De tactieken van de Duitse gevechtspiloot luitenant Bruno Stachel tijdens de Eerste Wereldoorlog zijn een belediging voor zijn aristocrate kameraden, maar hierdoor heeft hij wel de befaamde Blue Max medaille in ontvangst mogen nemen.
Nee, helaas is The Blue Max nog niet beschikbaar op Netflix in Nederland.
| Directing | John Guillermin | Director |
| Writing | David Pursall | Writer |
| Writing | Gerald Hanley | Writer |
| Writing | Jack Seddon | Writer |
| Costume & Make-Up | Elsa Fennell | Costume Supervisor |
| Costume & Make-Up | Tony Sforzini | Makeup Artist |
| Art | Wilfred Shingleton | Production Design |
| Production | Stuart Lyons | Casting |
| Art | Fred Carter | Art Direction |
| Production | Christian Ferry | Producer |
| Editing | Max Benedict | Editor |
| Costume & Make-Up | Charles E. Parker | Makeup Department Head |
| Costume & Make-Up | John O'Gorman | Makeup Artist |
| Camera | Skeets Kelly | Camera Operator |
| Production | René Dupont | Production Manager |
| Crew | Darby Kennedy | Stunt Coordinator |
| Sound | Chris Greenham | Sound Editor |
| Camera | Chic Waterson | Camera Operator |
| Sound | Jerry Goldsmith | Original Music Composer |
| Camera | Douglas Slocombe | Director of Photography |
| Camera | Mike Fox | Focus Puller |
| Directing | Helen Whitson | Continuity |
| Crew | Karl Baumgartner | Special Effects |
| Costume & Make-Up | Pat McDermott | Hairdresser |
| Camera | Skeets Kelly | Aerial Camera |
| Sound | Claude Hitchcock | Sound |
| Sound | Bob Jones | Sound |
| Costume & Make-Up | Elsa Fennell | Wardrobe Supervisor |
| Art | Tony Curtis | Assistant Art Director |
| Directing | Jack Causey | Assistant Director |
| Directing | Derek Cracknell | Assistant Director |
| Sound | John Cox | Sound |
| Sound | Richard Best Jr. | Assistant Sound Editor |
| Crew | Maurice Ayers | Special Effects |
| Crew | Ron Ballanger | Special Effects |
| Editing | Elizabeth Thoyts | Assistant Editor |
