Tijdens de Tweede Wereldoorlog werkte hij voor de Britse crypto-analytische dienst, die als doel had onderschepte gecodeerde berichten van de Duitsers te ontcijferen. Turings grootste verwezenlijking bestond erin om als één van de eersten de Duitse Enigma-codes te breken waardoor de Geallieerden de controle over de Atlantische Oceaan kregen en uiteindelijk de oorlog zouden winnen.
Nee, helaas is The Imitation Game nog niet beschikbaar op Netflix in Nederland.
| Directing | Morten Tyldum | Director |
| Writing | Graham Moore | Screenplay |
| Writing | Andrew Hodges | Book |
| Directing | Phil Booth | First Assistant Director |
| Directing | James Manning | Second Assistant Director |
| Camera | Albert Carreras | "A" Camera Operator |
| Camera | Tim Battersby | First Assistant "A" Camera |
| Camera | Simon Surtees | Second Assistant "A" Camera |
| Camera | Marc Gómez del Moral | "B" Camera Operator |
| Camera | Rory Moles | First Assistant "B" Camera |
| Camera | Alexandra Voikou | Second Assistant "B" Camera |
| Camera | Gary Hutchings | Key Grip |
| Directing | Crispin Reece | Second Unit Director |
| Camera | Steven Hall | Second Unit Director of Photography |
| Editing | William Goldenberg | Editor |
| Production | Nina Gold | Casting |
| Camera | Óscar Faura | Director of Photography |
| Art | Maria Djurkovic | Production Design |
| Art | Rebecca Milton | Art Direction |
| Art | Marco Anton Restivo | Art Direction |
| Costume & Make-Up | Sammy Sheldon | Costume Design |
| Production | Nora Grossman | Producer |
| Production | Graham Moore | Executive Producer |
| Production | Ido Ostrowsky | Producer |
| Production | Teddy Schwarzman | Producer |
| Production | Peter Heslop | Co-Producer |
| Sound | Alexandre Desplat | Original Music Composer |
| Costume & Make-Up | Denise Kum | Makeup Artist |
| Costume & Make-Up | Roo Maurice | Makeup Artist |
| Costume & Make-Up | Amy Riley | Makeup Artist |
| Art | Lauren Briggs-Miller | Assistant Art Director |
| Art | Nicky Ackland-Snow | Construction Coordinator |
| Sound | Peter Burgis | Foley |
| Sound | Andy Kennedy | Sound Designer |
| Sound | Joe Beal | Sound Effects Editor |
| Sound | Martin Jensen | Sound Re-Recording Mixer |
| Sound | Stuart Hilliker | Sound Re-Recording Mixer |
| Sound | Lee Walpole | Supervising Sound Editor |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Visual Effects | Eran Barnea | Visual Effects Supervisor |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Camera | Peter Wignall | Steadicam Operator |
| Camera | Jack English | Still Photographer |
| Editing | Jonathan Collard | Digital Intermediate |
| Sound | Kirsty Whalley | Music Editor |
| Directing | Beverly Winston | Script Supervisor |
| Crew | Sarah Shepherd | Dialect Coach |
| Production | Richard George | Location Manager |
| Production | Suzie Shearer | Production Manager |
| Art | Nick Dent | Supervising Art Director |
| Crew | Robert Messinger | Thanks |
| Sound | John Midgley | Sound Recordist |
| Art | Tatiana Macdonald | Set Decoration |
| Art | Nick Thomas | Property Master |
| Sound | Dan Green | Dialogue Editor |
