Midco Chu Wai-Fong | Makeup Artist |
| Production | Dennis Law | Producer |
