De na de Tweede Wereldoorlog naar Amerika geemigreerde Michael Laszlo wordt ervan beschuldigd oorlogsmisdaden te hebben gepleegd. Zijn dochter, advocate, gaat op zoek naar bewijzen voor haar vaders onschuld, maar bij het ontrafelen van zijn verleden lijkt het of het om een andere persoon gaat.
Nee, helaas is Music Box nog niet beschikbaar op Netflix in Nederland.
| Production | Irwin Winkler | Producer |
| Sound | Philippe Sarde | Original Music Composer |
| Art | Jeannine Oppewall | Set Designer |
| Production | Michael Polaire | Production Manager |
| Costume & Make-Up | Art Anthony | Makeup Artist |
| Editing | Joële Van Effenterre | Editor |
| Art | Erica Rogalla | Set Decoration |
| Production | Pam Dixon | Casting |
| Costume & Make-Up | Steve LaPorte | Makeup Artist |
| Costume & Make-Up | Rita Salazar | Costume Design |
| Directing | Costa-Gavras | Director |
| Production | Mary Goldberg | Casting |
| Writing | Joe Eszterhas | Screenplay |
| Camera | Patrick Blossier | Director of Photography |
| Production | Hal W. Polaire | Executive Producer |
| Art | Jeannine Oppewall | Production Design |
| Production | Joe Eszterhas | Executive Producer |
| Directing | Jeanne Caliendo | Second Assistant Director |
| Camera | Dennis De La Mata | Best Boy Grip |
| Sound | William Flageollet | Sound Mixer |
| Art | Joel Prihoda | Leadman |
| Lighting | Dick Oakes | Gaffer |
| Sound | Bernard Chaumeil | Boom Operator |
| Production | Gábor Ujházy | Unit Manager |
| Production | Nelson McCormick | Associate Producer |
| Art | William B. Fosser | Set Designer |
| Lighting | Peter Donoghue | Best Boy Electric |
| Camera | David M. Russell | Dolly Grip |
| Camera | Steven Hiller | First Assistant Camera |
| Directing | Sioux Richards | Script Supervisor |
| Costume & Make-Up | Lyndell Quiyou | Hairstylist |
| Sound | Pierre Gamet | Sound Mixer |
| Sound | Gérard Lamps | Sound Mixer |
| Camera | Gerrit Dangremond | Camera Operator |
| Directing | Rob Cowan | First Assistant Director |
| Production | Judi Rosner | Production Coordinator |
| Costume & Make-Up | Jerry Turnage | Hairstylist |
| Production | Mark Mamalakis | Assistant Location Manager |
| Editing | Anne-Marie Leduc | Assistant Editor |
| Art | Aaron Holden | Property Master |
| Crew | David Clapham | Post Production Supervisor |
| Sound | Katya Chelli | Dialogue Editor |
| Sound | Jean-Pierre Lelong | Foley Artist |
| Production | Robert F. Kocourier | Production Accountant |
| Art | Aaron C. Holden Jr. | Assistant Property Master |
| Camera | Zade Rosenthal | Still Photographer |
| Production | Louise Bublitz Larson | Assistant Production Coordinator |
| Costume & Make-Up | Deborah K. Dee | Hairstylist |
| Directing | Karen Carter-Lynch | Second Second Assistant Director |
| Costume & Make-Up | Gina Panno | Set Costumer |
| Sound | Hubert Bougis | Orchestrator |
| Costume & Make-Up | Cathy Newport-Logan | Costume Supervisor |
| Production | Billy Higgins | Location Manager |
| Production | Charlene Norman | Production Secretary |
| Sound | Billy Byers | Orchestrator |
| Costume & Make-Up | Joann Turnpaugh Lam | Costumer |
| Sound | Harriet Fidlow | ADR Editor |
| Costume & Make-Up | Kris Jorgensen | Costume Supervisor |
| Art | Tyler Osman | Construction Foreman |
| Sound | Mario Melchiorri | Foley Artist |
| Sound | Joële Van Effenterre | Music Editor |
| Sound | Catherine d'Hoir | Sound Effects Editor |
| Camera | John Hudecek | Key Grip |
| Directing | Jeanne Caliendo | Assistant Director |
| Sound | Harry Rabinowitz | Conductor |
