Het is 1943. Eugene Morris Jerome moet voor het eerst in zijn leven de voor hem vertrouwde omgeving van Brooklyn verlaten als hij naar een opleidingskamp voor mariniers in het diepe zuiden van Biloxi te Mississippi gaat. Met de verwachting donuts en vertier te vinden, wordt de jonge schrijver echter geconfronteerd met het feit dat de opleiding voor een oorlogsleger een strijd is om te overleven. Samen met een peloton van slungelige, blunderende jonge rekruten leert Eugene discipline op de harde manier van de meestal onvoorspelbare sergeantinstructeur Merwin J. Toomey. Hij moet de groentjes zo snel mogelijk klaarstomen tot keiharde vechtende mannen.
Nee, helaas is Biloxi Blues nog niet beschikbaar op Netflix in Nederland.
| Directing | Mike Nichols | Director |
| Writing | Neil Simon | Screenplay |
| Writing | Neil Simon | Theatre Play |
| Production | Joseph M. Caracciolo | Executive Producer |
| Production | Marykay Powell | Executive Producer |
| Production | Ray Stark | Producer |
| Sound | Georges Delerue | Original Music Composer |
| Camera | Bill Butler | Director of Photography |
| Editing | Sam O'Steen | Editor |
| Production | Juliet Taylor | Casting |
| Art | Paul Sylbert | Production Design |
| Costume & Make-Up | Ann Roth | Costume Design |
| Production | Joseph M. Caracciolo | Unit Production Manager |
| Directing | Michael Haley | First Assistant Director |
| Directing | James W. Skotchdopole | Second Assistant Director |
| Editing | Richard Nord | Associate Editor |
| Directing | Carla Corwin | Second Second Assistant Director |
| Directing | Glen Trotiner | Additional Second Assistant Director |
| Directing | B.J. Bjorkman | Script Supervisor |
| Camera | Ralph Gerling | Camera Operator |
| Camera | Bill Coe | First Assistant Camera |
| Camera | Peter Gerling | Second Assistant Camera |
| Camera | Robert Ulland | Steadicam Operator |
| Camera | Don Smetzer | Still Photographer |
| Sound | Allan Byer | Sound Mixer |
| Lighting | William Ward | Gaffer |
| Lighting | James Malone | Best Boy Electric |
| Lighting | Francis J. McBride | Rigging Gaffer |
| Camera | Norman Buck | Key Grip |
| Camera | James McGrath | Dolly Grip |
| Lighting | Michael J. Fabiano | Rigging Grip |
| Art | Alan Hicks | Set Decoration |
| Art | Herbert F. Mulligan | Set Dresser |
| Art | Carlos Quiles | Construction Coordinator |
| Art | Edward C. Sexton | Head Carpenter |
| Costume & Make-Up | Kelvin R. Trahan | Makeup Designer |
| Costume & Make-Up | Kelvin R. Trahan | Hair Designer |
| Costume & Make-Up | Frank Bianco | Hairstylist |
| Costume & Make-Up | Jay Cannistraci | Makeup Artist |
| Costume & Make-Up | Gary Jones | Assistant Costume Designer |
| Costume & Make-Up | Michael Dennison | Wardrobe Supervisor |
| Costume & Make-Up | Bruce Ericksen | Wardrobe Supervisor |
| Crew | Daniel Ottesen | Special Effects |
| Crew | Kevin Brink | Special Effects |
| Crew | John Ottesen | Special Effects |
| Crew | Whitey Hughes | Stunt Coordinator |
| Crew | Rick LeFevour | Stunt Coordinator |
| Production | Wendi Haas | Production Office Coordinator |
| Production | Sarah Tackett | Extras Casting |
| Crew | Joan Eisenberg | Unit Publicist |
| Costume & Make-Up | Amy Roth | Wardrobe Assistant |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Editing | Kris Cole | Assistant Editor |
| Editing | Lori Kornspun | Assistant Editor |
| Sound | Stan Bochner | Supervising Sound Editor |
| Sound | Robert Hein | Sound Editor |
| Sound | Gail Showalter | Assistant Sound Editor |
| Sound | Tony Martinez | Assistant Sound Editor |
| Sound | Michael Jacobi | ADR Supervisor |
| Sound | Patrick Mullins | Music Editor |
| Editing | Bruce Pearson | Color Timer |
