Karen Cook was een gemiddelde hogeschoolstudente, tot op de nacht dat het kwaad haar leven binnendrong. Ze zou al snel bekend worden als de enige overlevende van een zeven dagen durend bloedbad, gepleegd door een zeventienjarige jongen, Jack Riley, die de wereld zou moeten leren kennen onder de naam 'Basement Jack'. De volgende elf jaar leeft Karen Cook met de angst dat 'Basement Jack' op een dag vrijgelaten zal worden. En dan, na een korte hoorzitting, blijkt dat Jack Riley geen eerlijk proces gekregen heeft. Hij wordt vrijgelaten uit de staatsgevangenis. Een jaar later zijn er een reeks moorden in en rond het stadje Downers Grove die een schokkende gelijkenis vertonen met de moorden van 'Basement Jack'
Nee, helaas is Basement Jack nog niet beschikbaar op Netflix in Nederland.
| Writing | Brian Patrick O'Toole | Writer |
| Production | Eric Peter-Kaiser | Producer |
| Costume & Make-Up | Susan Chan | Costume Design |
| Sound | Alan Howarth | Music |
| Directing | Michael Shelton | Director |
| Production | Brian Patrick O'Toole | Producer |
| Art | Mariano Rueda | Art Direction |
| Costume & Make-Up | Charlotte Scovill | Makeup Department Head |
| Editing | Vivek 'Vic' Sharma | Editor |
| Art | Elizabeth Callens | Set Decoration |
| Art | Mona Nahm | Production Design |
| Costume & Make-Up | Karen Mathieson | Costume Supervisor |
| Costume & Make-Up | Natalie Driscoll | Hairstylist |
| Sound | G.W. Pope III | Sound Designer |
| Crew | Michael Samluk | Special Effects Coordinator |
| Sound | Brad Whitcanack | Sound Designer |
| Sound | Michael J. McDonald | Supervising Sound Editor |
| Sound | Michael J. McDonald | Sound Re-Recording Mixer |
| Lighting | Erin Weller | Gaffer |
| Lighting | Matthew Knudsen | Best Boy Electric |
| Lighting | Marc Korgie | Lighting Technician |
| Crew | Jeri Habberstad | Stunt Coordinator |
| Directing | Sherry Gunderman | Script Supervisor |
| Directing | Joshua Lou Friedman | Second Second Assistant Director |
| Sound | Manuel Mendoza | Sound Effects Editor |
| Sound | Todd Smith | Foley Recordist |
| Art | Jason Hager | Graphic Designer |
| Camera | Robert Bradshaw | Grip |
| Sound | Hidefumi Aoki | Sound Effects Editor |
| Lighting | Richard Kim | Electrician |
| Crew | Matthias Grunsky | Second Unit Cinematographer |
| Directing | Damon van Deusen | First Assistant Director |
| Directing | Angela Boisvert | Second Assistant Director |
| Lighting | Halsey D. Corbin | Electrician |
| Art | Nathan Tomaszewski | Art Department Assistant |
| Art | Jairus McLeary | Set Dresser |
| Camera | Michael Phelan | Key Grip |
| Sound | G.W. Pope III | Foley Artist |
| Sound | Brad Whitcanack | Sound Effects Editor |
| Art | Stephanie Hein | Assistant Set Decoration |
| Camera | Aaron Wilson | Dolly Grip |
| Art | Naimah Qazi | Art Department Assistant |
| Camera | John C. Reyes | First Assistant Camera |
| Costume & Make-Up | Voraphan Nahm | Seamstress |
| Camera | Tim Balcomb | Grip |
| Camera | Bradley Stonesifer | Second Assistant Camera |
| Sound | Leobardo Ledon | ADR Recordist |
| Lighting | Matt Knudsen | Best Boy Electric |
| Sound | James Barth | Dialogue Editor |
| Camera | Mathew Rudenberg | Director of Photography |
| Crew | A.J. Callens | Carpenter |
| Art | Leonard Short | Construction Foreman |
| Art | Jorge Hernandez | Painter |
| Art | Christian Kistner | Property Master |
| Camera | Josh Boggs | Best Boy Grip |
| Sound | Ted Hamer | Boom Operator |
| Sound | Sam Hamer | Sound Recordist |
| Art | Kurt Koehler | Graphic Designer |
| Camera | Sarah Keally | Dolly Grip |
| Camera | Ben Spiegelman | Grip |
| Lighting | Debbie Formoso | Electrician |
| Camera | Robin Rudenberg | First Assistant Camera |
| Camera | Erin Endow | Grip |
