Een miljonair wordt dood in bed aangetroffen. Hij blijkt aan een hartaanval gestorven te zijn. Wanneer er cocaïne wordt aangetroffen in zijn lichaam, en de nalatenschap aan zijn vriendin Rebecca Carlson (Madonna) acht miljoen dollar blijkt te zijn, wordt ze gearresteerd op verdenking van moord. Het wapen: haar lichaam. De advocaat Frank Dulaney (Willem Dafoe) verdedigt haar en al snel ontstaat er een heftige, seksuele relatie tussen de twee.
Nee, helaas is Body of Evidence nog niet beschikbaar op Netflix in Nederland.
| Camera | Douglas Milsome | Director of Photography |
| Directing | Uli Edel | Director |
| Writing | Brad Mirman | Screenplay |
| Art | Jerie Kelter | Set Decoration |
| Editing | Thom Noble | Editor |
| Production | Mary Jo Slater | Casting |
| Sound | Graeme Revell | Original Music Composer |
| Production | Dino De Laurentiis | Producer |
| Production | Bernd Eichinger | Producer |
| Costume & Make-Up | Susan Becker | Costume Design |
| Art | Michael Rizzo | Art Direction |
| Directing | Dennis Maguire | First Assistant Director |
| Crew | Ric Roman Waugh | Stunts |
| Costume & Make-Up | Anne Morgan | Hairstylist |
| Crew | Erik Rondell | Stunts |
| Lighting | Patrick Lennon | Rigging Gaffer |
| Editing | Dale Caldwell | Color Timer |
| Art | Horst Grandt | Property Master |
| Crew | Tim A. Davison | Stunts |
| Lighting | Dhamarata 'G' Dhiensuwana | Electrician |
| Sound | Stuart Boros | Music Supervisor |
| Art | David Brace | Leadman |
| Camera | Gavin Alcott | Second Assistant Camera |
| Camera | Willie Mann | Best Boy Grip |
| Sound | Dick Bernstein | Music Editor |
| Crew | David Fulton | Unit Publicist |
| Production | Stephen Deutsch | Executive Producer |
| Camera | J. Steven Matzinger | Second Assistant Camera |
| Costume & Make-Up | Pat Gerhardt | Makeup Artist |
| Directing | John Wildermuth | Second Assistant Director |
| Art | James V. Kent | Leadman |
| Production | Melinda Jason | Executive Producer |
| Camera | Les Percy | Key Grip |
| Art | Larry Phillips | Assistant Property Master |
| Camera | Cal Roberts | First Assistant Camera |
| Crew | Gary Chandler | Post Production Supervisor |
| Lighting | Patrick Reddish | Chief Lighting Technician |
| Production | Eduardo De La Grana | Production Accountant |
| Editing | Gary Burritt | Negative Cutter |
| Directing | David R. Ellis | Second Unit Director |
| Art | Frank Viviano | Construction Coordinator |
| Production | Jan Glaser | Casting Associate |
| Crew | Pat Morache | Scenic Artist |
| Production | Christine Baer | Production Coordinator |
| Crew | Annie Ellis | Stunts |
| Production | Mel Dellar | Unit Production Manager |
| Production | Mel Dellar | Line Producer |
| Sound | Dan Wallin | Sound Re-Recording Mixer |
| Camera | Murray Close | Still Photographer |
| Sound | Sandy Gendler | Supervising Sound Editor |
| Sound | Val Kuklowsky | Supervising Sound Editor |
| Sound | Steve Pederson | Sound Re-Recording Mixer |
| Crew | David R. Ellis | Stunt Coordinator |
| Sound | Paul Massey | Sound Re-Recording Mixer |
| Costume & Make-Up | Joseph A. Campayno | Makeup Artist |
| Directing | Lyn Matsuda Norton | Script Supervisor |
| Sound | Timothy P. Salmon | Boom Operator |
| Art | Victoria Paul | Production Design |
| Costume & Make-Up | Deborah K. Larsen | Makeup Artist |
| Costume & Make-Up | Christopher Shihar | Key Hair Stylist |
| Costume & Make-Up | Anthony Cortino | Hairstylist |
| Editing | Luis Colina | First Assistant Editor |
| Costume & Make-Up | Violet N. Cane | Costume Supervisor |
| Sound | Keith A. Wester | Production Sound Mixer |
| Crew | Manny Perry | Stunt Coordinator |
