De jonge Vito Corleone groeit op op Sicilië en weet zich in New York op te werken tot een machtige gangster. Zijn zoon Michael probeert eind jaren '50 het "familiebedrijf" uit te breiden.
Nee, helaas is The Godfather Part II nog niet beschikbaar op Netflix in Nederland.
| Writing | Mario Puzo | Novel |
| Editing | Barry Malkin | Editor |
| Sound | Nino Rota | Original Music Composer |
| Art | Dean Tavoularis | Production Design |
| Editing | Peter Zinner | Editor |
| Production | Francis Ford Coppola | Producer |
| Sound | Howard Beals | Sound Effects Editor |
| Sound | Mark Berger | Sound Montage Associate |
| Production | Vic Ramos | Casting |
| Camera | Gordon Willis | Director of Photography |
| Editing | Richard Marks | Editor |
| Production | Jane Feinberg | Casting |
| Production | Mike Fenton | Casting |
| Sound | George Brand | Music Editor |
| Crew | George Robotham | Stunts |
| Crew | Ted Grossman | Stunts |
| Crew | George Sawaya | Stunts |
| Crew | Phil Adams | Stunts |
| Crew | Wally Rose | Stunts |
| Crew | Tony Amato Sr. | Stunts |
| Production | Valerio De Paolis | Production Supervisor |
| Directing | John Franco | Script Supervisor |
| Costume & Make-Up | Charles H. Schram | Makeup Artist |
| Costume & Make-Up | Naomi Cavin | Hairstylist |
| Costume & Make-Up | Dick Smith | Makeup Artist |
| Directing | Newt Arnold | Assistant Director |
| Camera | Ralph Gerling | Camera Operator |
| Crew | Joe Lombardi | Special Effects |
| Directing | Tony Brandt | Assistant Director |
| Art | George R. Nelson | Set Decoration |
| Art | Angelo P. Graham | Art Direction |
| Production | Mario Cotone | Unit Manager |
| Crew | James Caan | Thanks |
| Production | Michael S. Glick | Production Manager |
| Crew | Eileen Peterson | Unit Publicist |
| Directing | B.J. Bjorkman | Script Supervisor |
| Sound | Charles M. Wilborn | Sound Recordist |
| Art | Wayne Fitzgerald | Title Designer |
| Sound | Walter Murch | Sound Re-Recording Mixer |
| Costume & Make-Up | Theadora Van Runkle | Costume Design |
| Directing | Michael Kusley | Second Assistant Director |
| Directing | Burt Bluestein | Second Assistant Director |
| Sound | Carmine Coppola | Conductor |
| Crew | Carmine Coppola | Additional Music |
| Directing | Charles Myers | Second Assistant Director |
| Production | Mona Skager | Associate Producer |
| Directing | Alan Hopkins | Second Assistant Director |
| Directing | Henry J. Lange Jr. | Second Assistant Director |
| Production | Gray Frederickson | Co-Producer |
| Production | Fred Roos | Co-Producer |
| Crew | A.D. Flowers | Special Effects |
| Sound | Nathan Boxer | Sound Recordist |
| Camera | Bob Rose | Key Grip |
| Sound | Walter Murch | Sound Editor |
| Sound | James Fritch | Sound Effects Editor |
| Writing | Mario Puzo | Screenplay |
| Lighting | George Holmes | Gaffer |
| Production | Jack English | Location Coordinator |
| Writing | Francis Ford Coppola | Screenplay |
| Directing | Francis Ford Coppola | Director |
| Production | Mona Houghton | Location Assistant |
