Sidney Australië, 1969. De misdaad tiert welig en gangsterbaas Barry heeft de tijd van zijn leven. Hij heeft de clubs in handen, de bordelen en de illegale casino's. Hij heeft een mooie vrouw, een nog mooiere minnares en de politie laat zich makkelijk omkopen. Maar Barry's geluk zou van korte duur kunnen zijn. Vanuit Chicago arriveren twee maffiosi die willen meedelen in de winst. Met een simpe, 'neen' nemen deze twee heren geen genoegen. Er is maar één uitweg: Barry besluit de twee Amerikanen een lesje te geven in Australische gastvrijheid.
Nee, helaas is Dirty Deeds nog niet beschikbaar op Netflix in Nederland.
| Writing | David Caesar | Writer |
| Directing | David Caesar | Director |
| Camera | Matt Toll | Focus Puller |
| Camera | Lisa Tomasetti | Still Photographer |
| Camera | Simon Williams | Clapper Loader |
| Camera | Warren Grieef | Key Grip |
| Camera | Jason Binnie | Focus Puller |
| Camera | Geoffrey Hall | Director of Photography |
| Camera | Jay Torta | Clapper Loader |
| Camera | Marc Spicer | Second Unit Director of Photography |
| Camera | Matt Toll | First Assistant "A" Camera |
| Camera | Brad Soterkoek | Assistant Grip |
| Camera | Jason Weekes | Grip |
| Lighting | Karl Engeler | Gaffer |
| Directing | Jamie Crooks | First Assistant Director |
| Crew | Glenn Boswell | Stunt Coordinator |
| Directing | Jason Faulkner | Second Assistant Director |
| Directing | Greg Cobain | Third Assistant Director |
| Crew | Paul Phillips | Stunt Double |
| Writing | Robyn Sinclair | Script Consultant |
| Crew | Shea Adams | Stunt Double |
| Crew | Raelene Chapman | Stunt Double |
| Crew | Chris Mitchell | Stunt Double |
| Crew | Keir Beck | Stunt Double |
| Directing | Kristin Witcombe | Continuity |
| Crew | Darren Mitchell | Stunt Double |
| Production | Ben Breen | Production Accountant |
| Crew | Peter Cogar | Armorer |
| Sound | Phil Judd | Sound Re-Recording Mixer |
| Art | Chris Batson | Art Direction |
| Sound | Nigel Christensen | Sound Effects Editor |
| Art | Beverley Dunn | Set Decoration |
| Sound | Alicia Slusarski | Sound Effects Editor |
| Art | Chris Kennedy | Production Design |
| Sound | Liam Egan | Supervising Sound Editor |
| Sound | Jenny T. Ward | Dialogue Editor |
| Editing | Mark Perry | Editor |
| Visual Effects | Jason Bath | Visual Effects Producer |
| Visual Effects | John Bowring | Special Effects Supervisor |
| Visual Effects | Paul Butterworth | Visual Effects Supervisor |
| Production | Shauna Wolifson | Casting |
| Costume & Make-Up | Tess Schofield | Costume Designer |
| Crew | Gordon MacPhail | Post Production Supervisor |
| Production | Hugh Marks | Co-Executive Producer |
| Art | Tam Morris | Storyboard Artist |
| Production | Natasha Cali | Production Coordinator |
| Production | Julie Sims | Production Manager |
| Art | Marianne Evans | Art Department Coordinator |
| Production | Jennie Hughes | Co-Executive Producer |
| Costume & Make-Up | Mel Dykes | Costume Supervisor |
| Costume & Make-Up | Viv Mepham | Makeup Designer |
| Production | Russell Boyd | Location Manager |
| Costume & Make-Up | Viv Mepham | Hair Designer |
| Costume & Make-Up | Jan Zeigenbein | Key Hair Stylist |
| Production | Grayden Le Breton | Unit Manager |
| Sound | Paul Finlay | Sound Recordist |
| Crew | Bill Undery | Scenic Artist |
| Costume & Make-Up | Erica Wells | Makeup & Hair |
| Costume & Make-Up | Kylie Clarke | Wigmaker |
| Sound | Tim Rogers | Original Music Composer |
