Anastasia is net afgestudeerd aan de universiteit, samen met haar beste vriendin Kate. Terwijl Kate aan de slag gaat bij een lokale krant, komt Anastasia moeilijk aan de bak met haar universitaire graad en besluit ze een baan aan te nemen in een bouwmarkt. Op een dag vraagt een zieke Kate haar om een interview over te nemen met ene Christian Grey. Een succesvolle entrepreneur en miljardair. Het blijkt het begin te zijn van een bijzondere relatie.
Ja! de film Fifty Shades of Grey is nu beschikbaar om te kijken op Netflix in Nederland.
| Writing | Kelly Marcel | Screenplay |
| Writing | E.L. James | Novel |
| Directing | Sam Taylor-Johnson | Director |
| Costume & Make-Up | Sanna Seppanen | Key Hair Stylist |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Directing | David Arnold | Second Assistant Director |
| Art | C. Scott Baker | Set Designer |
| Art | Eliza Hooker | Set Dresser |
| Lighting | Niall Fraser | Best Boy Electric |
| Editing | David S. Clark | First Assistant Editor |
| Sound | Darren Sunny Warkentin | Foley Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Production | Diana Ascher | Post Production Accountant |
| Directing | Peter Kohn | First Assistant Director |
| Art | Geoff Wallace | Set Designer |
| Camera | Russell Hawkes | Dolly Grip |
| Camera | David Crone | Steadicam Operator |
| Camera | David Kurvers | Digital Imaging Technician |
| Lighting | Bryce Munro | Key Rigging Grip |
| Production | Lara Sargent | Post Production Accountant |
| Sound | Doc Kane | ADR Mixer |
| Crew | Bret Kiene | Stunts |
| Costume & Make-Up | Vanessa Giles | Assistant Makeup Artist |
| Lighting | Sean Oxenbury | Rigging Gaffer |
| Camera | James Kohne | Grip |
| Sound | Tami Treadwell | ADR Mixer |
| Sound | Mark DeSimone | ADR Mixer |
| Production | Cheryl Kurk | Production Accountant |
| Art | Patrick Dunn-Baker | Set Designer |
| Art | Roger Fires | Graphic Designer |
| Sound | Karen Vassar Triest | Sound Designer |
| Sound | Laura Harris Atkinson | Dialogue Editor |
| Art | Cara Brower | Assistant Art Director |
| Art | Tina Charad | Graphic Designer |
| Camera | Lee Gibeau | Dolly Grip |
| Crew | Graham Stumpf | Post Production Supervisor |
| Art | Elena Dresser | Set Dresser |
| Camera | Drew David | Best Boy Grip |
| Production | Andrea Brown | Extras Casting |
| Crew | Melissa R. Stubbs | Stunts |
| Costume & Make-Up | Danna Rutherford | Key Hair Stylist |
| Lighting | Stuart Haggerty | Gaffer |
| Costume & Make-Up | Kurtis Reeves | Costume Coordinator |
| Production | Kirk Johns | Location Manager |
| Sound | Gayle Wesley | First Assistant Sound Editor |
| Crew | Alex Burdett | Special Effects Coordinator |
| Art | Dan Sissons | Property Master |
| Costume & Make-Up | Victoria Down | Key Makeup Artist |
| Costume & Make-Up | Codey Blair | First Assistant Hairstylist |
| Visual Effects | Julian Andraus | VFX Editor |
| Sound | Bill Higley | ADR Mixer |
| Crew | Guy Adan | Unit Publicist |
| Sound | Mark Noda | Production Sound Mixer |
| Costume & Make-Up | Ivan Lehner | Set Costumer |
| Sound | Roger Morris | ADR Mixer |
| Production | W. Robert Millar | Assistant Location Manager |
| Production | Elaine Fleming | Production Coordinator |
| Production | Brenda McClellan | Payroll Accountant |
| Art | Doug Hardwick | Construction Coordinator |
| Crew | Steve Wright | Aerial Coordinator |
| Editing | David Marks | First Assistant Editor |
| Sound | Ryan Young | ADR Recordist |
| Camera | Hans Bjerno | Aerial Director of Photography |
| Crew | David Buckley | Additional Music |
| Crew | Larry Tardif | Transportation Co-Captain |
| Crew | Jess Platt | Dialect Coach |
| Art | Mike McLeod | Construction Foreman |
| Sound | Libby Umstead | Music Coordinator |
| Camera | Mike Kirilenko | Key Grip |
| Sound | David Jobe | Foley Mixer |
| Camera | Roger Vernon | Second Unit Director of Photography |
| Visual Effects | Mark Curtis | Visual Effects Supervisor |
| Sound | James Wright | Dolby Consultant |
| Crew | Bryan Litson | CG Supervisor |
| Crew | James Forrester | Production Office Assistant |
| Crew | Jason Bell | Utility Stunts |
| Production | Louis Phillips | Executive In Charge Of Production |
| Crew | Melissa R. Stubbs | Stunt Coordinator |
| Crew | Michael Hilow | Stunt Coordinator |
| Costume & Make-Up | Mark Bridges | Costume Design |
| Sound | Dana Sano | Music Supervisor |
| Sound | Angie Rubin | Music Editor |
| Sound | Bill Abbott | Music Editor |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Sound | Anna Behlmer | Sound Re-Recording Mixer |
| Editing | Lisa Gunning | Editor |
| Art | David Wasco | Production Design |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Production | E.L. James | Producer |
| Camera | Chuck Zlotnick | Still Photographer |
| Production | Michael De Luca | Producer |
| Sound | Becky Sullivan | Supervising Sound Editor |
| Production | Dana Brunetti | Producer |
| Sound | Danny Elfman | Original Music Composer |
| Editing | Anne V. Coates | Editor |
| Camera | Seamus McGarvey | Director of Photography |
| Production | Jeb Brody | Executive Producer |
| Production | Marcus Viscidi | Executive Producer |
| Editing | Debra Neil-Fisher | Editor |
| Directing | Kerry Lyn McKissick | Script Supervisor |
| Art | Sandy Walker | Set Decoration |
| Production | Francine Maisler | Casting |
| Sound | Kelly Oxford | Supervising Sound Editor |
| Costume & Make-Up | Barbara Inglehart | Costume Supervisor |
| Art | Laurel Bergman | Art Direction |
| Sound | Ellie Goulding | Original Music Composer |
| Art | Tom Reta | Supervising Art Director |
| Art | Michael Diner | Supervising Art Director |
| Art | Mark N. Tompkins | Painter |
