Sara ontmoet de drukke zakenman Nelson, en doet hem het voorstel om voor 1 maand bij haar in te trekken. Nelson accepteert het aanbod, en na een tijdje realiseert hij zich dat er bepaalde dingen misten aan z'n drukke leven.
Nee, helaas is Sweet November nog niet beschikbaar op Netflix in Nederland.
| Writing | Herman Raucher | Original Film Writer |
| Editing | Anne V. Coates | Editor |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Production | Deborah Stoff | Producer |
| Writing | Kurt Voelker | Screenplay |
| Art | Kevin Constant | Art Direction |
| Production | Steven Reuther | Producer |
| Production | Elliott Kastner | Producer |
| Sound | Christopher Young | Original Music Composer |
| Camera | Edward Lachman | Director of Photography |
| Art | Naomi Shohan | Production Design |
| Production | Wendy Wanderman | Executive Producer |
| Art | Bob Kensinger | Set Decoration |
| Production | Erwin Stoff | Producer |
| Directing | Pat O'Connor | Director |
| Production | Gail Stempler | Location Manager |
| Sound | Tim Walston | Sound Designer |
| Sound | Mildred Iatrou | Dialogue Editor |
| Production | Randi Hiller | Casting |
| Lighting | John W. DeBlau | Gaffer |
| Art | Rodney Armanino | Construction Coordinator |
| Crew | Rod M. Janusch | Special Effects Coordinator |
| Production | Noelle Chapin | Production Coordinator |
| Camera | Orlando Orona | Dolly Grip |
| Sound | Eric Thompson | Foley Mixer |
| Costume & Make-Up | Peter Robb-King | Makeup Artist |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Sound | Laura Macias | Foley Artist |
| Costume & Make-Up | Nina Paskowitz | Hairstylist |
| Art | Michael E. Goldman | Assistant Art Director |
| Crew | Webster Whinery | Stunt Coordinator |
| Production | Jodi Ehrlich | Associate Producer |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Sound | Brian Best | Sound Effects Editor |
| Production | Marty P. Ewing | Co-Producer |
| Costume & Make-Up | Daniela Moore | Wardrobe Supervisor |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Costume & Make-Up | Peggy Forcellini | Key Hair Stylist |
| Camera | Dave Childers | Key Grip |
| Directing | Jonathan Watson | First Assistant Director |
| Sound | Nelson Stoll | Sound Mixer |
| Art | Rich Clot | Construction Foreman |
| Editing | Robb Sullivan | First Assistant Editor |
| Production | Marty P. Ewing | Unit Production Manager |
| Production | Donald H. Walker | Production Accountant |
| Production | Ellen Lent | Location Manager |
| Lighting | Terry Sullivan | Best Boy Electric |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Sound | Sean Rowe | Foley Artist |
| Directing | John M. Morse | Second Assistant Director |
| Camera | Mitch Dubin | Camera Operator |
| Sound | Fred Runner | Boom Operator |
| Sound | Michael Dressel | Foley Supervisor |
| Production | Risa Bramon Garcia | Casting |
| Camera | Paul Sanchez | First Assistant "A" Camera |
| Sound | Steven F. Nelson | Sound Effects Editor |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Tom O'Connell | ADR Mixer |
| Sound | John Michael Fanaris | Sound Editor |
| Sound | Paul Aulicino | First Assistant Sound Editor |
| Sound | Rick Hart | Sound Re-Recording Mixer |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Editing | Mo Henry | Negative Cutter |
| Editing | Dana Ross | Color Timer |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Sound | Mark Pappas | Foley Editor |
| Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
| Writing | Paul Yurick | Story |
| Sound | Tanya Noel Hill | Music Editor |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Sound | G. Marq Roswell | Music Supervisor |
| Directing | Leslie Park | Script Supervisor |
| Sound | Curtis Roush | Music Editor |
| Sound | John Finklea | Music Editor |
| Crew | Robin Lynn Bonaccorsi | Stunts |
