Premiejager Tommy Nowak is van alle markten thuis als het erop aankomt zijn doel te bereiken. Hij ontpopt zich van geroutineerde deejay of rodeoclown, tot casinocroupier met als doel zijn prooi op het gepaste moment en liefst onverwachts in de boeien te slaan. De zaak "Lou Ann McGuinn" is dan ook een echte uitdaging voor Tommy. Lou Ann is er niet alleen vandoor met de roze Cadillac die ze van haar echtgenoot heeft "geleend", ze heeft ook hun acht maanden oude baby bij zich en een pak valse dollars die in de auto verstopt zaten en die aan een bende blanke extremisten toebehoort. Het begin van een dolle achtervolging.
Nee, helaas is Pink Cadillac nog niet beschikbaar op Netflix in Nederland.
| Camera | Jack N. Green | Director of Photography |
| Editing | Joel Cox | Editor |
| Sound | Steve Dorff | Original Music Composer |
| Production | Phyllis Huffman | Casting |
| Production | Michael Gruskoff | Executive Producer |
| Production | David Valdes | Producer |
| Writing | John Eskow | Writer |
| Art | Edward C. Carfagno | Production Design |
| Directing | Buddy Van Horn | Director |
| Crew | Steve Kelso | Stunt Driver |
| Crew | Doc Duhame | Stunts |
| Sound | Virginia Cook-McGowan | Sound Editor |
| Sound | Rick Alexander | Sound Re-Recording Mixer |
| Production | David Valdes | Production Manager |
| Sound | Donald Harris | Music Editor |
| Sound | Les Fresholtz | Sound Re-Recording Mixer |
| Sound | Willie D. Burton | Sound Mixer |
| Editing | Michael Cipriano | Assistant Editor |
| Art | Judy Cammer | Set Designer |
| Sound | Robert G. Henderson | Supervising Sound Editor |
| Directing | Frank Capra III | Second Assistant Director |
| Directing | Matt Earl Beesley | First Assistant Director |
| Sound | David Horton Sr. | Sound Editor |
| Sound | Vern Poore | Sound Re-Recording Mixer |
| Camera | Douglas Ryan | Camera Operator |
| Crew | Robert W. Harris | Cableman |
| Art | Edward Aiona | Property Master |
| Production | Michael Maurer | Production Accountant |
| Camera | Tony Rivetti Sr. | First Assistant Camera |
| Crew | John Frazier | Special Effects |
| Camera | Jerry Sidell | First Assistant Camera |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Art | Jerry Swift | Assistant Property Master |
| Sound | Joseph A. Ippolito | Sound Editor |
| Sound | Marvin E. Lewis | Boom Operator |
| Costume & Make-Up | Susan Germaine | Hairstylist |
| Crew | Diamond Farnsworth | Stunt Coordinator |
| Sound | Marshall Winn | Sound Editor |
| Directing | Jeffrey Wetzel | Second Second Assistant Director |
| Sound | Neil Burrow | Sound Editor |
| Sound | Jay Engel | ADR Editor |
| Sound | Teri E. Dorman | Sound Editor |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Art | Thomas L. Roysden | Set Decoration |
| Camera | Stephen St. John | Camera Operator |
| Editing | Donah Bassett | Negative Cutter |
| Camera | Bruce D. Spellman | Best Boy Grip |
| Lighting | Víctor Pérez | Chief Lighting Technician |
| Art | Larry Boyd | Set Dresser |
| Camera | Bill Young | Key Grip |
| Camera | Jim Dunford | Dolly Grip |
| Camera | Marcia Reed | Still Photographer |
| Crew | Tom Roberts | Transportation Captain |
| Art | Bryan Belair | Construction Foreman |
| Production | Linda Sony Kinney | Production Secretary |
| Crew | Calvin Joe Acord | Special Effects |
| Crew | Keith Dillin | Transportation Coordinator |
| Crew | Marco Barla | Unit Publicist |
| Crew | Andy Gill | Stunts |
| Crew | Kerrie Cullen | Stunts |
