Sidney Australië, 1969. De misdaad tiert welig en gangsterbaas Barry heeft de tijd van zijn leven. Hij heeft de clubs in handen, de bordelen en de illegale casino's. Hij heeft een mooie vrouw, een nog mooiere minnares en de politie laat zich makkelijk omkopen. Maar Barry's geluk zou van korte duur kunnen zijn. Vanuit Chicago arriveren twee maffiosi die willen meedelen in de winst. Met een simpe, 'neen' nemen deze twee heren geen genoegen. Er is maar één uitweg: Barry besluit de twee Amerikanen een lesje te geven in Australische gastvrijheid.
Nee, helaas is Dirty Deeds nog niet beschikbaar op Netflix in Nederland.
| Writing | David Caesar | Writer |
| Directing | David Caesar | Director |
| Camera | Jay Torta | Clapper Loader |
| Camera | Warren Grieef | Key Grip |
| Camera | Matt Toll | First Assistant "A" Camera |
| Camera | Geoffrey Hall | Director of Photography |
| Camera | Simon Williams | Clapper Loader |
| Camera | Matt Toll | Focus Puller |
| Camera | Brad Soterkoek | Assistant Grip |
| Camera | Marc Spicer | Second Unit Director of Photography |
| Camera | Jason Weekes | Grip |
| Lighting | Karl Engeler | Gaffer |
| Camera | Lisa Tomasetti | Still Photographer |
| Camera | Jason Binnie | Focus Puller |
| Directing | Jamie Crooks | First Assistant Director |
| Directing | Jason Faulkner | Second Assistant Director |
| Crew | Chris Mitchell | Stunt Double |
| Directing | Greg Cobain | Third Assistant Director |
| Crew | Glenn Boswell | Stunt Coordinator |
| Crew | Darren Mitchell | Stunt Double |
| Crew | Keir Beck | Stunt Double |
| Crew | Shea Adams | Stunt Double |
| Directing | Kristin Witcombe | Continuity |
| Crew | Raelene Chapman | Stunt Double |
| Crew | Paul Phillips | Stunt Double |
| Writing | Robyn Sinclair | Script Consultant |
| Production | Ben Breen | Production Accountant |
| Crew | Peter Cogar | Armorer |
| Sound | Nigel Christensen | Sound Effects Editor |
| Visual Effects | John Bowring | Special Effects Supervisor |
| Sound | Liam Egan | Supervising Sound Editor |
| Visual Effects | Paul Butterworth | Visual Effects Supervisor |
| Production | Shauna Wolifson | Casting |
| Costume & Make-Up | Tess Schofield | Costume Designer |
| Sound | Alicia Slusarski | Sound Effects Editor |
| Crew | Gordon MacPhail | Post Production Supervisor |
| Editing | Mark Perry | Editor |
| Art | Chris Batson | Art Direction |
| Sound | Jenny T. Ward | Dialogue Editor |
| Sound | Phil Judd | Sound Re-Recording Mixer |
| Art | Chris Kennedy | Production Design |
| Visual Effects | Jason Bath | Visual Effects Producer |
| Art | Beverley Dunn | Set Decoration |
| Production | Natasha Cali | Production Coordinator |
| Costume & Make-Up | Viv Mepham | Hair Designer |
| Art | Marianne Evans | Art Department Coordinator |
| Costume & Make-Up | Viv Mepham | Makeup Designer |
| Costume & Make-Up | Kylie Clarke | Wigmaker |
| Production | Jennie Hughes | Co-Executive Producer |
| Sound | Paul Finlay | Sound Recordist |
| Costume & Make-Up | Mel Dykes | Costume Supervisor |
| Production | Russell Boyd | Location Manager |
| Crew | Bill Undery | Scenic Artist |
| Costume & Make-Up | Erica Wells | Makeup & Hair |
| Production | Julie Sims | Production Manager |
| Costume & Make-Up | Jan Zeigenbein | Key Hair Stylist |
| Production | Hugh Marks | Co-Executive Producer |
| Art | Tam Morris | Storyboard Artist |
| Production | Grayden Le Breton | Unit Manager |
| Sound | Tim Rogers | Original Music Composer |
