Glenn Holland (Dreyfuss) is een musicus en componist. Hij gaat muziekles geven op een school, om in zijn vrije tijd aan zijn droom te kunnen werken, een klassiek meesterwerk componeren. Terwijl hij met veel vreugde zijn liefde voor de muziek aan zijn leerlingen overbrengt, gaan de jaren voorbij. De goede band met zijn studenten staat echter in schril contrast met de band die Glenn heeft met zijn dove zoon.
Nee, helaas is Mr. Holland's Opus nog niet beschikbaar op Netflix in Nederland.
| Production | Robert W. Cort | Producer |
| Sound | Michael Kamen | Original Music Composer |
| Camera | Oliver Wood | Director of Photography |
| Production | Ted Field | Producer |
| Directing | Stephen Herek | Director |
| Production | Michael Nolin | Producer |
| Directing | Adrienne Hamalian-Mangine | Script Supervisor |
| Production | Jeffrey Downer | Production Supervisor |
| Camera | David Luckenbach | Steadicam Operator |
| Sound | Sharon Boyle | Music Supervisor |
| Production | Patrick Sheane Duncan | Executive Producer |
| Costume & Make-Up | Susan V. Kalinowski | Hairstylist |
| Production | William Teitler | Unit Production Manager |
| Production | William Teitler | Co-Producer |
| Production | Scott Kroopf | Executive Producer |
| Costume & Make-Up | Aggie Guerard Rodgers | Costume Design |
| Art | Dina Lipton | Art Direction |
| Costume & Make-Up | Werner Sherer | Key Hair Stylist |
| Camera | William D. Barber | Camera Operator |
| Camera | Gemma La Mana | Still Photographer |
| Sound | Tim Chau | Supervising Sound Editor |
| Crew | Steve Boyum | Stunt Coordinator |
| Editing | Trudy Ship | Editor |
| Costume & Make-Up | Mary L. Pyanowski | Hairstylist |
| Production | Judith James | Co-Producer |
| Costume & Make-Up | Ken Chase | Makeup Artist |
| Sound | Richard C. Franklin | Supervising Sound Editor |
| Production | Sharon Bialy | Casting |
| Costume & Make-Up | Gerald Quist | Makeup Artist |
| Costume & Make-Up | Martin 'Vinnie' Hagood | Makeup Artist |
| Production | Valerie Mickaelian Kucera | Production Coordinator |
| Art | Jan K. Bergstrom | Set Decoration |
| Art | David Nichols | Production Design |
| Sound | Donald J. Malouf | Sound Editor |
| Sound | Earl Sampson | Boom Operator |
| Art | Alan Manzer | Set Designer |
| Art | Greg McMickle | Property Master |
| Lighting | James B. Crawford | Chief Lighting Technician |
| Directing | Jeffrey Wetzel | First Assistant Director |
| Art | Alan Locke | Set Designer |
| Sound | David Kern | Sound Editor |
| Sound | Christopher Brooks | Supervising Music Editor |
| Sound | Albert Gasser | Sound Editor |
| Camera | Gene Kearney | Dolly Grip |
| Camera | Nick Papanickolas | Dolly Grip |
| Editing | Tara Timpone | First Assistant Editor |
| Sound | Nils C. Jensen | Sound Editor |
| Camera | Bob Muñoz | Key Grip |
| Production | Joanna Guzzetta | Location Manager |
| Crew | Bob Riggs | Special Effects Coordinator |
| Art | Brian Markey | Construction Coordinator |
| Sound | Chris Jargo | ADR Editor |
| Sound | Thomas Whiting | Supervising ADR Editor |
| Lighting | Michael Laws | Best Boy Electric |
| Costume & Make-Up | Linda Henrikson | Costume Supervisor |
| Crew | Bruce McDonald | Choreographer |
| Crew | Stephen McLaughlin | Score Engineer |
| Sound | Stephen McLaughlin | Scoring Mixer |
| Writing | Patrick Sheane Duncan | Writer |
