Voor zijn successen met Nottingham Forest, waarmee hij in 1979 en 1980 de Europacup I won, beleefde Brian Clough (Michael Sheen) een moeilijke periode van 44 dagen bij Leeds United, die hem aanstellen als nieuwe manager. Clough veracht Leeds United, al haar spelers en voormalig clubmanager Don Revie. De club weet bijna geen wedstrijden te winnen en Clough staat op het punt om ontslagen te worden...
Nee, helaas is The Damned United nog niet beschikbaar op Netflix in Nederland.
| Directing | Tom Hooper | Director |
| Writing | David Peace | Novel |
| Writing | Peter Morgan | Screenplay |
| Production | Andy Harries | Producer |
| Production | Grainne Marmion | Producer |
| Production | Lee Morris | Producer |
| Production | Hugo Heppell | Executive Producer |
| Production | Christine Langan | Executive Producer |
| Production | Peter Morgan | Executive Producer |
| Sound | Rob Lane | Original Music Composer |
| Camera | Ben Smithard | Director of Photography |
| Editing | Melanie Oliver | Editor |
| Production | Dan Hubbard | Casting |
| Art | Eve Stewart | Production Design |
| Art | Andrew Holden-Stokes | Supervising Art Director |
| Art | Leon McCarthy | Art Direction |
| Costume & Make-Up | Mike O'Neill | Costume Design |
| Costume & Make-Up | Jan Archibald | Hair Designer |
| Costume & Make-Up | Jan Archibald | Makeup Designer |
| Costume & Make-Up | Nicola Mount | Makeup & Hair |
| Costume & Make-Up | Rachael Speke | Makeup & Hair |
| Costume & Make-Up | Caitlin Tanner | Makeup & Hair |
| Production | Mally Chung | Unit Manager |
| Crew | Alistair Hopkins | Post Production Supervisor |
| Production | Monique Mussell | Production Manager |
| Directing | Martin Curry | First Assistant Director |
| Directing | Tom Rye | Second Assistant Director |
| Directing | Gemma Nunn | Third Assistant Director |
| Art | Jason Bond | Property Master |
| Art | Jean Challender | Art Department Coordinator |
| Crew | Darren Hayward | Carpenter |
| Crew | Graeme McHugh | Scenic Artist |
| Art | Martin Parker | Construction Manager |
| Art | Alison Staples | Graphic Designer |
| Sound | Martin Beresford | Sound Mixer |
| Sound | Dawn Gough | Assistant Sound Editor |
| Sound | Paul Hamblin | Sound Re-Recording Mixer |
| Sound | Andrea King | Foley Artist |
| Sound | Forbes Noonan | Foley Supervisor |
| Sound | Philip Porter | Boom Operator |
| Sound | Matthew Skelding | Dialogue Editor |
| Sound | Jack Stew | Foley Artist |
| Sound | Lee Walpole | Supervising Sound Editor |
| Crew | Ben Ashmore | Special Effects Coordinator |
| Visual Effects | Paul Kelly | Special Effects Supervisor |
| Crew | Ian Pead | Stunts |
| Crew | Peter Pedrero | Stunt Coordinator |
| Crew | Charles Ramsay | Stunts |
| Crew | Roy Taylor | Stunts |
| Camera | Adam Coles | Focus Puller |
| Lighting | Stuart Drummond | Gaffer |
| Camera | Alex Fitton | Camera Trainee |
| Lighting | Steve Gartside | Electrician |
| Camera | Richard Lawson | Focus Puller |
| Camera | Vince McGahon | Steadicam Operator |
| Camera | Ronan Murphy | Key Grip |
| Camera | Laurie Sparham | Still Photographer |
| Editing | Chris McGloin | First Assistant Editor |
| Editing | Ben Renton | Assistant Editor |
| Editing | Gareth Spensley | Colorist |
| Sound | Darrell Alexander | Music Coordinator |
| Sound | Liz Gallacher | Music Supervisor |
| Directing | Jemima Thomas | Script Supervisor |
| Crew | Carol Carmichael | Set Medic |
| Crew | Penny Dyer | Dialect Coach |
| Production | Penelope Robinson | Production Accountant |
