Op de laatste dag vlak voor de zomervakantie ontvangt Michael een anonieme liefdesbrief. Hij vermoedt, of liever gezegd hoopt, dat deze komt van Deborah, het meisje waar hij al een tijdje achteraan zit. Maar Deborah gaat alleen uit met studenten. Dus Michaels beste vriendin Toni adviseert hem om een anonieme liefdesbrief terug te schrijven. Maar wanneer deze brieven in verkeerde handen vallen en veel verwarring veroorzaken, moet er uitgezocht worden welke brief van wie vandaan komt.
Nee, helaas is Secret Admirer nog niet beschikbaar op Netflix in Nederland.
| Directing | David Greenwalt | Director |
| Crew | Janet Brady | Stunts |
| Writing | Jim Kouf | Writer |
| Writing | David Greenwalt | Writer |
| Crew | Pat Romano | Stunts |
| Sound | Jan Hammer | Original Music Composer |
| Camera | Victor J. Kemper | Director of Photography |
| Production | Stephen J. Roth | Producer |
| Production | Jane Feinberg | Casting |
| Production | Mike Fenton | Casting |
| Art | Barbara Krieger | Set Decoration |
| Production | C.O. Erickson | Executive Producer |
| Editing | Dennis Virkler | Editor |
| Art | William J. Cassidy | Production Design |
| Crew | Debbie Evans | Stunts |
| Directing | Robert Engelman | Second Assistant Director |
| Art | Sidney H. Greenwood | Property Master |
| Directing | Esther Vivante | Script Supervisor |
| Costume & Make-Up | Barbara Lampson | Hairstylist |
| Camera | Cary Griffith | Key Grip |
| Production | C.O. Erickson | Unit Production Manager |
| Costume & Make-Up | Kendall Errair | Costumer |
| Crew | Allen Hall | Special Effects |
| Directing | L. Andrew Stone | First Assistant Director |
| Production | Lynn Bigelow-Kouf | Associate Producer |
| Camera | Robert C. Thomas | Camera Operator |
| Crew | Chris Howell | Stunt Coordinator |
| Production | Danis Regal-O'Connell | Production Coordinator |
| Art | Stan Cockerell | Assistant Property Master |
| Lighting | Curtis J. Wehr | Gaffer |
| Costume & Make-Up | Daniel C. Striepeke | Makeup Artist |
| Costume & Make-Up | Bruce Walkup | Costumer |
| Sound | Hank Garfield | Boom Operator |
| Sound | William L. Stevenson | Supervising Sound Editor |
| Production | Brian O. Haynes | Location Manager |
| Sound | Laurie Gorman | Music Coordinator |
| Directing | William J. Cassidy | Second Unit Director |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Art | Deborah Ross | Title Designer |
| Production | Robert J. Teitelbaum | Extras Casting |
| Editing | David Koeppel | Assistant Editor |
| Sound | Pierre Jalbert | Supervising ADR Editor |
| Camera | Roland Bell | Still Photographer |
| Sound | Don Higgins | Sound Editor |
| Crew | Ken Lubin | Transportation Coordinator |
| Sound | Christine Roberts | Assistant Sound Editor |
| Sound | Thomas Causey | Production Sound Mixer |
| Sound | John Caper Jr. | Music Supervisor |
| Sound | John Post | Sound Editor |
| Sound | Donald O. Mitchell | Sound Re-Recording Mixer |
| Art | Gary Kudroff | Leadman |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Crew | Craig Pinkard | Transportation Captain |
| Camera | John R. Shannon | Still Photographer |
| Sound | Joseph F. Brennan | Boom Operator |
| Editing | Uri Katoni | Assistant Editor |
| Crew | Joan Eisenberg | Unit Publicist |
| Production | Michael Heit | Extras Casting |
| Sound | Sharon Michaels | Foley Artist |
| Editing | Donah Bassett | Negative Cutter |
| Production | Barbara Harris | ADR Voice Casting |
| Crew | Noon Orsatti | Stunts |
| Crew | Gilbert B. Combs | Stunts |
