Een miljonair wordt dood in bed aangetroffen. Hij blijkt aan een hartaanval gestorven te zijn. Wanneer er cocaïne wordt aangetroffen in zijn lichaam, en de nalatenschap aan zijn vriendin Rebecca Carlson (Madonna) acht miljoen dollar blijkt te zijn, wordt ze gearresteerd op verdenking van moord. Het wapen: haar lichaam. De advocaat Frank Dulaney (Willem Dafoe) verdedigt haar en al snel ontstaat er een heftige, seksuele relatie tussen de twee.
Nee, helaas is Body of Evidence nog niet beschikbaar op Netflix in Nederland.
| Editing | Thom Noble | Editor |
| Production | Dino De Laurentiis | Producer |
| Sound | Graeme Revell | Original Music Composer |
| Art | Michael Rizzo | Art Direction |
| Costume & Make-Up | Susan Becker | Costume Design |
| Camera | Douglas Milsome | Director of Photography |
| Production | Mary Jo Slater | Casting |
| Art | Jerie Kelter | Set Decoration |
| Directing | Uli Edel | Director |
| Production | Bernd Eichinger | Producer |
| Writing | Brad Mirman | Screenplay |
| Crew | Ric Roman Waugh | Stunts |
| Lighting | Patrick Reddish | Chief Lighting Technician |
| Sound | Stuart Boros | Music Supervisor |
| Production | Christine Baer | Production Coordinator |
| Production | Eduardo De La Grana | Production Accountant |
| Production | Stephen Deutsch | Executive Producer |
| Directing | Dennis Maguire | First Assistant Director |
| Crew | Tim A. Davison | Stunts |
| Lighting | Dhamarata Dhiensuwana | Electrician |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Dale Caldwell | Color Timer |
| Crew | David Fulton | Unit Publicist |
| Directing | David R. Ellis | Second Unit Director |
| Costume & Make-Up | Pat Gerhardt | Makeup Artist |
| Directing | John Wildermuth | Second Assistant Director |
| Art | James V. Kent | Leadman |
| Art | Larry Phillips | Assistant Property Master |
| Camera | Calmar Roberts | First Assistant Camera |
| Camera | Gavin Alcott | Second Assistant Camera |
| Camera | J. Steven Matzinger | Second Assistant Camera |
| Production | Jan Glaser | Casting Associate |
| Crew | Gary Chandler | Post Production Supervisor |
| Crew | Pat Morache | Scenic Artist |
| Crew | Annie Ellis | Stunts |
| Camera | Les Percy | Key Grip |
| Art | David Brace | Leadman |
| Crew | Erik Rondell | Stunts |
| Camera | Willie Mann | Best Boy Grip |
| Production | Melinda Jason | Executive Producer |
| Sound | Dick Bernstein | Music Editor |
| Costume & Make-Up | Anne Morgan | Hairstylist |
| Art | Frank Viviano | Construction Coordinator |
| Art | Horst Grandt | Property Master |
| Lighting | Patrick Lennon | Rigging Gaffer |
| Production | Mel Dellar | Unit Production Manager |
| Production | Mel Dellar | Line Producer |
| Sound | Val Kuklowsky | Supervising Sound Editor |
| Directing | Lyn Matsuda Norton | Script Supervisor |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Costume & Make-Up | Anthony Cortino | Hairstylist |
| Costume & Make-Up | Christopher Shihar | Key Hair Stylist |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Art | Victoria Paul | Production Design |
| Camera | Murray Close | Still Photographer |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Crew | David R. Ellis | Stunt Coordinator |
| Costume & Make-Up | Joseph A. Campayno | Makeup Artist |
| Sound | Dan Wallin | Sound Re-Recording Mixer |
| Costume & Make-Up | Violet N. Cane | Costume Supervisor |
| Sound | Sandy Gendler | Supervising Sound Editor |
| Sound | Timothy P. Salmon | Boom Operator |
| Editing | Luis Colina | First Assistant Editor |
| Sound | Keith A. Wester | Production Sound Mixer |
| Crew | Manny Perry | Stunt Coordinator |
