1939. Sarah Miles is getrouwd met Henry en hoewel ze van haar man houdt, deelt ze geen intimiteiten met hem. Wanneer ze Maurice ontmoet, is de aantrekkingskracht tussen hen zo groot dat ze zich storten in een passievolle affaire. Plotseling en zonder reden verlaat Sarah haar minnaar. Als Maurice twee jaar later de kans krijgt om achter de reden van Sarah's besluit te komen, pakt hij deze met beide handen aan.
Nee, helaas is The End of the Affair nog niet beschikbaar op Netflix in Nederland.
| Directing | Neil Jordan | Director |
| Writing | Neil Jordan | Screenplay |
| Writing | Graham Greene | Novel |
| Production | Neil Jordan | Producer |
| Production | Stephen Woolley | Producer |
| Editing | Tony Lawson | Editor |
| Sound | Michael Nyman | Original Music Composer |
| Production | Susie Figgis | Casting |
| Art | Anthony Pratt | Production Design |
| Art | Jon Billington | Art Direction |
| Art | Tony Woollard | Art Direction |
| Art | John Bush | Set Decoration |
| Art | Joanne Woollard | Set Decoration |
| Costume & Make-Up | Sandy Powell | Costume Design |
| Crew | Greg Powell | Stunt Coordinator |
| Art | Chris Seagers | Supervising Art Director |
| Camera | Roger Pratt | Director of Photography |
| Crew | Paul Jennings | Stunts |
| Camera | Mike Roberts | Camera Operator |
| Directing | Patrick Clayton | First Assistant Director |
| Directing | Michael Stevenson | Second Assistant Director |
| Art | Jo Graysmark | Assistant Art Director |
| Art | John Bohan | Construction Manager |
| Crew | Steve Mitchell | Scenic Artist |
| Directing | Diana Dill | Script Supervisor |
| Camera | Graham Martyr | Focus Puller |
| Camera | Clive Mackey | Focus Puller |
| Camera | Berndt Wiese | Clapper Loader |
| Camera | Colin Manning | Key Grip |
| Camera | Alf Tramontin | Steadicam Operator |
| Costume & Make-Up | Debbie Scott | Assistant Costume Designer |
| Costume & Make-Up | Sharon Long | Wardrobe Supervisor |
| Sound | David Stephenson | Sound Mixer |
| Lighting | Chuck Finch | Chief Lighting Technician |
| Lighting | Billy Merrell | Assistant Chief Lighting Technician |
| Lighting | Simon Lucas | Electrician |
| Lighting | Warren Ewen | Electrician |
| Lighting | Thomas Elliot | Electrician |
| Directing | Sean Clayton | Second Second Assistant Director |
| Directing | Ian Stone | Second Second Assistant Director |
| Visual Effects | Yves De Bono | Special Effects Supervisor |
| Production | David Pinnington | Location Manager |
| Production | Phil Hounam | Unit Manager |
| Production | Deryn Stafford | Production Coordinator |
| Production | Maggie Phelan | Production Accountant |
| Art | Keith Vowles | Property Master |
| Crew | Susan d'Arcy | Unit Publicist |
| Crew | Julia Wilson Dickson | Dialogue Coach |
| Crew | Michael Saxton | Post Production Supervisor |
| Editing | Jens Baylis | First Assistant Editor |
| Sound | Sam Auguste | Assistant Sound Editor |
| Visual Effects | Mark Nelmes | Visual Effects Supervisor |
| Sound | Michael Connell | Supervising Music Editor |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Costume & Make-Up | Paolo Mantini | Hairstylist |
| Costume & Make-Up | Elaine L. Offers | Makeup Artist |
| Costume & Make-Up | Vivien Riley | Makeup & Hair |
| Costume & Make-Up | Demelza Rogers | Makeup & Hair |
| Costume & Make-Up | Jeremy Woodhead | Makeup Artist |
| Costume & Make-Up | Felicity Wright | Hairstylist |
| Production | Kathy Sykes | Co-Producer |
| Sound | Mark Auguste | Sound Editor |
| Sound | Tim Hands | Dialogue Editor |
| Sound | Dominic Lester | Sound Re-Recording Mixer |
| Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
| Sound | Richard Street | Sound Re-Recording Mixer |
| Sound | Andy Thompson | ADR Mixer |
| Sound | Derek Trigg | Foley Editor |
| Camera | David Appleby | Still Photographer |
| Crew | Mark Griffin | Special Effects Technician |
