Mac, een harde agent wordt opgescheept met een nieuwe partner, een bekende gek, om met hem aan een moeilijke zaak te werken. De nieuwe partner is Ellis, een soort van Sherlock Holmes agent. Hij heeft alleen wat probleempjes: hij blijft geloven dat hij in een tv show zit met allemaal acteurs.
Nee, helaas is Loose Cannons nog niet beschikbaar op Netflix in Nederland.
| Art | Edward 'Tantar' LeViseur | Property Master |
| Camera | Ted Churchill | Steadicam Operator |
| Crew | Robert Dickman | Actor's Assistant |
| Sound | Brydon Baker III | Boom Operator |
| Crew | Phil Chong | Stunts |
| Camera | Scott R. Davis | Grip |
| Crew | Edwin Bowden | Transportation Captain |
| Production | John B. Griffin | Location Manager |
| Production | René Dupont | Executive Producer |
| Production | Judy Taylor | Casting |
| Production | Valorie Massalas | Casting |
| Costume & Make-Up | Clifford Capone | Costume Design |
| Art | Ralph Woollaston | Construction Foreman |
| Sound | Tom Gerard | Sound Re-Recording Mixer |
| Sound | Wayne Griffin | Sound Effects Editor |
| Sound | Ann Heeley-Ray | Sound Editor |
| Camera | Bobby Huber | Grip |
| Camera | Tom Priestley Jr. | Camera Operator |
| Production | Chris Silver Finigan | Production Accountant |
| Camera | Cliff Fleming | Helicopter Camera |
| Production | Aaron Spelling | Producer |
| Costume & Make-Up | Frank Bianco | Hairstylist |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Costume & Make-Up | Michael R. Thomas | Makeup Artist |
| Production | Ted Zachary | Executive In Charge Of Production |
| Crew | Roe Fonvielle | Other |
| Production | Alan Greisman | Producer |
| Costume & Make-Up | Kip Bartlett | Set Dressing Artist |
| Crew | James F. Oñate | Scenic Artist |
| Sound | Bud Alper | Sound mixer |
| Sound | Alison Grace | ADR & Dubbing |
| Sound | John Laing | Sound Editor |
| Crew | Robert L. Guthrie | Special Effects |
| Crew | Richard E. Butler | Stunts |
| Lighting | Steve Spallone | Best Boy Electrician |
| Production | Mike Fenton | Casting |
| Crew | Glenn Randall Jr. | Second Unit |
| Sound | David Evans | Sound Effects Editor |
| Sound | Mark L. Mangino | Sound Effects Editor |
| Crew | Eric Meyerhofer | Special Effects |
| Writing | Richard Christian Matheson | Writer |
| Crew | Ross Reynolds | Other |
| Writing | Bob Clark | Writer |
| Art | Harry Pottle | Production Design |
| Art | Jim Brinson | Construction Coordinator |
| Art | Frank Hendrick | Set Decoration |
| Sound | John Gare | Sound Re-Recording Mixer |
| Directing | Sandra M. Haskell | Script Supervisor |
| Crew | Mark S. Turner | Scenic Artist |
| Writing | Richard Matheson | Writer |
| Art | Denise Exshaw | Set Decoration |
| Camera | Ross Reynolds | Helicopter Camera |
| Costume & Make-Up | Deborah Latham | Costume Supervisor |
| Art | John R. Helton | Lead Painter |
| Art | David J. Negron Sr. | Production Illustrator |
| Sound | Terry Burke | Foley |
| Production | Marilyn Stonehouse | Unit Production Manager |
| Art | Colin D. Irwin | Assistant Art Director |
| Crew | David Blitstein | Special Effects |
| Crew | Jon H. Epstein | Stunts |
| Art | Tim Eckel | Set Designer |
| Sound | Kenneth Heeley-Ray | Supervising Sound Editor |
| Crew | Richard Wood | Special Effects |
| Production | Edward Bowen | Location Manager |
| Directing | Bob Clark | Director |
| Crew | Peter Stader | Stunts |
| Lighting | Keith 'Zoot' Byrne | Rigging Gaffer |
| Crew | William Allison Jr. | Transportation Coordinator |
| Camera | Harry Hauss | Helicopter Camera |
| Crew | Roy Arbogast | Special Effects Coordinator |
| Editing | Stan Cole | Editor |
| Sound | Peter Thillaye | Sound Effects Editor |
| Camera | Jeff 'Moose' Howery | Grip |
| Crew | Greg Stancil | Driver |
| Production | Shauna L. Kroen | Production Accountant |
| Camera | Tony Hardmon | Grip |
| Lighting | Alan Pickelsimer | Electrician |
| Crew | Ernie Malik | Unit Publicist |
| Crew | Mike Johnson | Stunts |
| Camera | John Seakwood | Still Photographer |
| Art | Antonia Proscia | Other |
| Crew | Glenn Randall Jr. | Stunt Coordinator |
| Lighting | Danny Eccleston | Gaffer |
| Camera | Michael E. Little | Camera Operator |
| Crew | Randall Pickett | Craft Service |
| Crew | Orwin C. Harvey | Stunts |
| Crew | John-Clay Scott | Stunts |
| Production | Angela Heald | Production Manager |
| Crew | Derek N. Prusak | Stand In |
| Crew | Anthony Cecere | Stunts |
| Sound | David Appleby | Sound Re-Recording Mixer |
| Camera | Reginald H. Morris | Director of Photography |
| Costume & Make-Up | Geoff Lawrence | Set Costumer |
| Camera | Gary Muller | First Assistant Camera |
| Crew | Scott Buckwald | Production Office Assistant |
| Art | William J. Durrell Jr. | Art Direction |
| Editing | Carole Henderson Harrington | Assistant Editor |
| Editing | Scott Summersgill | Assistant Editor |
| Crew | Nicholas Pike | Additional Music |
| Editing | Mark Lemmon | Assistant Editor |
| Crew | Phil Dupont | Production Office Assistant |
| Crew | Ran Ballard | Additional Music |
| Sound | Paul Zaza | Original Music Composer |
| Crew | David K. Riebel | Production Office Assistant |
| Editing | Peter Riley | Assistant Editor |
| Crew | George Hesse | Production Office Assistant |
| Crew | Martine White | Production Office Assistant |
| Sound | Jim Bridges | Sound |
| Sound | Sean Kelly | Sound Editor |
| Sound | Alison Clark | Dialogue Editor |
| Sound | Ron Archibald | Dialogue Editor |
| Sound | Judy 'Lucky' Kemeny | Dialogue Editor |
| Sound | Richard Cadger | Dialogue Editor |
| Art | Richard Waldrop | Property Master |
| Art | Philip Saccio | Property Master |
| Sound | Tony Currie | Dialogue Editor |
| Crew | Bill Lee | Special Effects |
| Art | Steve Davis | Set Decoration |
| Sound | Paul Durand | Dialogue Editor |
