Tien jaar geleden vonden enkele van de gruwelijkste wreedheden in de geschiedenis van de mensheid plaats in Rwanda. En in het tijdperk van 24 uurs nieuwsverslaggeving zijn deze gruwelijkheden haast onopgemerkt aan de rest van de wereld voorbij gegaan.
Nee, helaas is Hotel Rwanda nog niet beschikbaar op Netflix in Nederland.
Directing | Terry George | Director |
Writing | Keir Pearson | Author |
Art | Tony Burrough | Production Design |
Writing | Keir Pearson | Screenplay |
Camera | Robert Fraisse | Director of Photography |
Sound | Martin Russell | Original Music Composer |
Sound | Andrea Guerra | Original Music Composer |
Writing | Terry George | Screenplay |
Production | Richard Pagano | Casting |
Writing | Terry George | Author |
Sound | Rupert Gregson-Williams | Original Music Composer |
Editing | Naomi Geraghty | Editor |
Art | Johnny Breedt | Production Design |
Production | Moonyeenn Lee | Casting |
Production | A. Kitman Ho | Producer |
Production | Hal Sadoff | Executive Producer |
Production | Nicolas Meyer | Co-Executive Producer |
Production | A. Kitman Ho | Unit Production Manager |
Sound | Nigel Stone | Dialogue Editor |
Sound | Andie Derrick | Foley Artist |
Production | Sam Bhembe | Executive Producer |
Sound | Tom Johnson | Sound Re-Recording Mixer |
Sound | Mark Paterson | Foley Mixer |
Sound | Michael Connell | Music Editor |
Production | Jane Trower | First Assistant Accountant |
Production | Izidore Codron | Co-Executive Producer |
Sound | John Midgley | Production Sound Mixer |
Lighting | Bruce Thomas | Chief Lighting Technician |
Sound | June Prinz | Boom Operator |
Visual Effects | Gavin Meadon | Special Effects Supervisor |
Production | Luigi Musini | Co-Producer |
Directing | Lionel Steketee | First Assistant Director |
Directing | Alex Oakley | Second Assistant Director |
Sound | Mike Wood | Foley Editor |
Sound | David Sutton | Boom Operator |
Production | Alistair Thompson | Production Accountant |
Directing | A. Kitman Ho | Second Unit Director |
Camera | Kevin Jewison | "A" Camera Operator |
Sound | Conor Mackey | ADR Editor |
Production | Francesco Melzi d'Eril | Executive Producer |
Camera | Charl Phyfer | Key Grip |
Sound | Andy Kennedy | Sound Effects Editor |
Sound | Nick Lowe | ADR Editor |
Production | Keir Pearson | Co-Executive Producer |
Camera | Deon Vermeulen | "B" Camera Operator |
Sound | Peter Burgis | Foley Artist |
Sound | Doug Cooper | Sound Re-Recording Mixer |
Sound | Paul Carr | Foley Mixer |
Production | Bridget Pickering | Co-Producer |
Production | Elaine Burt | Production Coordinator |
Crew | David Mahlangu | Special Effects Coordinator |
Production | Martin Katz | Executive Producer |
Camera | Deon Vermeulen | Steadicam Operator |
Sound | Guy Fletcher | Sound Mixer |
Production | Sally French | Line Producer |
Production | Terry George | Producer |
Costume & Make-Up | Suzanne Stokes-Munton | Hair Department Head |
Production | Brendan Donnison | Casting |
Costume & Make-Up | Ruy Filipe | Costume Design |
Camera | Vincent G. Cox | Camera Operator |
Crew | Graham Press | Stunt Coordinator |
Editing | Nicci Van Niekerk | Assistant Editor |
Editing | Kenny Becker | Color Timer |
Production | Roberto Cicutto | Executive Producer |
Production | Sarah Trevis | Casting |
Production | Belinda Kruger | Casting Associate |
Camera | Blid Alsbirk | Still Photographer |
Art | Emma MacDevitt | Art Direction |
Costume & Make-Up | Tania Brooke | Makeup Artist |
Directing | Lisa Vick | Script Supervisor |
Crew | Alistair Hopkins | Post Production Supervisor |
Production | Vanessa Baker | Casting |
Production | Paula Jalfon | Unit Production Manager |
Costume & Make-Up | Suzanne Belcher | Makeup Department Head |
Production | Duncan Reid | Executive Producer |