Roger heeft geen moeder meer en ziet zijn vader zelden. Net als zijn vriend J.P. is hij een grote fan van het honkbalteam Los Angeles Dodgers. De twee grootste wensen van Roger zijn dan ook dat hij bij een echte familie woont en dat de Dodgers het kampioenschap winnen. Plotseling verschijnen er een paar engelen om hem te helpen deze wensen in vervulling te laten gaan.
Nee, helaas is Angels in the Outfield nog niet beschikbaar op Netflix in Nederland.
| Production | Pam Dixon | Casting |
| Production | Holly Goldberg Sloan | Associate Producer |
| Costume & Make-Up | Rosanna Norton | Costume Designer |
| Sound | Randy Edelman | Original Music Composer |
| Editing | Bruce Green | Editor |
| Art | J. Dennis Washington | Production Design |
| Camera | Matthew F. Leonetti | Director of Photography |
| Production | Gary Stutman | Executive Producer |
| Writing | Dorothy Kingsley | Screenplay |
| Writing | George Wells | Screenplay |
| Writing | Holly Goldberg Sloan | Screenplay |
| Production | Irby Smith | Producer |
| Production | Joe Roth | Producer |
| Production | Roger Birnbaum | Producer |
| Directing | William Dear | Director |
| Directing | Irby Smith | Second Unit Director |
| Crew | Rocky Capella | Stunt Coordinator |
| Crew | Lisa Dempsey | Stunts |
| Crew | Eversley Forte | Stunts |
| Crew | Johnny Martin | Stunts |
| Crew | Mike Martinez | Stunts |
| Crew | Tim Meredith | Stunts |
| Crew | Jeff Mosley | Stunts |
| Production | Richard H. Prince | Production Manager |
| Production | Richard H. Prince | Associate Producer |
| Directing | L. Dean Jones Jr. | First Assistant Director |
| Directing | Jay Smith | Second Assistant Director |
| Art | Thomas T. Taylor | Art Direction |
| Art | John Anderson | Set Decoration |
| Camera | Robert LaBonge | Camera Operator |
| Camera | David E. Diano | Camera Operator |
| Sound | Willie D. Burton | Sound Mixer |
| Sound | Marvin E. Lewis | Boom Operator |
| Art | Peter Bankins | Property Master |
| Visual Effects | Giedra Rackauskas | Visual Effects Supervisor |
| Costume & Make-Up | Darryl M. Athons | Costume Supervisor |
| Lighting | Pat Blymyer | Gaffer |
| Camera | Craig Peiffer | Key Grip |
| Costume & Make-Up | Scott H. Eddo | Key Makeup Artist |
| Costume & Make-Up | Diane Hammond | Key Makeup Artist |
| Costume & Make-Up | Paul Abascal | Key Hair Stylist |
| Crew | Carney Lansford | Technical Advisor |
| Directing | Joanie Blum | Script Supervisor |
| Sound | John A. Larsen | Supervising Sound Editor |
| Camera | Dean Williams | Still Photographer |
| Crew | Frank W. Tarantino | Special Effects Coordinator |
| Production | Véronique Vowell | Location Manager |
| Production | Lark Bernini | Production Coordinator |
| Sound | Steve Maslow | Sound Re-Recording Mixer |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Camera | Robert Morey | First Assistant Camera |
| Camera | Robert Del Boccio | First Assistant Camera |
| Camera | Tim Metivier | Second Assistant Camera |
| Camera | Carmen Bailey | Second Assistant Camera |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Camera | Peter Jensen | Steadicam Operator |
| Camera | Mark Santoni | Camera Loader |
| Editing | Paul Dixon | Editor |
| Editing | Paul Cichocki | First Assistant Editor |
| Editing | Mark L. Levine | Assistant Editor |
| Editing | James A. Brewer | Editor |
| Editing | Scott K. Wallace | Assistant Editor |
| Editing | Deborah Cichocki | Assistant Editor |
| Costume & Make-Up | Susan Nininger | Costume Designer |
| Costume & Make-Up | Joseph Roveto | Costumer |
| Costume & Make-Up | Barbara Kassal | Costumer |
| Costume & Make-Up | Andrea Cooper | Set Costumer |
| Costume & Make-Up | Renee Alaina Sacks | Set Costumer |
| Costume & Make-Up | Nancy Servin | Seamstress |
| Crew | Jan Aaris | Special Effects Coordinator |
| Crew | Geoff Heron | Special Effects Assistant |
| Crew | Suzanne Celeste | Dialect Coach |
| Production | Amy E. Gerber | Casting Associate |
| Directing | Robert J. Mooney | Second Unit First Assistant Director |
| Directing | Sazzy Lee Calhoun | Second Assistant Director |
| Directing | Shannon Wilson | Second Assistant Director |
| Camera | Robert LaBonge | Second Unit Director of Photography |
| Camera | Tom Connole | Camera Operator |
| Camera | Horace Jordan | Camera Operator |
| Camera | Gary Dunham | First Assistant Camera |
| Camera | Patrick Riley | First Assistant Camera |
| Camera | Frank D. Parrish | Second Assistant Camera |
| Camera | Claire Sutherland | Second Assistant Camera |
| Camera | Phillip B. Bowen | Second Assistant Camera |
| Visual Effects | Andrew Adamson | Visual Effects Supervisor |
| Visual Effects | Jennifer Bell | Visual Effects Producer |
| Sound | Joanie Diener | Music Editor |
| Sound | Jerelyn J. Harding | ADR Editor |
| Sound | Denise Horta | ADR Editor |
| Sound | Ulrika Akander | Dialogue Editor |
| Sound | Susan Dudeck | Dialogue Editor |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Sound | Andy Kopetsky | Sound Effects Editor |
| Sound | Bruce Lacey | Sound Effects Editor |
| Sound | Harry B. Miller III | Sound Effects Editor |
| Sound | John Edwards-Younger | Sound Effects Editor |
| Sound | Gordon Davidson | Sound Effects Editor |
| Sound | Mark Pappas | Foley Editor |
| Sound | Nancy Richardson | Foley Editor |
| Sound | Gidget Gallagher | Assistant Sound Editor |
| Sound | Craig Weintraub | Assistant Sound Editor |
| Sound | Donny Miele | Assistant Sound Editor |
| Sound | Thomas P. McNamara | Assistant Sound Editor |
| Sound | David Jobe | Foley Mixer |
| Sound | Alicia Stevenson | Foley Artist |
| Sound | Zane D. Bruce | Foley Artist |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Jeff Courtie | ADR Mixer |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Dennis Sands | Scoring Mixer |
| Art | Susan Bradley | Title Designer |
| Editing | Theresa Repola Mohammed | Negative Cutter |
| Editing | Dale E. Grahn | Color Timer |
| Crew | Kevin Bailey | Stunts |
