Iedereen gelooft dat het monster van Frankenstein is omgekomen tijdens de verwoestende brand in de molen. Maar het monster wist te ontsnappen en zwerft nog steeds rond in de buurt van het stadje. Dr. Frankenstein probeert zich intussen voor te bereiden op zijn huwelijk met Elizabeth. Deze plannen worden echter verstoord als Frankenstein bezoek krijgt van Dr. Pretorius, die geïnteresseerd is in Frankensteins technieken om leven te creëren. Pretorius stelt Frankenstein voor om een vrouw voor het monster te maken. Frankenstein weigert, maar Pretorius geeft niet snel op.
Nee, helaas is Bride of Frankenstein nog niet beschikbaar op Netflix in Nederland.
| Production | Carl Laemmle Jr. | Producer |
| Sound | Franz Waxman | Original Music Composer |
| Editing | Ted J. Kent | Editor |
| Camera | John J. Mescall | Director of Photography |
| Directing | James Whale | Director |
| Crew | John P. Fulton | Special Effects |
| Costume & Make-Up | Otto Lederer | Assistant Makeup Artist |
| Writing | Robert Florey | Story |
| Sound | Gilbert Kurland | Sound Supervisor |
| Sound | William Hedgcock | Sound Engineer |
| Costume & Make-Up | Irma Kusely | Hairstylist |
| Sound | Edwin Wetzel | Sound Effects Editor |
| Writing | Mary Shelley | Original Story |
| Directing | Harry Mancke | Assistant Director |
| Writing | Josef Berne | Adaptation |
| Writing | Lawrence G. Blochman | Adaptation |
| Writing | R.C. Sherriff | Adaptation |
| Crew | Tom Reed | Additional Writing |
| Directing | Fred Frank | Assistant Director |
| Writing | Morton Covan | Adaptation |
| Costume & Make-Up | Irma Kusely | Hair Setup |
| Visual Effects | Cleo E. Baker | Visual Effects |
| Writing | Edmund Pearson | Screenplay |
| Crew | Ken Strickfaden | Special Effects Technician |
| Sound | Larry Aicholtz | Scoring Mixer |
| Directing | Joseph A. McDonough | Assistant Director |
| Costume & Make-Up | Otto Lederer | Makeup Trainee |
| Crew | David S. Horsley | Special Effects Assistant |
| Camera | Alan Jones | Camera Operator |
| Writing | Philip MacDonald | Adaptation |
| Camera | William Dodds | Assistant Camera |
| Visual Effects | David S. Horsley | Visual Effects |
| Sound | Clifford Vaughan | Orchestrator |
| Sound | Abe Meyer | Music Coordinator |
| Sound | Oliver Wallace | Musician |
| Writing | Flo Brummel | Script Consultant |
| Crew | George DeNormand | Stand In |
| Crew | Monte Montague | Stand In |
| Costume & Make-Up | Vera West | Costume Design |
| Art | Charles D. Hall | Art Direction |
| Writing | William Hurlbut | Screenplay |
| Editing | Maurice Pivar | Supervising Film Editor |
| Writing | William Hurlbut | Adaptation |
| Writing | John L. Balderston | Adaptation |
| Costume & Make-Up | Jack Pierce | Makeup Artist |
| Crew | Peter Shaw | Stand In |
| Camera | Fred Stoll | Grip |
| Visual Effects | Jack Cosgrove | Matte Painter |
| Visual Effects | Russell Lawson | Matte Painter |
| Visual Effects | John P. Fulton | Visual Effects |
| Sound | Gilbert Kurland | Music Supervisor |
| Sound | Louis Kaufman | Musician |
| Sound | C. Bakaleinikoff | Conductor |
| Directing | Flo Brummel | Script Coordinator |
| Crew | Carl Laemmle | Presenter |
