John Armstrong wordt 'klokkenluider', wanneer hij zijn farmaceutische werkgever aangeeft bij de beurswaakhond wegens financiele malversaties. Helaas wordt hij zelf aangezien voor schuldige, waardoor hij zijn baan verliest, voor moet komen en bovendien geen inkomen meer heeft. Wanneer hij per toeval veel geld kan verdienen met het bezwangeren van lesbische dames, neemt zijn leven een geheel nieuwe wending.
Nee, helaas is She Hate Me nog niet beschikbaar op Netflix in Nederland.
Directing | Spike Lee | Director |
Writing | Michael Genet | Screenplay |
Writing | Spike Lee | Screenplay |
Writing | Michael Genet | Story |
Production | Spike Lee | Producer |
Production | Preston L. Holmes | Producer |
Production | Fernando Sulichin | Producer |
Costume & Make-Up | Donna Berwick | Costume Design |
Editing | Barry Alexander Brown | Editor |
Art | Brigitte Broch | Production Design |
Camera | Matthew Libatique | Director of Photography |
Production | Craig M. Spitzer | Co-Producer |
Sound | Terence Blanchard | Original Music Composer |
Camera | Lamont Crawford | Key Grip |
Directing | Mike Ellis | First Assistant Director |
Art | Richard Hebrank | Construction Coordinator |
Costume & Make-Up | Anita Gibson | Key Makeup Artist |
Sound | Todd Bozung | Music Supervisor |
Production | Jamel Debbouze | Executive Producer |
Production | Jean Cazes | Executive Producer |
Sound | Ken Ishii | Sound Mixer |
Costume & Make-Up | Leonard Drake | Key Hair Stylist |
Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
Sound | Philip Stockton | Supervising Sound Editor |
Art | Kevin Ladson | Property Master |
Production | Hakim Quest | Post Production Coordinator |
Production | Kim Taylor-Coleman | Casting Director |
Production | David Pomier | Unit Production Manager |
Visual Effects | Kathy Kelehan | Visual Effects Producer |
Lighting | John G. Velez | Gaffer |
Production | Colin Cumberbatch | Production Supervisor |
Art | Ford Wheeler | Set Decoration |
Production | Tom Yeager | Location Manager |
Directing | Tracey Hinds | Second Assistant Director |
Visual Effects | Diane Pearlman | Animation |
Sound | Karl Wasserman | Boom Operator |