1939. Sarah Miles is getrouwd met Henry en hoewel ze van haar man houdt, deelt ze geen intimiteiten met hem. Wanneer ze Maurice ontmoet, is de aantrekkingskracht tussen hen zo groot dat ze zich storten in een passievolle affaire. Plotseling en zonder reden verlaat Sarah haar minnaar. Als Maurice twee jaar later de kans krijgt om achter de reden van Sarah's besluit te komen, pakt hij deze met beide handen aan.
Nee, helaas is The End of the Affair nog niet beschikbaar op Netflix in Nederland.
| Art | Joanne Woollard | Set Decoration |
| Costume & Make-Up | Sandy Powell | Costume Design |
| Production | Stephen Woolley | Producer |
| Art | Tony Woollard | Art Direction |
| Editing | Tony Lawson | Editor |
| Writing | Graham Greene | Novel |
| Art | John Bush | Set Decoration |
| Production | Neil Jordan | Producer |
| Sound | Michael Nyman | Original Music Composer |
| Directing | Neil Jordan | Director |
| Writing | Neil Jordan | Screenplay |
| Art | Jon Billington | Art Direction |
| Production | Susie Figgis | Casting |
| Art | Anthony Pratt | Production Design |
| Crew | Greg Powell | Stunt Coordinator |
| Art | Chris Seagers | Supervising Art Director |
| Camera | Roger Pratt | Director of Photography |
| Directing | Patrick Clayton | First Assistant Director |
| Directing | Diana Dill | Script Supervisor |
| Camera | Mike Roberts | Camera Operator |
| Camera | Clive Mackey | Focus Puller |
| Directing | Michael Stevenson | Second Assistant Director |
| Camera | Colin Manning | Key Grip |
| Costume & Make-Up | Sharon Long | Wardrobe Supervisor |
| Art | John Bohan | Construction Manager |
| Crew | Steve Mitchell | Scenic Artist |
| Camera | Graham Martyr | Focus Puller |
| Art | Jo Graysmark | Assistant Art Director |
| Camera | Berndt Wiese | Clapper Loader |
| Camera | Alf Tramontin | Steadicam Operator |
| Sound | David Stephenson | Sound Mixer |
| Costume & Make-Up | Debbie Scott | Assistant Costume Designer |
| Crew | Paul Jennings | Stunts |
| Lighting | Chuck Finch | Chief Lighting Technician |
| Lighting | Thomas Elliot | Electrician |
| Lighting | Simon Lucas | Electrician |
| Production | Maggie Phelan | Production Accountant |
| Lighting | Billy Merrell | Assistant Chief Lighting Technician |
| Lighting | Warren Ewen | Electrician |
| Visual Effects | Yves De Bono | Special Effects Supervisor |
| Production | Deryn Stafford | Production Coordinator |
| Production | Phil Hounam | Unit Manager |
| Directing | Sean Clayton | Second Second Assistant Director |
| Directing | Ian Stone | Second Second Assistant Director |
| Crew | Michael Saxton | Post Production Supervisor |
| Art | Keith Vowles | Property Master |
| Crew | Susan d'Arcy | Unit Publicist |
| Visual Effects | Mark Nelmes | Visual Effects Supervisor |
| Editing | Jens Baylis | First Assistant Editor |
| Production | David Pinnington | Location Manager |
| Crew | Julia Wilson Dickson | Dialogue Coach |
| Sound | Michael Connell | Supervising Music Editor |
| Sound | Sam Auguste | Assistant Sound Editor |
| Sound | Andy Thompson | ADR Mixer |
| Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
| Costume & Make-Up | Demelza Rogers | Makeup & Hair |
| Sound | Mark Auguste | Sound Editor |
| Sound | Dominic Lester | Sound Re-Recording Mixer |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Costume & Make-Up | Elaine L. Offers | Makeup Artist |
| Sound | Richard Street | Sound Re-Recording Mixer |
| Sound | Tim Hands | Dialogue Editor |
| Costume & Make-Up | Vivien Riley | Makeup & Hair |
| Production | Kathy Sykes | Co-Producer |
| Sound | Derek Trigg | Foley Editor |
| Costume & Make-Up | Paolo Mantini | Hairstylist |
| Costume & Make-Up | Jeremy Woodhead | Makeup Artist |
| Costume & Make-Up | Felicity Wright | Hairstylist |
| Camera | David Appleby | Still Photographer |
