Een regisseur van natuurdocumentaires genaamd Carl Denham krijgt een kaart in handen met daarop de locatie van het verborgen Skull Island, waar de god Kong zou leven. Na een werkloze vrouw genaamd Ann Darrow van de straat geplukt te hebben voor de hoofdrol vertrekt hij met zijn crew naar Skull Island voor opnames.
Nee, helaas is King Kong nog niet beschikbaar op Netflix in Nederland.
| Directing | Merian C. Cooper | Director |
| Directing | Ernest B. Schoedsack | Director |
| Writing | James Ashmore Creelman | Screenplay |
| Writing | Ruth Rose | Screenplay |
| Production | David O. Selznick | Executive Producer |
| Production | Merian C. Cooper | Producer |
| Production | Ernest B. Schoedsack | Producer |
| Sound | Max Steiner | Original Music Composer |
| Camera | Edward Linden | Director of Photography |
| Camera | J.O. Taylor | Director of Photography |
| Camera | Vernon L. Walker | Director of Photography |
| Camera | Kenneth Peach | Director of Photography |
| Editing | Ted Cheesman | Editor |
| Lighting | George Marquenie | Best Boy Electric |
| Camera | Ernest B. Schoedsack | Camera Operator |
| Production | Walter Daniels | Producer |
| Writing | Merian C. Cooper | Idea |
| Writing | Edgar Wallace | Idea |
| Writing | Leon Gordon | Writer |
| Art | Carroll Clark | Art Direction |
| Art | Alfred Herman | Art Direction |
| Costume & Make-Up | Mel Berns | Makeup Supervisor |
| Art | Carroll Clark | Settings |
| Art | Alfred Herman | Settings |
| Art | John Cerisoli | Sculptor |
| Art | Van Nest Polglase | Supervising Art Director |
| Art | Steve Rez | Paint Coordinator |
| Art | Ernest Smythe | Additional Storyboarding |
| Sound | Murray Spivack | Sound Effects |
| Sound | Murray Spivack | Sound Designer |
| Sound | Eddie Harman | Sound Recordist |
| Sound | Clem Portman | Sound Re-Recording Mixer |
| Sound | Richard Van Hessen | Boom Operator |
| Crew | Harry Redmond Jr. | Special Effects |
| Crew | Harry Redmond Sr. | Special Effects |
| Crew | Frank D. Williams | Special Effects Technician |
| Camera | Ernest Bachrach | Still Photographer |
| Camera | Sam Redding | Key Grip |
| Writing | Merian C. Cooper | Story |
| Writing | Edgar Wallace | Story |
| Production | Fred Schuessler | Casting |
| Art | Carroll Clark | Production Design |
| Art | Thomas Little | Set Decoration |
| Art | Ray Moyer | Set Decoration |
| Costume & Make-Up | Walter Plunkett | Costume Design |
| Costume & Make-Up | Dotha Hippe | Hairstylist |
| Costume & Make-Up | Sam Kaufman | Makeup Artist |
| Directing | Doran Cox | Assistant Director |
| Directing | Walter Daniels | Assistant Director |
| Directing | Ivan Thomas | Assistant Director |
| Art | George Gabe | Property Master |
| Sound | Earl A. Wolcott | Sound Recordist |
| Sound | Harold E. Stine | Boom Operator |
| Crew | Marcella Allen | Stunt Double |
| Crew | Aline Goodwin | Stunt Double |
| Crew | Lillian Jones | Stunt Double |
| Crew | Judy Malcolm | Stunt Double |
| Crew | Buddy Mason | Stunt Double |
| Crew | Cherie May | Stunt Double |
| Crew | Pauline Wagner | Stunt Double |
| Camera | William H. Clothier | First Assistant "B" Camera |
| Camera | Bert Willis | First Assistant "A" Camera |
| Directing | Betty Goode | Script Supervisor |
| Crew | Duke Krantz | Pilot |
| Visual Effects | Willis H. O'Brien | Visual Effects |
