1939. Sarah Miles is getrouwd met Henry en hoewel ze van haar man houdt, deelt ze geen intimiteiten met hem. Wanneer ze Maurice ontmoet, is de aantrekkingskracht tussen hen zo groot dat ze zich storten in een passievolle affaire. Plotseling en zonder reden verlaat Sarah haar minnaar. Als Maurice twee jaar later de kans krijgt om achter de reden van Sarah's besluit te komen, pakt hij deze met beide handen aan.
Nee, helaas is The End of the Affair nog niet beschikbaar op Netflix in Nederland.
| Production | Stephen Woolley | Producer |
| Directing | Neil Jordan | Director |
| Production | Neil Jordan | Producer |
| Art | Tony Woollard | Art Direction |
| Art | Joanne Woollard | Set Decoration |
| Production | Susie Figgis | Casting |
| Costume & Make-Up | Sandy Powell | Costume Design |
| Editing | Tony Lawson | Editor |
| Art | Jon Billington | Art Direction |
| Writing | Graham Greene | Novel |
| Art | John Bush | Set Decoration |
| Sound | Michael Nyman | Original Music Composer |
| Writing | Neil Jordan | Screenplay |
| Art | Anthony Pratt | Production Design |
| Crew | Greg Powell | Stunt Coordinator |
| Camera | Roger Pratt | Director of Photography |
| Art | Chris Seagers | Supervising Art Director |
| Directing | Diana Dill | Script Supervisor |
| Camera | Colin Manning | Key Grip |
| Costume & Make-Up | Sharon Long | Wardrobe Supervisor |
| Camera | Mike Roberts | Camera Operator |
| Art | John Bohan | Construction Manager |
| Camera | Graham Martyr | Focus Puller |
| Crew | Steve Mitchell | Scenic Artist |
| Directing | Patrick Clayton | First Assistant Director |
| Camera | Berndt Wiese | Clapper Loader |
| Camera | Clive Mackey | Focus Puller |
| Crew | Paul Jennings | Stunts |
| Costume & Make-Up | Debbie Scott | Assistant Costume Designer |
| Art | Jo Graysmark | Assistant Art Director |
| Directing | Michael Stevenson | Second Assistant Director |
| Camera | Alf Tramontin | Steadicam Operator |
| Sound | David Stephenson | Sound Mixer |
| Lighting | Thomas Elliot | Electrician |
| Directing | Ian Stone | Second Second Assistant Director |
| Lighting | Chuck Finch | Chief Lighting Technician |
| Lighting | Simon Lucas | Electrician |
| Lighting | Billy Merrell | Assistant Chief Lighting Technician |
| Lighting | Warren Ewen | Electrician |
| Visual Effects | Yves De Bono | Special Effects Supervisor |
| Production | Phil Hounam | Unit Manager |
| Directing | Sean Clayton | Second Second Assistant Director |
| Production | David Pinnington | Location Manager |
| Production | Maggie Phelan | Production Accountant |
| Production | Deryn Stafford | Production Coordinator |
| Art | Keith Vowles | Property Master |
| Sound | Sam Auguste | Assistant Sound Editor |
| Crew | Michael Saxton | Post Production Supervisor |
| Sound | Michael Connell | Supervising Music Editor |
| Editing | Jens Baylis | First Assistant Editor |
| Visual Effects | Mark Nelmes | Visual Effects Supervisor |
| Crew | Susan d'Arcy | Unit Publicist |
| Crew | Julia Wilson Dickson | Dialogue Coach |
| Costume & Make-Up | Paolo Mantini | Hairstylist |
| Costume & Make-Up | Jeremy Woodhead | Makeup Artist |
| Production | Kathy Sykes | Co-Producer |
| Sound | Derek Trigg | Foley Editor |
| Costume & Make-Up | Elaine L. Offers | Makeup Artist |
| Costume & Make-Up | Christine Beveridge | Makeup Designer |
| Sound | Robin O'Donoghue | Sound Re-Recording Mixer |
| Sound | Mark Auguste | Sound Editor |
| Costume & Make-Up | Demelza Rogers | Makeup & Hair |
| Sound | Dominic Lester | Sound Re-Recording Mixer |
| Sound | Tim Hands | Dialogue Editor |
| Sound | Richard Street | Sound Re-Recording Mixer |
| Costume & Make-Up | Vivien Riley | Makeup & Hair |
| Sound | Andy Thompson | ADR Mixer |
| Costume & Make-Up | Felicity Wright | Hairstylist |
| Camera | David Appleby | Still Photographer |
