Harry wordt verliefd op Julie in een bar in de wijk Miracle Mile in Los Angeles. Ze maken een afspraak, die hij mist, maar dan neemt hij per ongeluk een telefoon op, zodat hij te horen krijgt dat Amerika en de Sovjet-Unie een nucleare oorlog zijn begonnen en dat binnen een paar uur de eerste rakketten in L.A. zullen neerkomen. Harry gaat op zoek naar Julie om de stad te ontvluchten, maar dat valt niet mee in een stad die wordt geteisterd door rellen, terreur en rechteloosheid.
Nee, helaas is Miracle Mile nog niet beschikbaar op Netflix in Nederland.
| Directing | Steve De Jarnatt | Director |
| Sound | Mortesa Rezvani | Sound Mixer |
| Crew | Robbie Knott | Special Effects Coordinator |
| Art | Sean Haworth | Set Designer |
| Art | Johnna Butler | Set Decoration |
| Art | David L. Snyder | Conceptual Design |
| Art | Kara Hayak | Set Dresser |
| Art | Christine Bonnem | Set Dresser |
| Sound | Michael P. Redbourn | Supervising Sound Editor |
| Sound | Daniel Spence | Sound Editor |
| Sound | Michael Minkler | Sound Re-Recording Mixer |
| Visual Effects | Martin Jay Sadoff | Visual Effects Supervisor |
| Costume & Make-Up | Shay Cunliffe | Costume Design |
| Art | Rob Kaplin | Set Dresser |
| Costume & Make-Up | Jeanne Van Phue | Key Hair Stylist |
| Art | Winter Horton | Set Dresser |
| Visual Effects | Jena Holman | Visual Effects Supervisor |
| Sound | Michael John Bateman | Sound Editor |
| Costume & Make-Up | Gandhi Bob Arrollo | Makeup Designer |
| Art | Paige Augustine | Set Dresser |
| Art | Pamela Marcotte | Assistant Art Director |
| Crew | Paula Moody | Stunts |
| Production | John Daly | Producer |
| Sound | Paul Haslinger | Original Music Composer |
| Writing | Steve De Jarnatt | Writer |
| Camera | Theo van de Sande | Director of Photography |
| Editing | Kathie Weaver | Editor |
| Art | Richard Hoover | Art Direction |
| Production | Derek Gibson | Producer |
| Production | Eileen Stringer | Associate Producer |
| Editing | Stephen Semel | Editor |
| Production | Lauren Lloyd | Casting |
| Art | Christopher Horner | Production Design |
| Production | Graham Cottle | Co-Producer |
| Production | Billy DaMota | Casting |
| Crew | Chris Howell | Stunts |
| Crew | John Casino | Stunts |
| Art | Dan Perri | Title Designer |
| Sound | Edgar Froese | Original Music Composer |
| Crew | Cris Thomas-Palomino | Stunts |
| Directing | Leo Zisman | Second Assistant Director |
| Directing | David C. Anderson | First Assistant Director |
| Crew | Billy Bates | Stunts |
| Crew | Michael Carr | Stunts |
| Crew | Pamela Bebermeyer | Stunts |
| Crew | Eugene Collier | Stunts |
| Crew | Fernando Celis | Stunts |
| Crew | Gene Hartline | Stunts |
| Crew | Sharie Doolittle | Stunts |
| Crew | Gardner Doolittle | Stunts |
| Crew | Gary Jensen | Stunts |
| Crew | Al Lee | Stunts |
| Crew | Kim Robert Koscki | Stunts |
| Crew | Stephen R. Hudis | Stunts |
| Crew | John Hudkins | Stunts |
| Crew | Dale Jacoby | Stunts |
| Crew | Sim Hubbard | Stunts |
| Crew | Harold Jones | Stunts |
| Crew | Ken Lesco | Stunts |
| Crew | Dennis Madalone | Stunts |
| Crew | Robyn Keyser | Stunts |
| Crew | Eddie Paul | Stunts |
| Crew | Byron Quisenberry | Stunts |
| Crew | Chuck Roberson | Stunts |
| Crew | Ray Saniger | Stunts |
| Crew | Victoria Vanderkloot | Stunts |
| Crew | Lincoln Simonds | Stunts |
| Camera | Chris Squires | Second Unit Director of Photography |
| Camera | Chris Squires | Steadicam Operator |
| Lighting | Jono Kouzouyan | Gaffer |
