Roger heeft geen moeder meer en ziet zijn vader zelden. Net als zijn vriend J.P. is hij een grote fan van het honkbalteam Los Angeles Dodgers. De twee grootste wensen van Roger zijn dan ook dat hij bij een echte familie woont en dat de Dodgers het kampioenschap winnen. Plotseling verschijnen er een paar engelen om hem te helpen deze wensen in vervulling te laten gaan.
Nee, helaas is Angels in the Outfield nog niet beschikbaar op Netflix in Nederland.
| Sound | Randy Edelman | Original Music Composer |
| Editing | Bruce Green | Editor |
| Costume & Make-Up | Rosanna Norton | Costume Designer |
| Production | Gary Stutman | Executive Producer |
| Production | Roger Birnbaum | Producer |
| Production | Holly Goldberg Sloan | Associate Producer |
| Art | J. Dennis Washington | Production Design |
| Writing | Dorothy Kingsley | Screenplay |
| Writing | Holly Goldberg Sloan | Screenplay |
| Production | Pam Dixon | Casting |
| Camera | Matthew F. Leonetti | Director of Photography |
| Writing | George Wells | Screenplay |
| Production | Irby Smith | Producer |
| Production | Joe Roth | Producer |
| Directing | William Dear | Director |
| Crew | Rocky Capella | Stunt Coordinator |
| Crew | Johnny Martin | Stunts |
| Sound | Marvin E. Lewis | Boom Operator |
| Camera | Craig Peiffer | Key Grip |
| Costume & Make-Up | Paul Abascal | Key Hair Stylist |
| Camera | Dean Williams | Still Photographer |
| Crew | Mike Martinez | Stunts |
| Crew | Tim Meredith | Stunts |
| Directing | Joanie Blum | Script Supervisor |
| Production | Richard H. Prince | Production Manager |
| Production | Richard H. Prince | Associate Producer |
| Directing | L. Dean Jones Jr. | First Assistant Director |
| Sound | John A. Larsen | Supervising Sound Editor |
| Directing | Irby Smith | Second Unit Director |
| Visual Effects | Giedra Rackauskas | Visual Effects Supervisor |
| Crew | Carney Lansford | Technical Advisor |
| Crew | Eversley Forte | Stunts |
| Crew | Jeff Mosley | Stunts |
| Art | Peter Bankins | Property Master |
| Camera | David E. Diano | Camera Operator |
| Costume & Make-Up | Darryl M. Athons | Costume Supervisor |
| Art | John Anderson | Set Decoration |
| Sound | Willie D. Burton | Sound Mixer |
| Crew | Kevin Bailey | Stunts |
| Directing | Jay Smith | Second Assistant Director |
| Crew | Lisa Dempsey | Stunts |
| Art | Thomas T. Taylor | Art Direction |
| Lighting | Pat Blymyer | Gaffer |
| Camera | Robert LaBonge | Camera Operator |
| Costume & Make-Up | Scott H. Eddo | Key Makeup Artist |
| Costume & Make-Up | Diane Hammond | Key Makeup Artist |
| Crew | Frank W. Tarantino | Special Effects Coordinator |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Costume & Make-Up | Barbara Kassal | Costumer |
| Crew | Geoff Heron | Special Effects Assistant |
| Production | Lark Bernini | Production Coordinator |
| Crew | Suzanne Celeste | Dialect Coach |
| Camera | Robert Morey | First Assistant Camera |
| Camera | Peter Jensen | Steadicam Operator |
| Editing | James A. Brewer | Editor |
| Costume & Make-Up | Renee Alaina Sacks | Set Costumer |
| Crew | Jan Aaris | Special Effects Coordinator |
| Directing | Robert J. Mooney | Second Unit First Assistant Director |
| Camera | Robert Del Boccio | First Assistant Camera |
| Costume & Make-Up | Nancy Servin | Seamstress |
| Camera | Carmen Bailey | Second Assistant Camera |
| Camera | Gary Dunham | First Assistant Camera |
| Sound | Craig Weintraub | Assistant Sound Editor |
| Sound | Alicia Stevenson | Foley Artist |
| Production | Véronique Vowell | Location Manager |
| Camera | Tim Metivier | Second Assistant Camera |
| Editing | Deborah Cichocki | Assistant Editor |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Production | Amy E. Gerber | Casting Associate |
| Camera | Mark Santoni | Camera Loader |
| Costume & Make-Up | Andrea Cooper | Set Costumer |
| Editing | Paul Cichocki | First Assistant Editor |
| Costume & Make-Up | Joseph Roveto | Costumer |
| Editing | Paul Dixon | Editor |
| Costume & Make-Up | Susan Nininger | Costume Designer |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Editing | Mark L. Levine | Assistant Editor |
| Editing | Scott K. Wallace | Assistant Editor |
| Sound | Joanie Diener | Music Editor |
| Sound | Thomas P. McNamara | Assistant Sound Editor |
| Sound | Zane D. Bruce | Foley Artist |
| Camera | Horace Jordan | Camera Operator |
| Camera | Frank D. Parrish | Second Assistant Camera |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Visual Effects | Jennifer Bell | Visual Effects Producer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Camera | Tom Connole | Camera Operator |
| Camera | Patrick Riley | First Assistant Camera |
| Camera | Claire Sutherland | Second Assistant Camera |
| Sound | Jerelyn J. Harding | ADR Editor |
| Production | Barbara Harris | ADR Voice Casting |
| Camera | Robert LaBonge | Second Unit Director of Photography |
| Sound | Gordon Davidson | Sound Effects Editor |
| Editing | Dale E. Grahn | Color Timer |
| Sound | Andy Kopetsky | Sound Effects Editor |
| Camera | Phillip B. Bowen | Second Assistant Camera |
| Sound | Nancy Richardson | Foley Editor |
| Sound | Gidget Gallagher | Assistant Sound Editor |
| Visual Effects | Andrew Adamson | Visual Effects Supervisor |
| Directing | Sazzy Lee Calhoun | Second Assistant Director |
| Sound | Susan Dudeck | Dialogue Editor |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Directing | Shannon Wilson | Second Assistant Director |
| Sound | Donny Miele | Assistant Sound Editor |
| Sound | Jeff Courtie | ADR Mixer |
| Sound | Denise Horta | ADR Editor |
| Sound | Ulrika Akander | Dialogue Editor |
| Sound | Bruce Lacey | Sound Effects Editor |
| Sound | Harry B. Miller III | Sound Effects Editor |
| Sound | John Edwards-Younger | Sound Effects Editor |
| Sound | Mark Pappas | Foley Editor |
| Sound | David Jobe | Foley Mixer |
| Sound | Dennis S. Sands | Scoring Mixer |
| Art | Susan Bradley | Title Designer |
