Bathsheba Everdene is een mooie, trotse vrouw met een onafhankelijke geest. Ze wordt door drie zeer verschillende mannen het hof gemaakt: Gabriel Oak, een schapenhouder, Frank Troy, een roekeloze sergeant en William Boldwood, een welgestelde en wat oudere vrijgezel.
Nee, helaas is Far from the Madding Crowd nog niet beschikbaar op Netflix in Nederland.
| Crew | Stephen Rutherford | Stunt Double |
| Crew | Zarene Dallas | Stunt Double |
| Art | Kave Quinn | Production Design |
| Production | Allon Reich | Producer |
| Directing | Thomas Vinterberg | Director |
| Editing | Claire Simpson | Editor |
| Production | Nina Gold | Casting |
| Art | Niamh Coulter | Set Decoration |
| Production | Andrew Macdonald | Producer |
| Art | Tim Blake | Art Direction |
| Camera | Charlotte Bruus Christensen | Director of Photography |
| Writing | Thomas Hardy | Novel |
| Writing | David Nicholls | Screenplay |
| Costume & Make-Up | Belinda Parish | Makeup Artist |
| Costume & Make-Up | Elizabeth Healy | Costume Supervisor |
| Costume & Make-Up | Janet Patterson | Costume Design |
| Crew | Julia Castle | Supervising Art Director |
| Production | Theo Park | Casting |
| Directing | San Davey | Script Supervisor |
| Visual Effects | Mitch Crease | VFX Artist |
| Production | Nicola Barnes | Researcher |
| Sound | Yann McCullough | Music Editor |
| Costume & Make-Up | Elizabeth Farrer | Seamstress |
| Sound | Eilam Hoffman | Sound Effects Editor |
| Visual Effects | Finola O'Brien | Visual Effects Coordinator |
| Art | Katie Money | Art Department Assistant |
| Sound | Michael Connell | Music Editor |
| Sound | Glenn Freemantle | Supervising Sound Editor |
| Editing | Jamie Turpin | First Assistant Editor |
| Costume & Make-Up | Amanda Brothwell | Seamstress |
| Sound | Niv Adiri | Sound Re-Recording Mixer |
| Art | Hannah Moseley | Art Direction |
| Editing | Cheryl Goodbody | Digital Intermediate |
| Editing | Gwillym Hewetson | First Assistant Editor |
| Camera | Alex Bailey | Still Photographer |
| Crew | Charles Bodycomb | Armorer |
| Sound | Ian Tapp | Sound Re-Recording Mixer |
| Lighting | Alex Scott | Gaffer |
| Costume & Make-Up | Sian Grigg | Makeup Department Head |
| Sound | Dillon Bennett | Sound Editor |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Costume & Make-Up | Tracy Smith | Key Hair Stylist |
| Sound | Glenn Freemantle | Sound Designer |
| Sound | Niv Adiri | Sound Effects Editor |
| Crew | Simon Neville | Armorer |
| Lighting | Richard George Robert Scott | Lighting Technician |
| Crew | Neil Swain | Dialect Coach |
| Costume & Make-Up | Jutta Russell | Makeup Artist |
| Sound | Stephane Malenfant | Boom Operator |
| Costume & Make-Up | Sam Bear | Makeup Artist |
| Costume & Make-Up | Sharon Nicholas | Makeup Artist |
| Art | Scott Keery | Property Master |
| Sound | Ben Barker | Sound Designer |
| Costume & Make-Up | Victoria Pocock | Makeup Artist |
| Costume & Make-Up | Charlotte Rogers | Makeup Artist |
| Directing | Martin Curry | First Assistant Director |
| Art | Julia Castle | Art Direction |
| Costume & Make-Up | Tilly Calder | Makeup Artist |
| Costume & Make-Up | Ray Marston | Wigmaker |
| Visual Effects | Noga Alon Stein | Visual Effects Producer |
| Sound | Linda Brenon | Foley Editor |
| Production | Alex Gladstone | Location Manager |
| Art | Matt Curtis | Title Designer |
| Camera | Anders Holck Peterson | Steadicam Operator |
| Crew | Paul Harris | Choreographer |
| Production | Victoria Zalin | Production Coordinator |
| Crew | Julian Spencer | Stunt Coordinator |
| Costume & Make-Up | Sarah Tapscott | Costume Assistant |
| Sound | Peter Burgis | Foley Artist |
| Sound | Emilie O'Connor | ADR Editor |
| Sound | Craig Armstrong | Original Music Composer |
| Sound | Emilie O'Connor | Dialogue Editor |
| Production | Christine Langan | Executive Producer |
| Production | Anita Overland | Producer |
| Sound | Jack Stew | Foley Artist |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Jemma Riley-Tolch | Assistant Foley Artist |
