Chester Lee werkt bij Mullens Industries en wil graag promotie maken. De grootste drijfveer daarachter is dat zijn vriendin Bess dan eindelijk met hem zou willen trouwen. De enige manier om de promotie te bereiken, is voor Chester om de coaching van het door het bedrijf gesponsorde meidenvoetbalteam, de Ladybugs, op zich te nemen en ze naar het kampioenschap te leiden. Als Chester, die absoluut niets van voetbal weet, de meiden ontmoet, realiseert hij zich dat zijn missie heel erg lastig zal worden.
Nee, helaas is Ladybugs nog niet beschikbaar op Netflix in Nederland.
| Directing | Sidney J. Furie | Director |
| Writing | Curtis Burch | Writer |
| Directing | Gail Joyce Fortmuller | Second Assistant Director |
| Camera | Dan Burstall | Director of Photography |
| Camera | Malcolm MacIntosh | Camera Operator |
| Production | Harry Basil | Associate Producer |
| Production | Mike Fenton | Casting |
| Production | André E. Morgan | Producer |
| Production | Joe M. Aguilar | Unit Production Manager |
| Sound | Bill Abbott | Music Editor |
| Editing | John W. Wheeler | Editor |
| Production | Valorie Massalas | Casting |
| Art | Robb Wilson King | Production Design |
| Costume & Make-Up | Isis Mussenden | Costume Design |
| Editing | Tim Board | Editor |
| Production | Gray Frederickson | Executive Producer |
| Sound | Richard Gibbs | Original Music Composer |
| Production | Lloyd Bloom | Co-Executive Producer |
| Directing | Newt Arnold | First Assistant Director |
| Production | Albert S. Ruddy | Producer |
| Directing | James M. Freitag | First Assistant Director |
| Directing | Diane Durant | Script Supervisor |
| Art | Penelope Rene Stames | Set Decoration |
| Production | Teri Fettis-D'Ovidio | Production Coordinator |
| Sound | Jim Emerson | Sound Mixer |
| Costume & Make-Up | Sharon T. Brunn | Costume Supervisor |
| Sound | Grover B. Helsley | Sound Re-Recording Mixer |
| Editing | Terry Hubbard | First Assistant Editor |
| Lighting | Brad Lipson | Chief Lighting Technician |
| Sound | Richard D. Rogers | Sound Re-Recording Mixer |
| Costume & Make-Up | Rosanne Bigelow | Hairstylist |
| Sound | Philip Giffin | Orchestrator |
| Production | Karen Beard | Location Manager |
| Costume & Make-Up | Kathleen A. Saunders | Set Costumer |
| Editing | Julie Rogers | First Assistant Editor |
| Crew | Karin Mirick | Scenic Artist |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Sound | Leslie Wiggins | Supervising Sound Effects Editor |
| Costume & Make-Up | Patti Dallas | Makeup Artist |
| Costume & Make-Up | Dionne Smith | Makeup Artist |
| Sound | John Shouse | Dialogue Editor |
| Costume & Make-Up | Melanie Hennerman | Seamstress |
| Sound | Barbara Gandolfo-Frady | Sound Effects |
| Sound | Dennis Sands | Scoring Mixer |
| Sound | Norman B. Schwartz | Supervising Dialogue Editor |
| Sound | Joaquin Elizalde | Sound Effects |
| Sound | Maciek Malish | Dialogue Editor |
| Sound | Nancy Lynn Hurlbut | Music Coordinator |
| Art | Paul Sjoberg | Set Dresser |
