De tactieken van de Duitse gevechtspiloot luitenant Bruno Stachel tijdens de Eerste Wereldoorlog zijn een belediging voor zijn aristocrate kameraden, maar hierdoor heeft hij wel de befaamde Blue Max medaille in ontvangst mogen nemen.
Nee, helaas is The Blue Max nog niet beschikbaar op Netflix in Nederland.
Directing | John Guillermin | Director |
Writing | David Pursall | Writer |
Writing | Jack Seddon | Writer |
Writing | Gerald Hanley | Writer |
Production | Christian Ferry | Producer |
Editing | Max Benedict | Editor |
Production | Stuart Lyons | Casting |
Art | Wilfred Shingleton | Production Design |
Art | Fred Carter | Art Direction |
Costume & Make-Up | Elsa Fennell | Costume Supervisor |
Costume & Make-Up | John O'Gorman | Makeup Artist |
Costume & Make-Up | Tony Sforzini | Makeup Artist |
Costume & Make-Up | Charles E. Parker | Makeup Department Head |
Production | René Dupont | Production Manager |
Sound | Chris Greenham | Sound Editor |
Crew | Darby Kennedy | Stunt Coordinator |
Camera | Skeets Kelly | Camera Operator |
Camera | Chic Waterson | Camera Operator |
Camera | Douglas Slocombe | Director of Photography |
Sound | Jerry Goldsmith | Original Music Composer |
Camera | Mike Fox | Focus Puller |
Costume & Make-Up | Pat McDermott | Hairdresser |
Art | Tony Curtis | Assistant Art Director |
Camera | Skeets Kelly | Aerial Camera |
Directing | Jack Causey | Assistant Director |
Directing | Derek Cracknell | Assistant Director |
Sound | Richard Best Jr. | Assistant Sound Editor |
Sound | John Cox | Sound |
Sound | Claude Hitchcock | Sound |
Sound | Bob Jones | Sound |
Costume & Make-Up | Elsa Fennell | Wardrobe Supervisor |
Crew | Maurice Ayers | Special Effects |
Crew | Ron Ballanger | Special Effects |
Crew | Karl Baumgartner | Special Effects |
Editing | Elizabeth Thoyts | Assistant Editor |
Directing | Helen Whitson | Continuity |