Steve Thompson vertrekt naar Los Angeles om zijn geliefde Anna terug te winnen. Anna bevindt zich inmiddels in het criminele circuit en Steve wordt door zijn vrouw meegesleurd in het duistere wereldje van misdaad en geweld.
Nee, helaas is Criss Cross nog niet beschikbaar op Netflix in Nederland.
| Directing | Robert Siodmak | Director |
| Writing | Don Tracy | Novel |
| Editing | Ted J. Kent | Editor |
| Production | Michael Kraike | Producer |
| Art | Boris Leven | Art Direction |
| Camera | Franz Planer | Director of Photography |
| Art | Bernard Herzbrun | Art Direction |
| Art | Russell A. Gausman | Set Decoration |
| Art | Oliver Emert | Set Decoration |
| Costume & Make-Up | Yvonne Wood | Costume Design |
| Lighting | Norton Kurland | Gaffer |
| Costume & Make-Up | Bud Westmore | Makeup Artist |
| Costume & Make-Up | Gale McGarry | Hairstylist |
| Directing | Fred Frank | Assistant Director |
| Camera | Bert Anderson | Still Photographer |
| Sound | Ethmer Roten | Musician |
| Camera | Stanley Guliver | Grip |
| Directing | Seward Webb | Assistant Director |
| Camera | David S. Horsley | Additional Photography |
| Sound | Eugene Zador | Orchestrator |
| Crew | Dave Webb | Dialogue Coach |
| Directing | Jack Hively | Second Unit Director |
| Sound | Richard DeWeese | Sound |
| Camera | Paul Ivano | Second Unit Director of Photography |
| Directing | Connie Earl | Script Supervisor |
| Sound | Leslie I. Carey | Sound |
| Costume & Make-Up | Carmen Dirigo | Hairstylist |
| Costume & Make-Up | Ernie Young | Makeup Artist |
| Production | Keith Weeks | Production Manager |
| Camera | Dave Ragin | Camera Operator |
| Writing | Daniel Fuchs | Screenplay |
| Writing | William Bowers | Writer |
| Sound | Miklós Rózsa | Original Music Composer |
