De jonge Vito Corleone groeit op op Sicilië en weet zich in New York op te werken tot een machtige gangster. Zijn zoon Michael probeert eind jaren '50 het "familiebedrijf" uit te breiden.
Nee, helaas is The Godfather Part II nog niet beschikbaar op Netflix in Nederland.
| Writing | Mario Puzo | Novel |
| Art | Dean Tavoularis | Production Design |
| Production | Francis Ford Coppola | Producer |
| Production | Jane Feinberg | Casting |
| Production | Vic Ramos | Casting |
| Sound | George Brand | Music Editor |
| Camera | Gordon Willis | Director of Photography |
| Editing | Richard Marks | Editor |
| Editing | Peter Zinner | Editor |
| Editing | Barry Malkin | Editor |
| Production | Mike Fenton | Casting |
| Sound | Howard Beals | Sound Effects Editor |
| Sound | Mark Berger | Sound Montage Associate |
| Sound | Nino Rota | Original Music Composer |
| Crew | Ted Grossman | Stunts |
| Crew | Wally Rose | Stunts |
| Crew | George Robotham | Stunts |
| Crew | George Sawaya | Stunts |
| Crew | Phil Adams | Stunts |
| Crew | Tony Amato Sr. | Stunts |
| Production | Valerio De Paolis | Production Supervisor |
| Directing | John Franco | Script Supervisor |
| Costume & Make-Up | Charles H. Schram | Makeup Artist |
| Costume & Make-Up | Naomi Cavin | Hairstylist |
| Costume & Make-Up | Dick Smith | Makeup Artist |
| Directing | Newt Arnold | Assistant Director |
| Camera | Ralph Gerling | Camera Operator |
| Directing | Tony Brandt | Assistant Director |
| Crew | Joe Lombardi | Special Effects |
| Production | Mario Cotone | Unit Manager |
| Art | Angelo P. Graham | Art Direction |
| Art | George R. Nelson | Set Decoration |
| Production | Michael S. Glick | Production Manager |
| Crew | James Caan | Thanks |
| Crew | Eileen Peterson | Unit Publicist |
| Directing | B.J. Bjorkman | Script Supervisor |
| Sound | Charles M. Wilborn | Sound Recordist |
| Art | Wayne Fitzgerald | Title Designer |
| Sound | Walter Murch | Sound Re-Recording Mixer |
| Costume & Make-Up | Theadora Van Runkle | Costume Design |
| Directing | Burt Bluestein | Second Assistant Director |
| Directing | Alan Hopkins | Second Assistant Director |
| Crew | Carmine Coppola | Additional Music |
| Sound | Carmine Coppola | Conductor |
| Directing | Michael Kusley | Second Assistant Director |
| Production | Gray Frederickson | Co-Producer |
| Production | Fred Roos | Co-Producer |
| Directing | Charles Myers | Second Assistant Director |
| Camera | Bob Rose | Key Grip |
| Sound | Walter Murch | Sound Editor |
| Sound | Nathan Boxer | Sound Recordist |
| Directing | Henry J. Lange Jr. | Second Assistant Director |
| Sound | James Fritch | Sound Effects Editor |
| Crew | A.D. Flowers | Special Effects |
| Production | Mona Skager | Associate Producer |
| Writing | Mario Puzo | Screenplay |
| Lighting | George Holmes | Gaffer |
| Production | Jack English | Location Coordinator |
| Writing | Francis Ford Coppola | Screenplay |
| Directing | Francis Ford Coppola | Director |
| Production | Mona Houghton | Location Assistant |
