De zeventienjarige Jay Cavendish (Kodi Smit-McPhee) besluit vanuit Schotland naar Colorado af te reizen, in de hoop zich te herenigen met zijn ware liefde. Tijdens zijn zoektocht merkt hij al gauw hoe gevaarlijk het leven is in het Amerikaanse Wilde Westen en wanneer hij de mysterieuze reiziger Silas (Michael Fassbender) ontmoet, kan hij zijn steun goed gebruiken. Silas gaat tegen betaling met Jay mee op zijn reis door Amerika om hem te beschermen en zijn ervaring uit het reizigersbestaan met hem te delen.
Nee, helaas is Slow West nog niet beschikbaar op Netflix in Nederland.
| Directing | John Maclean | Director |
| Camera | Robbie Ryan | Director of Photography |
| Production | Rachel Gardner | Producer |
| Art | Kim Sinclair | Production Design |
| Costume & Make-Up | Kirsty Cameron | Costume Design |
| Production | Conor McCaughan | Producer |
| Writing | John Maclean | Writer |
| Production | Iain Canning | Producer |
| Production | Emile Sherman | Producer |
| Production | Katherine Butler | Executive Producer |
| Editing | Jon Gregory | Editor |
| Production | Gerardine O'Flynn | Associate Producer |
| Production | Michael Fassbender | Executive Producer |
| Production | Nikki Barrett | Casting |
| Production | Tina Cleary | Casting |
| Sound | Jed Kurzel | Original Music Composer |
| Production | Angela Littlejohn | Line Producer |
| Production | Miranda Rivers | Casting |
| Production | Kahleen Crawford | Casting |
| Editing | Roland Gallois | Editor |
| Sound | Lucy Bright | Music Supervisor |
| Costume & Make-Up | Daniel Cruden | Set Costumer |
| Editing | Rob Farris | Digital Intermediate |
| Art | Ken Turner | Art Direction |
| Visual Effects | Angela Barson | Visual Effects Supervisor |
| Costume & Make-Up | Amy McLennan | Makeup Artist |
| Sound | Doug Cooper | Sound Re-Recording Mixer |
| Crew | Tasha Lang | Property Master |
| Camera | Ossie McLean | Steadicam Operator |
| Costume & Make-Up | Abigail Greenwood | Assistant Costume Designer |
| Costume & Make-Up | Dannelle Satherley | Makeup Designer |
| Art | Sarah Finlay | Art Direction |
| Art | Amber Richards | Set Decoration |
| Sound | Paul Carter | Supervising Sound Editor |
| Visual Effects | Steve Ingram | Special Effects Supervisor |
| Editing | Gabrielle Smith | First Assistant Editor |
| Camera | Parisa Taghizadeh | Still Photographer |
| Editing | Patrick Malone | Digital Intermediate |
| Directing | Hayley Abbott | Script Supervisor |
| Sound | Paul Carter | Sound Designer |
| Editing | Kerri Roggio | First Assistant Editor |
| Costume & Make-Up | Rachelle O'Donnell | Makeup Artist |
| Visual Effects | Tim Capper | Visual Effects Supervisor |
| Visual Effects | Perry Costello | Special Effects Supervisor |
| Crew | Steve McQuillan | Stunt Coordinator |
| Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
| Lighting | Jo Bollinger | Gaffer |
| Lighting | Andy Cole | Lighting Director |
| Camera | Christian Gower | Digital Imaging Technician |
| Writing | Kate Leys | Script Editor |
| Lighting | Eruera Sutherland | Lighting Technician |
| Lighting | Jack Crayford | Lighting Technician |
| Camera | Caleb MacDonald | Digital Imaging Technician |
| Directing | Dolina MacFarlane | Script Supervisor |
| Camera | George Hennah | Focus Puller |
| Camera | Dion Hartley | Key Grip |
| Camera | Kristin Davis | Digital Imaging Technician |
| Costume & Make-Up | Georgia Lockhart-Adams | Key Makeup Artist |
| Art | Alexandra Turner | Set Dresser |
| Sound | Gavin Rose | Dialogue Editor |
