Mac, een harde agent wordt opgescheept met een nieuwe partner, een bekende gek, om met hem aan een moeilijke zaak te werken. De nieuwe partner is Ellis, een soort van Sherlock Holmes agent. Hij heeft alleen wat probleempjes: hij blijft geloven dat hij in een tv show zit met allemaal acteurs.
Nee, helaas is Loose Cannons nog niet beschikbaar op Netflix in Nederland.
| Art | Edward 'Tantar' LeViseur | Property Master |
| Writing | Richard Christian Matheson | Writer |
| Writing | Richard Matheson | Writer |
| Writing | Bob Clark | Writer |
| Production | René Dupont | Executive Producer |
| Production | Alan Greisman | Producer |
| Production | Aaron Spelling | Producer |
| Editing | Stan Cole | Editor |
| Production | Mike Fenton | Casting |
| Production | Valorie Massalas | Casting |
| Production | Judy Taylor | Casting |
| Art | Harry Pottle | Production Design |
| Art | Denise Exshaw | Set Decoration |
| Costume & Make-Up | Clifford Capone | Costume Design |
| Costume & Make-Up | Frank Bianco | Hairstylist |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Costume & Make-Up | Michael R. Thomas | Makeup Artist |
| Production | Marilyn Stonehouse | Unit Production Manager |
| Production | Ted Zachary | Executive In Charge Of Production |
| Crew | Glenn Randall Jr. | Second Unit |
| Costume & Make-Up | Kip Bartlett | Set Dressing Artist |
| Art | Jim Brinson | Construction Coordinator |
| Art | Tim Eckel | Set Designer |
| Art | John R. Helton | Lead Painter |
| Art | Frank Hendrick | Set Decoration |
| Art | Colin D. Irwin | Assistant Art Director |
| Art | David J. Negron Sr. | Production Illustrator |
| Crew | James F. Oñate | Scenic Artist |
| Crew | Mark S. Turner | Scenic Artist |
| Art | Ralph Woollaston | Construction Foreman |
| Sound | Bud Alper | Sound mixer |
| Sound | Brydon Baker III | Boom Operator |
| Sound | Terry Burke | Foley |
| Sound | David Evans | Sound Effects Editor |
| Sound | John Gare | Sound Re-Recording Mixer |
| Sound | Tom Gerard | Sound Re-Recording Mixer |
| Sound | Alison Grace | ADR & Dubbing |
| Sound | Wayne Griffin | Sound Effects Editor |
| Sound | Ann Heeley-Ray | Sound Editor |
| Sound | Kenneth Heeley-Ray | Supervising Sound Editor |
| Sound | John Laing | Sound Editor |
| Sound | Mark L. Mangino | Sound Effects Editor |
| Sound | Peter Thillaye | Sound Effects Editor |
| Crew | David Blitstein | Special Effects |
| Crew | Robert L. Guthrie | Special Effects |
| Crew | Eric Meyerhofer | Special Effects |
| Crew | Richard Wood | Special Effects |
| Crew | Richard E. Butler | Stunts |
| Crew | Jon H. Epstein | Stunts |
| Crew | Orwin C. Harvey | Stunts |
| Crew | Mike Johnson | Stunts |
| Crew | Glenn Randall Jr. | Stunt Coordinator |
| Crew | Peter Stader | Stunts |
| Crew | Phil Chong | Stunts |
| Crew | John-Clay Scott | Stunts |
| Camera | Ted Churchill | Steadicam Operator |
| Camera | Scott R. Davis | Grip |
| Lighting | Danny Eccleston | Gaffer |
| Camera | Jeff 'Moose' Howery | Grip |
| Camera | Bobby Huber | Grip |
| Camera | Michael E. Little | Camera Operator |
| Lighting | Alan Pickelsimer | Electrician |
| Camera | Tom Priestley Jr. | Camera Operator |
| Camera | John Seakwood | Still Photographer |
| Lighting | Steve Spallone | Best Boy Electrician |
| Lighting | Keith 'Zoot' Byrne | Rigging Gaffer |
| Camera | Ross Reynolds | Helicopter Camera |
| Costume & Make-Up | Deborah Latham | Costume Supervisor |
| Crew | William Allison Jr. | Transportation Coordinator |
| Crew | Edwin Bowden | Transportation Captain |
| Crew | Greg Stancil | Driver |
| Crew | Robert Dickman | Actor's Assistant |
| Production | Chris Silver Finigan | Production Accountant |
| Camera | Cliff Fleming | Helicopter Camera |
| Crew | Roe Fonvielle | Other |
| Production | John B. Griffin | Location Manager |
| Directing | Sandra M. Haskell | Script Supervisor |
| Camera | Harry Hauss | Helicopter Camera |
| Production | Angela Heald | Production Manager |
| Production | Shauna L. Kroen | Production Accountant |
| Crew | Ernie Malik | Unit Publicist |
| Crew | Randall Pickett | Craft Service |
| Art | Antonia Proscia | Other |
| Crew | Ross Reynolds | Other |
| Production | Edward Bowen | Location Manager |
| Crew | Derek N. Prusak | Stand In |
| Crew | Roy Arbogast | Special Effects Coordinator |
| Directing | Bob Clark | Director |
| Camera | Tony Hardmon | Grip |
| Crew | Anthony Cecere | Stunts |
| Sound | David Appleby | Sound Re-Recording Mixer |
| Camera | Reginald H. Morris | Director of Photography |
| Camera | Gary Muller | First Assistant Camera |
| Costume & Make-Up | Geoff Lawrence | Set Costumer |
| Editing | Scott Summersgill | Assistant Editor |
| Editing | Mark Lemmon | Assistant Editor |
| Editing | Carole Henderson Harrington | Assistant Editor |
| Editing | Peter Riley | Assistant Editor |
| Sound | Paul Zaza | Original Music Composer |
| Crew | Ran Ballard | Additional Music |
| Crew | Nicholas Pike | Additional Music |
| Crew | George Hesse | Production Office Assistant |
| Crew | David K. Riebel | Production Office Assistant |
| Crew | Scott Buckwald | Production Office Assistant |
| Crew | Phil Dupont | Production Office Assistant |
| Crew | Martine White | Production Office Assistant |
| Art | William J. Durrell Jr. | Art Direction |
| Sound | Jim Bridges | Sound |
| Sound | Sean Kelly | Sound Editor |
| Art | Philip Saccio | Property Master |
| Art | Richard Waldrop | Property Master |
| Sound | Alison Clark | Dialogue Editor |
| Sound | Judy 'Lucky' Kemeny | Dialogue Editor |
| Sound | Richard Cadger | Dialogue Editor |
| Sound | Ron Archibald | Dialogue Editor |
| Sound | Tony Currie | Dialogue Editor |
| Crew | Bill Lee | Special Effects |
| Art | Steve Davis | Set Decoration |
| Sound | Paul Durand | Dialogue Editor |
