Sara ontmoet de drukke zakenman Nelson, en doet hem het voorstel om voor 1 maand bij haar in te trekken. Nelson accepteert het aanbod, en na een tijdje realiseert hij zich dat er bepaalde dingen misten aan z'n drukke leven.
Nee, helaas is Sweet November nog niet beschikbaar op Netflix in Nederland.
| Writing | Herman Raucher | Original Film Writer |
| Art | Kevin Constant | Art Direction |
| Editing | Anne V. Coates | Editor |
| Production | Elliott Kastner | Producer |
| Production | Deborah Stoff | Producer |
| Directing | Pat O'Connor | Director |
| Writing | Kurt Voelker | Screenplay |
| Art | Naomi Shohan | Production Design |
| Sound | Christopher Young | Original Music Composer |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Art | Bob Kensinger | Set Decoration |
| Production | Erwin Stoff | Producer |
| Production | Wendy Wanderman | Executive Producer |
| Camera | Edward Lachman | Director of Photography |
| Production | Steven Reuther | Producer |
| Costume & Make-Up | Peggy Forcellini | Key Hair Stylist |
| Sound | Mark Pappas | Foley Editor |
| Lighting | John W. DeBlau | Gaffer |
| Editing | Mo Henry | Negative Cutter |
| Production | Donald H. Walker | Production Accountant |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Production | Risa Bramon Garcia | Casting |
| Directing | John M. Morse | Second Assistant Director |
| Camera | Paul Sanchez | First Assistant "A" Camera |
| Sound | Fred Runner | Boom Operator |
| Camera | Dave Childers | Key Grip |
| Sound | Steve Nelson | Sound Effects Editor |
| Sound | Kimberly Lowe Voigt | Dialogue Editor |
| Production | Marty P. Ewing | Co-Producer |
| Art | Michael E. Goldman | Assistant Art Director |
| Production | Noelle Chapin | Production Coordinator |
| Production | Randi Hiller | Casting |
| Editing | Robb Sullivan | First Assistant Editor |
| Production | Ellen Lent | Location Manager |
| Costume & Make-Up | Peter Robb-King | Makeup Artist |
| Lighting | Terry Sullivan | Best Boy Electric |
| Costume & Make-Up | David Atherton | Key Makeup Artist |
| Sound | Michael Dressel | Foley Supervisor |
| Crew | Webster Whinery | Stunt Coordinator |
| Camera | Kirk R. Gardner | Steadicam Operator |
| Sound | Brian Best | Sound Effects Editor |
| Production | Gail Stempler | Location Manager |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Costume & Make-Up | Nina Paskowitz | Hairstylist |
| Art | Rich Clot | Construction Foreman |
| Camera | Mitch Dubin | Camera Operator |
| Directing | Jonathan Watson | First Assistant Director |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Crew | Rod M. Janusch | Special Effects Coordinator |
| Sound | Donald L. Warner Jr. | Dialogue Editor |
| Sound | Mildred Iatrou | Dialogue Editor |
| Sound | Sean Rowe | Foley Artist |
| Production | Marty P. Ewing | Unit Production Manager |
| Production | Jodi Ehrlich | Associate Producer |
| Sound | Nelson Stoll | Sound Mixer |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Costume & Make-Up | Daniela Moore | Wardrobe Supervisor |
| Camera | Orlando Orona | Dolly Grip |
| Sound | Eric Thompson | Foley Mixer |
| Art | Rodney Armanino | Construction Coordinator |
| Sound | Tim Walston | Sound Designer |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | John Michael Fanaris | Sound Editor |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Sound | Daniel J. Leahy | Sound Re-Recording Mixer |
| Editing | Dana Ross | Color Timer |
| Sound | Paul Aulicino | First Assistant Sound Editor |
| Sound | Tom O'Connell | ADR Mixer |
| Sound | Laura Macias | Foley Artist |
| Sound | Rick Hart | Sound Re-Recording Mixer |
| Writing | Paul Yurick | Story |
| Sound | John Finklea | Music Editor |
| Sound | G. Marq Roswell | Music Supervisor |
| Sound | Curtis Roush | Music Editor |
| Costume & Make-Up | Wayne Herndon | Hairstylist |
| Directing | Leslie Park | Script Supervisor |
| Sound | Tanya Noel Hill | Music Editor |
| Crew | Robin Lynn Bonaccorsi | Stunts |
