Karen Cook was een gemiddelde hogeschoolstudente, tot op de nacht dat het kwaad haar leven binnendrong. Ze zou al snel bekend worden als de enige overlevende van een zeven dagen durend bloedbad, gepleegd door een zeventienjarige jongen, Jack Riley, die de wereld zou moeten leren kennen onder de naam 'Basement Jack'. De volgende elf jaar leeft Karen Cook met de angst dat 'Basement Jack' op een dag vrijgelaten zal worden. En dan, na een korte hoorzitting, blijkt dat Jack Riley geen eerlijk proces gekregen heeft. Hij wordt vrijgelaten uit de staatsgevangenis. Een jaar later zijn er een reeks moorden in en rond het stadje Downers Grove die een schokkende gelijkenis vertonen met de moorden van 'Basement Jack'
Nee, helaas is Basement Jack nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Shelton | Director |
| Writing | Brian Patrick O'Toole | Writer |
| Production | Brian Patrick O'Toole | Producer |
| Production | Eric Peter-Kaiser | Producer |
| Sound | Alan Howarth | Music |
| Costume & Make-Up | Susan Chan | Costume Design |
| Editing | Vivek 'Vic' Sharma | Editor |
| Art | Mona Nahm | Production Design |
| Art | Mariano Rueda | Art Direction |
| Art | Elizabeth Callens | Set Decoration |
| Costume & Make-Up | Charlotte Scovill | Makeup Department Head |
| Costume & Make-Up | Karen Mathieson | Costume Supervisor |
| Costume & Make-Up | Natalie Driscoll | Hairstylist |
| Sound | Michael J. McDonald | Supervising Sound Editor |
| Sound | Michael J. McDonald | Sound Re-Recording Mixer |
| Sound | G.W. Pope III | Sound Designer |
| Sound | Brad Whitcanack | Sound Designer |
| Crew | Michael Samluk | Special Effects Coordinator |
| Crew | Jeri Habberstad | Stunt Coordinator |
| Lighting | Erin Weller | Gaffer |
| Lighting | Marc Korgie | Lighting Technician |
| Lighting | Matthew Knudsen | Best Boy Electric |
| Directing | Sherry Gunderman | Script Supervisor |
| Directing | Joshua Lou Friedman | Second Second Assistant Director |
| Sound | Manuel Mendoza | Sound Effects Editor |
| Sound | Todd Smith | Foley Recordist |
| Camera | Mathew Rudenberg | Director of Photography |
| Art | Naimah Qazi | Art Department Assistant |
| Art | Nathan Tomaszewski | Art Department Assistant |
| Art | Stephanie Hein | Assistant Set Decoration |
| Crew | A.J. Callens | Carpenter |
| Art | Leonard Short | Construction Foreman |
| Art | Kurt Koehler | Graphic Designer |
| Art | Jason Hager | Graphic Designer |
| Art | Jorge Hernandez | Painter |
| Art | Christian Kistner | Property Master |
| Art | Jairus McLeary | Set Dresser |
| Costume & Make-Up | Voraphan Nahm | Seamstress |
| Lighting | Matt Knudsen | Best Boy Electric |
| Camera | Josh Boggs | Best Boy Grip |
| Camera | Sarah Keally | Dolly Grip |
| Camera | Aaron Wilson | Dolly Grip |
| Lighting | Debbie Formoso | Electrician |
| Lighting | Richard Kim | Electrician |
| Lighting | Halsey D. Corbin | Electrician |
| Camera | Robin Rudenberg | First Assistant Camera |
| Camera | John C. Reyes | First Assistant Camera |
| Camera | Tim Balcomb | Grip |
| Camera | Robert Bradshaw | Grip |
| Camera | Erin Endow | Grip |
| Camera | Ben Spiegelman | Grip |
| Camera | Michael Phelan | Key Grip |
| Camera | Bradley Stonesifer | Second Assistant Camera |
| Crew | Matthias Grunsky | Second Unit Cinematographer |
| Sound | Leobardo Ledon | ADR Recordist |
| Sound | Ted Hamer | Boom Operator |
| Sound | James Barth | Dialogue Editor |
| Sound | G.W. Pope III | Foley Artist |
| Sound | Hidefumi Aoki | Sound Effects Editor |
| Sound | Brad Whitcanack | Sound Effects Editor |
| Sound | Sam Hamer | Sound Recordist |
| Directing | Damon van Deusen | First Assistant Director |
| Directing | Angela Boisvert | Second Assistant Director |
