Chester Lee werkt bij Mullens Industries en wil graag promotie maken. De grootste drijfveer daarachter is dat zijn vriendin Bess dan eindelijk met hem zou willen trouwen. De enige manier om de promotie te bereiken, is voor Chester om de coaching van het door het bedrijf gesponsorde meidenvoetbalteam, de Ladybugs, op zich te nemen en ze naar het kampioenschap te leiden. Als Chester, die absoluut niets van voetbal weet, de meiden ontmoet, realiseert hij zich dat zijn missie heel erg lastig zal worden.
Nee, helaas is Ladybugs nog niet beschikbaar op Netflix in Nederland.
| Directing | Sidney J. Furie | Director |
| Writing | Curtis Burch | Writer |
| Editing | John W. Wheeler | Editor |
| Production | André E. Morgan | Producer |
| Directing | Newt Arnold | First Assistant Director |
| Production | Joe M. Aguilar | Unit Production Manager |
| Sound | Richard Gibbs | Original Music Composer |
| Directing | James M. Freitag | First Assistant Director |
| Production | Mike Fenton | Casting |
| Production | Lloyd Bloom | Co-Executive Producer |
| Production | Harry Basil | Associate Producer |
| Production | Valorie Massalas | Casting |
| Sound | Bill Abbott | Music Editor |
| Costume & Make-Up | Isis Mussenden | Costume Design |
| Editing | Tim Board | Editor |
| Directing | Diane Durant | Script Supervisor |
| Art | Robb Wilson King | Production Design |
| Camera | Dan Burstall | Director of Photography |
| Art | Penelope Rene Stames | Set Decoration |
| Production | Gray Frederickson | Executive Producer |
| Directing | Gail Joyce Fortmuller | Second Assistant Director |
| Camera | Malcolm MacIntosh | Camera Operator |
| Production | Albert S. Ruddy | Producer |
| Sound | Maciek Malish | Dialogue Editor |
| Sound | Richard D. Rogers | Sound Re-Recording Mixer |
| Editing | Julie Rogers | First Assistant Editor |
| Costume & Make-Up | Rosanne Bigelow | Hairstylist |
| Editing | Terry Hubbard | First Assistant Editor |
| Sound | John Shouse | Dialogue Editor |
| Production | Teri Fettis-D'Ovidio | Production Coordinator |
| Sound | Norman B. Schwartz | Supervising Dialogue Editor |
| Sound | Philip Giffin | Orchestrator |
| Crew | Karin Mirick | Scenic Artist |
| Sound | Barbara Gandolfo-Frady | Sound Effects |
| Sound | Leslie Wiggins | Supervising Sound Effects Editor |
| Costume & Make-Up | Melanie Hennerman | Seamstress |
| Costume & Make-Up | Dionne Smith | Makeup Artist |
| Lighting | Brad Lipson | Chief Lighting Technician |
| Production | Karen Beard | Location Manager |
| Sound | Dennis S. Sands | Scoring Mixer |
| Costume & Make-Up | Sharon T. Brunn | Costume Supervisor |
| Costume & Make-Up | Patti Dallas | Makeup Artist |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Costume & Make-Up | Kathleen A. Saunders | Set Costumer |
| Sound | Jim Emerson | Sound Mixer |
| Sound | Joaquin Elizalde | Sound Effects |
| Sound | Grover B. Helsley | Sound Re-Recording Mixer |
| Sound | Nancy Lynn Hurlbut | Music Coordinator |
| Art | Paul Sjoberg | Set Dresser |
