John Hall accepteerd een baan accepteert in de oude textielfabriek van Gates Falls. Hij kan niet met de overheersende opzichter overweg. De relatie met Jane Wisconsky word door de jaloerse baas dan ook bestraft. John moet werken in de kelders van de fabriek. Alles lijkt tegen John, en over zijn op vreemde wijze overleden voorganger doen de raarste verhalen de ronde. Er worden zelfs weddenschappen afgesloten over de tijd dat John het tussen de ratten zal vol houden. De kelder is echter een onmetelijke diepte waarin een onbekend en niet menselijk groot gevaar schuilt...
Nee, helaas is Graveyard Shift nog niet beschikbaar op Netflix in Nederland.
| Directing | Ralph S. Singleton | Director |
| Writing | John Esposito | Screenplay |
| Crew | Randy Fife | Stunt Coordinator |
| Crew | Michael Adams | Stunts |
| Crew | Carl Ciarfalio | Stunts |
| Crew | Kerrie Cullen | Stunts |
| Crew | Greg Elam | Stunts |
| Crew | Cliff McLaughlin | Stunts |
| Production | William Hassell | Unit Production Manager |
| Production | Diane Foti | Unit Production Manager |
| Directing | Barry K. Thomas | First Assistant Director |
| Directing | Mark Cotone | Second Assistant Director |
| Directing | Peter Chesney | Second Unit Director |
| Art | Gershon Ginsburg | Assistant Art Director |
| Art | Rhonda Hardwick | Assistant Set Decoration |
| Directing | Lynne Twentyman | Script Supervisor |
| Camera | Rusty Geller | Camera Operator |
| Camera | Gary Baum | First Assistant Camera |
| Camera | Kent P. Hughes | Second Assistant Camera |
| Camera | Beth Cotter | Second Assistant Camera |
| Camera | Toris Von Wolfe | Still Photographer |
| Sound | Bernie Blynder | Sound Mixer |
| Sound | Jeffrey Blynder | Boom Operator |
| Crew | David Gaines | Post Production Supervisor |
| Editing | Amy Shorr | Assistant Editor |
| Editing | Karen Dale Greene | Assistant Editor |
| Sound | Jon Johnson | Sound Effects |
| Sound | Howard Neiman | ADR Supervisor |
| Sound | Howard Neiman | Foley Supervisor |
| Sound | Richard Corwin | Dialogue Editor |
| Sound | Richard Corwin | ADR Editor |
| Sound | Harry Harris | Dialogue Editor |
| Sound | Harry Harris | ADR Editor |
| Sound | Hank Brodkin | Dialogue Editor |
| Sound | Hank Brodkin | ADR Editor |
| Sound | Jerry Trent | Foley Artist |
| Sound | Audrey Trent | Foley Artist |
| Sound | Doug E. Turner | Sound Re-Recording Mixer |
| Sound | Frank A. Montaño | Sound Re-Recording Mixer |
| Sound | Grover B. Helsley | Sound Re-Recording Mixer |
| Sound | Ron Bedrosian | ADR Engineer |
| Sound | Christopher Kennedy | Music Editor |
| Costume & Make-Up | Donna King | Costumer |
| Costume & Make-Up | June Brickman | Key Makeup Artist |
| Costume & Make-Up | Karen Blynder | Makeup Artist |
| Costume & Make-Up | Candy Walker | Hairstylist |
| Production | Laura Butterworth | Local Casting |
| Camera | Tony Cutrono | Second Unit Director of Photography |
| Directing | John G. Scotti | Second Unit First Assistant Director |
| Costume & Make-Up | Angela Hajianis | Costumer |
| Sound | Brian Banks | Original Music Composer |
| Sound | Anthony Marinelli | Original Music Composer |
| Camera | Peter Stein | Director of Photography |
| Editing | Jim Gross | Editor |
| Editing | Randy Jon Morgan | Editor |
| Production | William J. Dunn | Producer |
| Production | Anthony Labonte | Associate Producer |
| Production | Joan Singleton | Associate Producer |
| Production | Ralph S. Singleton | Producer |
| Production | Bonnie Sugar | Executive Producer |
| Production | Larry Sugar | Executive Producer |
| Production | Sharon Bialy | Casting |
| Production | Mary Margiotta | Casting |
| Production | Richard Pagano | Casting |
| Art | Gary Wissner | Production Design |
| Art | Jack Jennings | Art Direction |
| Art | George R. Nelson | Set Decoration |
| Costume & Make-Up | Sarah Lemire | Costume Design |
| Writing | Stephen King | Short Story |
