Op het hoogtepunt van de Koude Oorlog, begin jaren '60, worden de jarenlange vijanden CIA-agent Napoleon Solo en KGB-agent Illya Kuryakin gedwongen samen te werken. Zij moeten namelijk de strijd aanbinden met een mysterieuze, internationale misdaadorganisatie die door middel van kernwapens en technologie het wankele machtsevenwicht dreigt te verstoren.
Nee, helaas is The Man from U.N.C.L.E. nog niet beschikbaar op Netflix in Nederland.
| Art | Paul Purdy | Property Master |
| Writing | Lionel Wigram | Screenplay |
| Writing | Guy Ritchie | Screenplay |
| Directing | Guy Ritchie | Director |
| Editing | James Herbert | Editor |
| Production | Steve Clark-Hall | Producer |
| Production | Jeff Kleeman | Executive Producer |
| Production | John Davis | Producer |
| Production | Lionel Wigram | Producer |
| Production | Peter Eskelsen | Associate Producer |
| Writing | David C. Wilson | Story |
| Camera | John Mathieson | Director of Photography |
| Production | Steven Mnuchin | Executive Producer |
| Art | Oliver Scholl | Production Design |
| Writing | Jeff Kleeman | Story |
| Writing | Guy Ritchie | Story |
| Production | Guy Ritchie | Producer |
| Production | Max Keene | Co-Producer |
| Writing | Lionel Wigram | Story |
| Production | Mark Mostyn | Co-Producer |
| Production | Enzo Sisti | Line Producer |
| Sound | Daniel Pemberton | Original Music Composer |
| Production | Reg Poerscout-Edgerton | Casting |
| Production | David Dobkin | Executive Producer |
| Art | Anna Bregman | Assistant Art Director |
| Costume & Make-Up | Costanza Bastanti | Set Costumer |
| Art | David Allday | Art Direction |
| Art | Alessandro Santucci | Assistant Art Director |
| Costume & Make-Up | Jacqueline Bhavnani | Hairstylist |
| Crew | Jon Baker | Armorer |
| Costume & Make-Up | Camilla Kirk-Reynolds | Makeup Artist |
| Costume & Make-Up | Vivienne Jones | Assistant Costume Designer |
| Crew | Jason Horwood | Armorer |
| Art | Riccardo Monti | Art Direction |
| Art | Remo Tozzi | Art Direction |
| Costume & Make-Up | Alex Rouse | Wigmaker |
| Art | Toby Britton | Art Direction |
| Costume & Make-Up | Zoe Clare Brown | Makeup Artist |
| Production | Emma Callinan | Casting Associate |
| Crew | Dave Evans | Armorer |
| Costume & Make-Up | Francesco Alberico | Hairstylist |
| Art | Guy Bradley | Art Direction |
| Art | Kate Grimble | Art Direction |
| Art | Elli Griff | Set Decoration |
| Costume & Make-Up | Marco Alzari | Costume Supervisor |
| Sound | Simon Changer | Music Editor |
| Art | Sarah Griggs | Art Department Coordinator |
| Costume & Make-Up | Jane Gooday | Assistant Costume Designer |
| Art | Amanda Pettett | Construction Coordinator |
| Sound | Ian Neil | Music Supervisor |
| Directing | Sharon Mansfield | Script Supervisor |
| Costume & Make-Up | Rose Crocker | Makeup Artist |
| Crew | Danilo Bollettini | Special Effects Coordinator |
| Costume & Make-Up | Charlotte Finlay | Costume Supervisor |
| Costume & Make-Up | Gaia Cozzi | Set Costumer |
| Costume & Make-Up | Sarah Monzani | Hair Designer |
| Production | Lillie Jeffrey | Casting Associate |
| Costume & Make-Up | Sarah Monzani | Makeup Designer |
| Crew | Steve Pang | Visual Effects Editor |
| Sound | Ben Meechan | Sound Effects Editor |
| Editing | Dan Morgan | Dialogue Editor |
| Sound | Peter Burgis | Foley |
| Sound | Gilbert Lake | Sound Re-Recording Mixer |
| Sound | Andrea King | Foley |
| Sound | Dominic Gibbs | Supervising Sound Editor |
| Sound | James Boyle | Sound Designer |
| Editing | Kim Honeyman | Digital Intermediate |
| Visual Effects | Melanie Murray | Visual Effects Coordinator |
| Visual Effects | Sven Pannicke | Visual Effects Producer |
| Sound | Peter Gleaves | ADR & Dubbing |
| Sound | Chris Burdon | Sound Re-Recording Mixer |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Camera | John Gamble | Camera Operator |
| Camera | Dave Hamilton-Green | Camera Operator |
| Camera | Gary Spratling | Camera Operator |
| Camera | Adam Dale | Helicopter Camera |
| Camera | Paul Edwards | Steadicam Operator |
| Lighting | Alessio Bramucci | Gaffer |
| Camera | Tony Jackson | Camera Operator |
| Camera | Mike Valentine | Underwater Camera |
| Lighting | Guido Leonarduzzi | Rigging Grip |
| Visual Effects | Marlies Schacherl | Visual Effects Coordinator |
| Art | Callum Davison | Greensman |
| Visual Effects | Louise Hutchinson | Visual Effects Producer |
| Camera | Eric Biglietto | Helicopter Camera |
| Visual Effects | Stuart Bullen | Visual Effects Supervisor |
| Lighting | Chuck Finch | Gaffer |
| Camera | Gianmaria Majorana | Camera Operator |
| Camera | Chris Plevin | Camera Operator |
| Visual Effects | Victoria Albanese | Visual Effects Coordinator |
| Camera | Marco Sacerdoti | Camera Operator |
| Camera | Daniel Smith | Still Photographer |
| Editing | Philip Hedgecock | First Assistant Editor |
| Visual Effects | Kerstin Kensy | Visual Effects Producer |
| Crew | Oliver Schulz | CG Supervisor |
| Art | Roberta Federico | Set Designer |
| Sound | Dan Morgan | ADR & Dubbing |
| Sound | Travis MacKay | ADR & Dubbing |
| Sound | James Shannon | Dolby Consultant |
| Visual Effects | Chloe Grysole | Visual Effects Producer |
| Visual Effects | Florian Gellinger | Visual Effects Supervisor |
| Directing | Elizabeth West | Script Supervisor |
| Art | James Hambidge | Supervising Art Director |
| Crew | Sarah Lochlan | Stunts |
| Costume & Make-Up | Joanna Johnston | Costume Design |
| Crew | Jo McLaren | Stunts |
| Visual Effects | Christopher Learmonth | VFX Editor |
| Crew | Mauro Aversano | Stunts |
| Sound | Adam Horley | Dialogue Editor |
| Camera | David Pearce | Second Assistant "B" Camera |
