Steven Taylor is een geslaagde zakenman in de financiële wereld van New York en heeft alles wat hij wil, behalve de liefde en trouw van zijn jonge, intelligente vrouw Emily. Ze wil meer dan die saaie wereld van haar man, en begint een hartstochtelijke affaire met de kunstenaar David Shaw.
Nee, helaas is A Perfect Murder nog niet beschikbaar op Netflix in Nederland.
| Production | Anne Kopelson | Producer |
| Sound | James Newton Howard | Original Music Composer |
| Writing | Patrick Smith Kelly | Screenplay |
| Editing | Dennis Virkler | Editor |
| Production | Peter Macgregor-Scott | Producer |
| Camera | Dariusz Wolski | Director of Photography |
| Writing | Frederick Knott | Screenplay |
| Directing | Andrew Davis | Director |
| Writing | Frederick Knott | Theatre Play |
| Production | Arnold Kopelson | Producer |
| Editing | Dov Hoenig | Editor |
| Production | Lowell D. Blank | Associate Producer |
| Production | Christopher Mankiewicz | Producer |
| Production | Cathy Sandrich Gelfond | Casting |
| Production | Stephen Joel Brown | Executive Producer |
| Production | Mitchell E. Dauterive | Co-Producer |
| Production | Nana Greenwald | Co-Producer |
| Production | Teresa Tucker-Davies | Associate Producer |
| Production | Lisa Reardon | Associate Producer |
| Production | Amanda Mackey | Casting |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Production | Mercedes Kelso | Casting Associate |
| Costume & Make-Up | Deirdre N. Williams | Costume Supervisor |
| Art | Philip Rosenberg | Production Design |
| Camera | Andrew D. Schwartz | Still Photographer |
| Art | Debra Schutt | Set Decoration |
| Production | Elizabeth Lang | Casting Associate |
| Art | Patricia Woodbridge | Art Direction |
| Directing | Dru Anne Carlson | Script Supervisor |
| Camera | Stephen St. John | Steadicam Operator |
| Editing | Mark S. Westmore | First Assistant Editor |
| Crew | Michael Runyard | Stunt Coordinator |
| Editing | Uri Katoni | First Assistant Editor |
| Sound | David Olson | Music Editor |
| Sound | Robert Schaper | Sound Re-Recording Mixer |
| Costume & Make-Up | Milton Buras | Key Hair Stylist |
| Costume & Make-Up | John Glaser | Assistant Costume Designer |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
| Editing | Nina Lucia | First Assistant Editor |
| Costume & Make-Up | Laura Drawbaugh | Assistant Costume Designer |
| Sound | Tom Nelson | Production Sound Mixer |
| Crew | Jeff Brink | Special Effects Coordinator |
| Crew | John Cenatiempo | Stunts |
| Crew | Zsolt Kadar | Loader |
| Crew | Kevin Keefe | Transportation Coordinator |
| Art | Timothy Metzger | Leadman |
| Camera | Zoran Veselić | First Assistant Camera |
| Art | Martin Lasowitz | Property Master |
| Crew | Heathar Wynne | Set Medic |
| Art | Laura Brock | Assistant Art Director |
| Crew | Howard Samuelsohn | Dialect Coach |
| Art | George Hugel | Construction Coordinator |
| Directing | Henry J. Bronchtein | First Assistant Director |
| Editing | Bob Putynkowski | Color Timer |
| Crew | Kevin McKenna | Video Assist Operator |
| Costume & Make-Up | Alan D'Angerio | Hair Designer |
| Crew | Charles Bodycomb | Armorer |
| Art | Brick Mason | Production Illustrator |
| Crew | Edward Devereaux II | Driver |
| Crew | Robert C. Campion | Production Controller |
| Art | David Blankenship | Set Designer |
| Costume & Make-Up | Caryn Brostoff | Makeup Artist |
| Crew | Michael Singer | Unit Publicist |
| Lighting | William MacGhee | Electrician |
| Production | Christopher DeFaria | Executive In Charge Of Production |
| Camera | Billy Patsos | Key Grip |
| Camera | Mike House | Grip |
| Costume & Make-Up | Eric M. Metzger | Set Dressing Artist |
| Production | Michael Stricks | Location Manager |
| Crew | Arthur K. Flam | Production Intern |
| Crew | Kevin Flynn | Transportation Captain |
| Production | Jan Foster | Unit Production Manager |
| Sound | Jeff Atmajian | Orchestrator |
| Sound | Gary Blufer | Sound Editor |
| Art | Jennifer B. Starke | Art Department Coordinator |
| Crew | Joseph Garzero | Scenic Artist |
| Sound | Lance Brown | Sound Designer |
| Crew | Tony Marks | Carpenter |
| Crew | Chris T. Margiano | Craft Service |
| Sound | Scott Curtis | Foley Editor |
| Production | Gail Barringer | Production Accountant |
| Sound | Daniel Rosenblum | Boom Operator |
| Sound | Paul Aulicino | Assistant Sound Editor |
| Production | Maria Norman | Executive Assistant |
| Camera | James Pollard | Dolly Grip |
| Sound | Hilda Hodges | Foley Artist |
| Sound | Mary Jo Lang | Foley Mixer |
| Crew | Manex Efrem | Special Effects Technician |
| Camera | Ashley Bond | Focus Puller |
| Camera | James R. Belletier | Second Assistant Camera |
| Sound | Artie Kane | Conductor |
| Production | Joseph Lombardi | Payroll Accountant |
| Art | Diana Burton | Assistant Property Master |
| Production | David Ray Martin | Location Assistant |
| Lighting | Morris Flam | Chief Lighting Technician |
| Production | Matthew Gross | Production Executive |
| Directing | Amy Lauritsen | Second Assistant Director |
| Sound | Scott Jones | ADR Mixer |
| Camera | Jefferson T. Jones | Assistant Camera |
| Production | Paul Kramer | Assistant Location Manager |
| Editing | Guy Barresi | Assistant Editor |
| Sound | Joseph A. Mayer | Supervising ADR Editor |
| Camera | Keith Bunting | Best Boy Grip |
| Sound | Jim Weidman | Supervising Music Editor |
| Production | Holly Watson | Production Secretary |
| Directing | Jennifer Truelove | Second Second Assistant Director |
| Art | Jay Johnson | Title Designer |
| Editing | Mo Henry | Negative Cutter |
| Crew | Dana Hee | Stunt Double |
| Lighting | John G. Velez | Assistant Chief Lighting Technician |
| Sound | Virginia Cook-McGowan | Dialogue Editor |
