Tom Egan heeft een lange carrière achter zich als Air Force-piloot voor het Amerikaanse leger. Nu is hij drone-piloot en opereert hij vanuit een een container in Las Vegas. Met een joystick in de hand, bestookt hij anonieme doelwitten in oorlogsgebieden.
Nee, helaas is Good Kill nog niet beschikbaar op Netflix in Nederland.
| Writing | Andrew Niccol | Writer |
| Directing | Andrew Niccol | Director |
| Production | Nicolas Chartier | Producer |
| Production | Jo Edna Boldin | Casting |
| Production | Mark Amin | Producer |
| Production | Hamid Ait Timaghrit | Casting |
| Production | Avy Kaufman | Casting |
| Art | Guy Barnes | Production Design |
| Directing | Jennifer Josephson | Script Supervisor |
| Production | Zev Foreman | Producer |
| Camera | Amir Mokri | Director of Photography |
| Editing | Zach Staenberg | Editor |
| Costume & Make-Up | Megan Daum | Hairstylist |
| Art | Wendy Ozols-Barnes | Set Decoration |
| Costume & Make-Up | Gretchen Bright | Makeup Department Head |
| Art | Brian Austin Wenrich | Art Department Coordinator |
| Costume & Make-Up | Liz Pecos | Set Costumer |
| Visual Effects | Craig Lyn | Visual Effects Supervisor |
| Lighting | Waylon Brady | Rigging Gaffer |
| Editing | Jonas Jangvad | Digital Intermediate |
| Visual Effects | Sebastian Leutner | Visual Effects Producer |
| Costume & Make-Up | Cassidy Zachary | Costume Supervisor |
| Camera | Daniel C. Gold | Camera Operator |
| Art | Robert Scoville | Art Direction |
| Editing | Anneli Oscarsson | Digital Intermediate |
| Editing | Stewart McAlpine | First Assistant Editor |
| Sound | Fernand Bos | Music Editor |
| Sound | Ethan Beigel | Sound Re-Recording Mixer |
| Costume & Make-Up | Lisa Jensen | Costume Design |
| Camera | Dylan Goss | Helicopter Camera |
| Visual Effects | Michael Wortmann | Visual Effects Supervisor |
| Costume & Make-Up | Mary Hedges Lampert | Hairstylist |
| Costume & Make-Up | Shaun Garcia | Set Costumer |
| Art | Rachid Quiat | Set Decoration |
| Lighting | Jay Kemp | Gaffer |
| Sound | Christophe Beck | Original Music Composer |
| Sound | Libby Umstead | Music Supervisor |
| Sound | Dana Sano | Music Supervisor |
| Production | Ryan Westheimer | Line Producer |
| Directing | Nicholas Mastandrea | First Assistant Director |
| Sound | Paul Longstaffe | Dialogue Editor |
| Production | Ahmed Abounouom | Production Manager |
| Costume & Make-Up | Navya La Shay | Makeup Artist |
| Crew | Larry Ferguson Jr. | Post Production Supervisor |
| Lighting | Driss Marzak | Gaffer |
| Crew | Gérard Lesage | Stunt Coordinator |
| Camera | Ian Hanna | Dolly Grip |
| Crew | Frédéric North | Aerial Coordinator |
| Costume & Make-Up | Bonnie Masoner | Makeup Artist |
| Production | Marjorie Ergas | Production Supervisor |
| Art | Greg Davidson | Leadman |
| Sound | Steven Willer | Boom Operator |
| Camera | James Swanson | Aerial Director of Photography |
| Costume & Make-Up | Reyna Robinson | Makeup Artist |
| Sound | Aaron Levy | Sound Re-Recording Mixer |
| Sound | Ryan Wassil | Foley Editor |
| Production | Andrew Niccol | Producer |
| Production | Dusty Dukatz | Production Supervisor |
| Art | Duprelon Tizdale | Greensman |
| Camera | Amir Mokri | Camera Operator |
| Crew | Ed Duran | Stunt Coordinator |
| Production | Melanie Kirk | Production Coordinator |
| Art | Kyle Cooper | Title Designer |
| Lighting | Mark Steinig | Rigging Grip |
| Costume & Make-Up | Jennifer Gingery | Key Costumer |
| Production | Christian Diaz de Bedoya | Location Manager |
| Camera | Kurt Kornemann | Key Grip |
| Visual Effects | Daniel Chavez | Visual Effects Producer |
| Art | Mark Hansen | Property Master |
