Met charme, humor en zelfverzekerdheid kruipt Roger Moore voor de eerste keer in de huid van de minzame, wereldwijze - en dodelijke - Agent 007. Hij moet zich direct in een allesbeslissende strijd storten tegen een beruchte drugsbaron die ten doel gesteld heeft om Bond uit de weg te ruimen en de wereld te veroveren.
Nee, helaas is Live and Let Die nog niet beschikbaar op Netflix in Nederland.
Art | Stephen Hendrickson | Art Direction |
Writing | Tom Mankiewicz | Screenplay |
Costume & Make-Up | Julie Harris | Costume Design |
Editing | Raymond Poulton | Editor |
Writing | Ian Fleming | Novel |
Camera | Ted Moore | Director of Photography |
Art | Robert W. Laing | Art Direction |
Editing | Bert Bates | Editor |
Production | Weston Drury Jr. | Casting |
Art | Peter Lamont | Art Direction |
Directing | Guy Hamilton | Director |
Production | Albert R. Broccoli | Producer |
Production | Harry Saltzman | Producer |
Sound | George Martin | Original Music Composer |
Editing | John Shirley | Editor |
Crew | Bob Minor | Stunts |
Crew | Vic Armstrong | Stunt Double |
Crew | Jophery C. Brown | Stunts |
Production | Ron Quelch | Production Assistant |
Crew | Henry Kingi | Stunts |
Crew | Eddie Powell | Stunts |
Camera | David Wynn-Jones | First Assistant Camera |
Sound | Paul McCartney | Theme Song Performance |
Costume & Make-Up | Paul Rabiger | Makeup Artist |
Costume & Make-Up | Colin Jamison | Hairstylist |
Crew | Geoffrey Holder | Choreographer |
Directing | Elaine Schreyeck | Continuity |
Camera | Bob Kindred | Camera Operator |
Crew | Derek Meddings | Special Effects |
Art | Leon Davis | Construction Manager |
Art | Syd Cain | Supervising Art Director |
Costume & Make-Up | Laurel Staffell | Wardrobe Supervisor |
Directing | Derek Cracknell | Assistant Director |
Sound | John W. Mitchell | Sound Recordist |
Art | Maurice Binder | Title Designer |
Production | Bernard Hanson | Location Manager |
Production | Claude Hudson | Production Supervisor |
Sound | Ken Barker | Sound Recordist |