Met charme, humor en zelfverzekerdheid kruipt Roger Moore voor de eerste keer in de huid van de minzame, wereldwijze - en dodelijke - Agent 007. Hij moet zich direct in een allesbeslissende strijd storten tegen een beruchte drugsbaron die ten doel gesteld heeft om Bond uit de weg te ruimen en de wereld te veroveren.
Nee, helaas is Live and Let Die nog niet beschikbaar op Netflix in Nederland.
Art | Stephen Hendrickson | Art Direction |
Writing | Ian Fleming | Novel |
Camera | Ted Moore | Director of Photography |
Editing | John Shirley | Editor |
Art | Robert W. Laing | Art Direction |
Production | Weston Drury Jr. | Casting |
Costume & Make-Up | Julie Harris | Costume Design |
Writing | Tom Mankiewicz | Screenplay |
Production | Harry Saltzman | Producer |
Directing | Guy Hamilton | Director |
Editing | Raymond Poulton | Editor |
Editing | Bert Bates | Editor |
Art | Peter Lamont | Art Direction |
Production | Albert R. Broccoli | Producer |
Sound | George Martin | Original Music Composer |
Crew | Bob Minor | Stunts |
Crew | Vic Armstrong | Stunt Double |
Crew | Jophery C. Brown | Stunts |
Production | Ron Quelch | Production Assistant |
Crew | Henry Kingi | Stunts |
Crew | Eddie Powell | Stunts |
Camera | David Wynn-Jones | First Assistant Camera |
Sound | Paul McCartney | Theme Song Performance |
Costume & Make-Up | Laurel Staffell | Wardrobe Supervisor |
Camera | Bob Kindred | Camera Operator |
Costume & Make-Up | Paul Rabiger | Makeup Artist |
Costume & Make-Up | Colin Jamison | Hairstylist |
Art | Leon Davis | Construction Manager |
Directing | Elaine Schreyeck | Continuity |
Art | Syd Cain | Supervising Art Director |
Art | Maurice Binder | Title Designer |
Crew | Derek Meddings | Special Effects |
Production | Claude Hudson | Production Supervisor |
Sound | Ken Barker | Sound Recordist |
Directing | Derek Cracknell | Assistant Director |
Sound | John W. Mitchell | Sound Recordist |
Production | Bernard Hanson | Location Manager |
Crew | Geoffrey Holder | Choreographer |