Sylvia Pickel is een manziek medium; dat in contact staat met een geest uit het dodenrijk. Nick Deezy is een helderziende die over elk willekeurig voorwerp kan vertellen waar het is geweest en wat er mee is gebeurd. Zowel Sylvia als Nick zijn zeer begaafd; maar ze passen absoluut niet bij elkaar. De opportunist Harry Buscafusco weet het tweetal echter zover te krijgen hun krachten te bundelen en naar Ecuador af te reizen. Daar ergens in de bergen zou zich een gouden stad moeten bevinden.
Nee, helaas is Vibes nog niet beschikbaar op Netflix in Nederland.
| Directing | Ken Kwapis | Director |
| Production | Shani Ginsberg | Casting |
| Camera | Donald E. Thorin Jr. | First Assistant Camera |
| Production | Carrie Frazier | Casting |
| Directing | Alan B. Curtiss | First Assistant Director |
| Art | Richard Sawyer | Production Design |
| Camera | Lou Barlia | Camera Operator |
| Visual Effects | Richard Edlund | Visual Effects Producer |
| Production | Raymond Hartwick | Unit Production Manager |
| Costume & Make-Up | Ruth Myers | Costume Design |
| Directing | Anne Rapp | Script Supervisor |
| Camera | Michael Raspa | Second Assistant Camera |
| Sound | Bobbe Kurtz | Supervising ADR Editor |
| Sound | Paul A. Sharpe | Sound Re-Recording Mixer |
| Editing | Raúl Dávalos | Assistant Editor |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Editing | Lisa Zeno Churgin | First Assistant Editor |
| Sound | Carl Fischer | Boom Operator |
| Sound | Dennis Drummond | Supervising Sound Editor |
| Sound | Jeff Rosen | Sound Editor |
| Sound | Richard Bryce Goodman | Production Sound Mixer |
| Sound | George H. Anderson | Sound Editor |
| Sound | Beth Bergeron | ADR Editor |
| Art | Gregory Pickrell | Art Direction |
| Camera | Bruce McBroom | Still Photographer |
| Sound | Edward F. Suski | Sound Re-Recording Mixer |
| Sound | Roxanne Jones McCarthy | Sound Editor |
| Sound | Cindy Marty | Sound Editor |
| Sound | Jim Henrikson | Music Editor |
| Art | Donald Krafft | Leadman |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | Tom Cranham | Production Illustrator |
| Art | David F. Klassen | Set Designer |
| Art | Steve Fegley | Construction Foreman |
| Art | George R. Nelson | Set Decoration |
| Costume & Make-Up | Marlene D. Williams | Hairstylist |
| Production | Murray Miller | Location Manager |
| Camera | Michael M. Krevitt | Key Grip |
| Crew | John Branagan | Stunt Coordinator |
| Costume & Make-Up | Alan Friedman | Makeup Artist |
| Editing | Donah Bassett | Negative Cutter |
| Editing | Phil Downey | Color Timer |
| Crew | John M. Woodward | Transportation Coordinator |
| Lighting | Ronald W. McLeish | Gaffer |
| Costume & Make-Up | Norma Lee | Hairstylist |
| Production | Shari Leibowitz | Production Coordinator |
| Art | Mike Carrillo | Assistant Property Master |
| Art | John A. Mileski | Standby Painter |
| Crew | Allen Hall | Special Effects Coordinator |
| Camera | George R. Schrader | Dolly Grip |
| Crew | Frank DeMichelis | Craft Service |
| Art | Louis S. Fleming | Property Master |
| Production | Jorge Gundín | Production Manager |
| Writing | Babaloo Mandel | Story |
| Production | Raymond Hartwick | Co-Producer |
| Production | Kate Long | Associate Producer |
| Production | Ron Howard | Executive Producer |
| Writing | Lowell Ganz | Story |
| Production | Deborah Blum | Producer |
| Production | David Wolff | Associate Producer |
| Writing | Deborah Blum | Story |
| Production | Tony Ganz | Producer |
| Writing | Lowell Ganz | Screenplay |
| Writing | Babaloo Mandel | Screenplay |
| Crew | Miranda Garrison | Choreographer |
| Sound | James Horner | Original Music Composer |
| Editing | Carol Littleton | Editor |
| Crew | Patrick J. Statham | Stunt Coordinator |
| Crew | Joni Avery | Stunts |
| Crew | Charles Croughwell | Stunts |
| Production | Regina Gruss | Publicist |
| Art | Dan Perri | Title Designer |
| Camera | John Bailey | Director of Photography |
| Directing | Tom Seidman | Second Assistant Director |
