Op het hoogtepunt van de Koude Oorlog, begin jaren '60, worden de jarenlange vijanden CIA-agent Napoleon Solo en KGB-agent Illya Kuryakin gedwongen samen te werken. Zij moeten namelijk de strijd aanbinden met een mysterieuze, internationale misdaadorganisatie die door middel van kernwapens en technologie het wankele machtsevenwicht dreigt te verstoren.
Nee, helaas is The Man from U.N.C.L.E. nog niet beschikbaar op Netflix in Nederland.
| Art | Paul Purdy | Property Master |
| Directing | Guy Ritchie | Director |
| Writing | Guy Ritchie | Screenplay |
| Writing | Lionel Wigram | Screenplay |
| Editing | James Herbert | Editor |
| Camera | John Mathieson | Director of Photography |
| Sound | Daniel Pemberton | Original Music Composer |
| Production | Lionel Wigram | Producer |
| Writing | Guy Ritchie | Story |
| Production | Reg Poerscout-Edgerton | Casting |
| Writing | Lionel Wigram | Story |
| Production | Enzo Sisti | Line Producer |
| Production | Steven Mnuchin | Executive Producer |
| Writing | David C. Wilson | Story |
| Writing | Jeff Kleeman | Story |
| Production | Max Keene | Co-Producer |
| Production | Mark Mostyn | Co-Producer |
| Production | Peter Eskelsen | Associate Producer |
| Production | Steve Clark-Hall | Producer |
| Production | Jeff Kleeman | Executive Producer |
| Art | Oliver Scholl | Production Design |
| Production | John Davis | Producer |
| Production | David Dobkin | Executive Producer |
| Production | Guy Ritchie | Producer |
| Art | Elli Griff | Set Decoration |
| Costume & Make-Up | Charlotte Finlay | Costume Supervisor |
| Costume & Make-Up | Sarah Monzani | Makeup Designer |
| Art | Alessandro Santucci | Assistant Art Director |
| Crew | Jon Baker | Armorer |
| Art | Sarah Griggs | Art Department Coordinator |
| Production | Lillie Jeffrey | Casting Associate |
| Costume & Make-Up | Zoe Clare Brown | Makeup Artist |
| Art | Remo Tozzi | Art Direction |
| Art | David Allday | Art Direction |
| Art | Riccardo Monti | Art Direction |
| Crew | Danilo Bollettini | Special Effects Coordinator |
| Costume & Make-Up | Marco Alzari | Costume Supervisor |
| Costume & Make-Up | Alex Rouse | Wigmaker |
| Art | Toby Britton | Art Direction |
| Art | Amanda Pettett | Construction Coordinator |
| Art | Kate Grimble | Art Direction |
| Crew | Jason Horwood | Armorer |
| Art | Anna Bregman | Assistant Art Director |
| Sound | Ian Neil | Music Supervisor |
| Costume & Make-Up | Vivienne Jones | Assistant Costume Designer |
| Costume & Make-Up | Costanza Bastanti | Set Costumer |
| Costume & Make-Up | Sarah Monzani | Hair Designer |
| Costume & Make-Up | Rose Crocker | Makeup Artist |
| Costume & Make-Up | Camilla Kirk-Reynolds | Makeup Artist |
| Production | Emma Callinan | Casting Associate |
| Costume & Make-Up | Jane Gooday | Assistant Costume Designer |
| Costume & Make-Up | Gaia Cozzi | Set Costumer |
| Crew | Dave Evans | Armorer |
| Directing | Sharon Mansfield | Script Supervisor |
| Costume & Make-Up | Francesco Alberico | Hairstylist |
| Art | Guy Bradley | Art Direction |
| Sound | Simon Changer | Music Editor |
| Costume & Make-Up | Jacqueline Bhavnani | Hairstylist |
| Sound | Peter Gleaves | ADR & Dubbing |
| Sound | James Boyle | Sound Designer |
| Sound | Dan Morgan | ADR & Dubbing |
| Sound | Travis MacKay | ADR & Dubbing |
| Visual Effects | Louise Hutchinson | Visual Effects Producer |
| Visual Effects | Chloe Grysole | Visual Effects Producer |
| Visual Effects | Florian Gellinger | Visual Effects Supervisor |
| Sound | Andrea King | Foley |
| Sound | Dominic Gibbs | Supervising Sound Editor |
| Lighting | Alessio Bramucci | Gaffer |
| Visual Effects | Marlies Schacherl | Visual Effects Coordinator |
| Camera | Gary Spratling | Camera Operator |
| Camera | Paul Edwards | Steadicam Operator |
| Editing | Kim Honeyman | Digital Intermediate |
| Lighting | Chuck Finch | Gaffer |
| Camera | Tony Jackson | Camera Operator |
| Camera | Mike Valentine | Underwater Camera |
| Visual Effects | Melanie Murray | Visual Effects Coordinator |
| Visual Effects | Sven Pannicke | Visual Effects Producer |
| Art | Callum Davison | Greensman |
| Camera | Chris Plevin | Camera Operator |
| Sound | Chris Burdon | Sound Re-Recording Mixer |
| Crew | Steve Pang | Visual Effects Editor |
| Visual Effects | Stuart Bullen | Visual Effects Supervisor |
| Sound | James Shannon | Dolby Consultant |
| Camera | Marco Sacerdoti | Camera Operator |
| Camera | Daniel Smith | Still Photographer |
| Editing | Philip Hedgecock | First Assistant Editor |
| Art | Roberta Federico | Set Designer |
| Lighting | Guido Leonarduzzi | Rigging Grip |
| Visual Effects | Victoria Albanese | Visual Effects Coordinator |
| Editing | Dan Morgan | Dialogue Editor |
| Sound | Gilbert Lake | Sound Re-Recording Mixer |
| Camera | John Gamble | Camera Operator |
| Camera | Dave Hamilton-Green | Camera Operator |
| Camera | Adam Dale | Helicopter Camera |
| Camera | Gianmaria Majorana | Camera Operator |
| Sound | Peter Burgis | Foley |
| Sound | Ben Meechan | Sound Effects Editor |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Crew | Oliver Schulz | CG Supervisor |
| Camera | Eric Biglietto | Helicopter Camera |
| Visual Effects | Kerstin Kensy | Visual Effects Producer |
| Directing | Elizabeth West | Script Supervisor |
| Art | James Hambidge | Supervising Art Director |
| Crew | Sarah Lochlan | Stunts |
| Costume & Make-Up | Joanna Johnston | Costume Design |
| Crew | Jo McLaren | Stunts |
| Visual Effects | Christopher Learmonth | VFX Editor |
| Crew | Mauro Aversano | Stunts |
| Sound | Adam Horley | Dialogue Editor |
