Tom Egan heeft een lange carrière achter zich als Air Force-piloot voor het Amerikaanse leger. Nu is hij drone-piloot en opereert hij vanuit een een container in Las Vegas. Met een joystick in de hand, bestookt hij anonieme doelwitten in oorlogsgebieden.
Nee, helaas is Good Kill nog niet beschikbaar op Netflix in Nederland.
| Directing | Andrew Niccol | Director |
| Writing | Andrew Niccol | Writer |
| Directing | Jennifer Josephson | Script Supervisor |
| Camera | Amir Mokri | Director of Photography |
| Editing | Zach Staenberg | Editor |
| Production | Jo Edna Boldin | Casting |
| Production | Nicolas Chartier | Producer |
| Production | Mark Amin | Producer |
| Production | Zev Foreman | Producer |
| Production | Hamid Ait Timaghrit | Casting |
| Art | Guy Barnes | Production Design |
| Production | Avy Kaufman | Casting |
| Costume & Make-Up | Shaun Garcia | Set Costumer |
| Costume & Make-Up | Liz Pecos | Set Costumer |
| Costume & Make-Up | Lisa Jensen | Costume Design |
| Art | Robert Scoville | Art Direction |
| Costume & Make-Up | Megan Daum | Hairstylist |
| Costume & Make-Up | Cassidy Zachary | Costume Supervisor |
| Sound | Ethan Beigel | Sound Re-Recording Mixer |
| Art | Brian Austin Wenrich | Art Department Coordinator |
| Editing | Stewart McAlpine | First Assistant Editor |
| Costume & Make-Up | Mary Lampert | Hairstylist |
| Editing | Anneli Oscarsson | Digital Intermediate |
| Camera | Daniel C. Gold | Camera Operator |
| Editing | Jonas Jangvad | Digital Intermediate |
| Art | Rachid Quiat | Set Decoration |
| Lighting | Jay Kemp | Gaffer |
| Lighting | Waylon Brady | Rigging Gaffer |
| Sound | Fernand Bos | Music Editor |
| Visual Effects | Sebastian Leutner | Visual Effects Producer |
| Art | Wendy Ozols-Barnes | Set Decoration |
| Camera | Dylan Goss | Helicopter Camera |
| Visual Effects | Craig Lyn | Visual Effects Supervisor |
| Visual Effects | Michael Wortmann | Visual Effects Supervisor |
| Costume & Make-Up | Gretchen Bright | Makeup Department Head |
| Sound | Libby Umstead | Music Supervisor |
| Sound | Christophe Beck | Original Music Composer |
| Sound | Dana Sano | Music Supervisor |
| Production | Dusty Dukatz | Production Supervisor |
| Production | Andrew Niccol | Producer |
| Costume & Make-Up | Bonnie Masoner | Makeup Artist |
| Art | Duprelon Tizdale | Greensman |
| Costume & Make-Up | Reyna Robinson | Makeup Artist |
| Sound | Ryan Wassil | Foley Editor |
| Production | Ahmed Abounouom | Production Manager |
| Sound | Aaron Levy | Sound Re-Recording Mixer |
| Production | Marjorie Ergas | Production Supervisor |
| Directing | Nicholas Mastandrea | First Assistant Director |
| Production | Ryan Westheimer | Line Producer |
| Sound | Paul Longstaffe | Dialogue Editor |
| Costume & Make-Up | Navya La Shay | Makeup Artist |
| Art | Greg Davidson | Leadman |
| Crew | Larry Ferguson Jr. | Post Production Supervisor |
| Sound | Steven Willer | Boom Operator |
| Crew | Gérard Lesage | Stunt Coordinator |
| Camera | Ian Hanna | Dolly Grip |
| Lighting | Driss Marzak | Gaffer |
| Camera | Amir Mokri | Camera Operator |
| Lighting | Mark Steinig | Rigging Grip |
| Costume & Make-Up | Jennifer Gingery | Key Costumer |
| Camera | James Swanson | Aerial Director of Photography |
| Production | Christian Diaz de Bedoya | Location Manager |
| Art | Kyle Cooper | Title Designer |
| Crew | Frédéric North | Aerial Coordinator |
| Crew | Ed Duran | Stunt Coordinator |
| Visual Effects | Daniel Chavez | Visual Effects Producer |
| Production | Melanie Kirk | Production Coordinator |
| Camera | Kurt Kornemann | Key Grip |
| Art | Mark Hansen | Property Master |
