Hoe ver ga je in een wereld vol meedogenloze huichelarij en perverse moraal, om de enige van wie je houdt van de totale ondergang en vernedering te redden? Lily Bart, een mooie jonge vrouw uit de betere kringen ziet zichzelf langzaam afglijden naar sociale verachting en armoede. Ze moet zich staande houden tegen gehaaide opportunisten en moreel bankroet. Haar enige kans om te overleven is te ontkomen aan de verdorvenheid van haar milieu, dat ze veracht, maar ook zo nodig heeft. Om zichzelf te redden van de financiele ondergang moet ze de enige man waarvan ze ooit gehouden heeft verraden.
Nee, helaas is The House of Mirth nog niet beschikbaar op Netflix in Nederland.
| Directing | Terence Davies | Director |
| Writing | Edith Wharton | Novel |
| Writing | Terence Davies | Writer |
| Production | Olivia Stewart | Producer |
| Production | Bob Last | Executive Producer |
| Production | Pippa Cross | Executive Producer |
| Camera | Remi Adefarasin | Director of Photography |
| Art | Diane Dancklefsen | Art Direction |
| Sound | Adrian Johnston | Music Director |
| Production | Sarah Lee | Location Manager |
| Production | Louise Coulter | Production Accountant |
| Sound | Louis Kramer | Sound Recordist |
| Art | Danny Sumsion | Construction Manager |
| Costume & Make-Up | Eva Marieges Moore | Makeup & Hair |
| Sound | Catherine Hodgson | Supervising Sound Editor |
| Production | Julia Duff | Additional Casting |
| Camera | Chris Plevin | Second Unit Director of Photography |
| Production | Mandy McKay | Production Coordinator |
| Production | Tarn Harper | Post Production Accountant |
| Production | Neil Cairns | Assistant Accountant |
| Production | Beverley Syme | Assistant Location Manager |
| Production | Jennifer McNamara | Casting Assistant |
| Production | Mark Bennett | Casting Assistant |
| Production | Deborah Maxwell Dion | Casting Assistant |
| Production | Gemma Hancock | Casting Assistant |
| Production | Sonya Dunwoodge | Production Secretary |
| Crew | Rosalind Nashashibi | Stand In |
| Camera | Mark Milsome | Focus Puller |
| Camera | Harry Bowers | Clapper Loader |
| Camera | Gordon McMillan | Assistant Camera |
| Camera | John Arnold | Key Grip |
| Camera | Stuart Bunting | Additional Grip |
| Lighting | Jimmy Wilson | Gaffer |
| Lighting | Ian Franklin | Best Boy Electric |
| Lighting | Barrie More | Rigging Gaffer |
| Lighting | Brian Sullivan | Electrician |
| Sound | Tony Cook | Boom Operator |
| Art | Jo Graysmark | Art Direction |
| Art | Ursula Cleary | Assistant Art Director |
| Art | Tim Monroe | Assistant Art Director |
| Art | Alan Bailey | Property Master |
| Crew | Richard Hassall | Carpenter |
| Art | Bobby Gee | Painter |
| Costume & Make-Up | Ann Taylor Cowan | Wardrobe Supervisor |
| Costume & Make-Up | Kate Burnett | Wardrobe Assistant |
| Costume & Make-Up | Tom Hornsby | Wardrobe Assistant |
| Costume & Make-Up | Adrian Ratley | Wardrobe Assistant |
| Costume & Make-Up | Guy Speranza | Wardrobe Assistant |
| Costume & Make-Up | Anna Lau | Wardrobe Coordinator |
| Crew | Michael Solinger | Post Production Consulting |
| Crew | Sarah Lee | Post Production Supervisor |
| Production | Anita M. Patel | Post Production Coordinator |
| Editing | Celia Haining | First Assistant Editor |
| Editing | Lea Morement | Assistant Editor |
| Sound | Stewart Henderson | Dialogue Editor |
| Sound | Michael Redfern | Foley Editor |
| Editing | Martin Brinkler | Additional Editing |
| Sound | Paul Hamblin | Sound Re-Recording Mixer |
| Sound | Ted Swanscott | ADR Mixer |
| Sound | Ted Swanscott | Foley Mixer |
| Sound | Terry Davies | Conductor |
| Sound | Heather Bownass | Music Supervisor |
| Visual Effects | John Paul Docherty | Visual Effects Supervisor |
| Visual Effects | Susi Roper | Visual Effects Producer |
| Production | Charles McDonald | Publicist |
| Crew | Chris Paton | Unit Publicist |
| Camera | Jaap Buitendijk | Still Photographer |
| Crew | Julia Wilson Dickson | Dialect Coach |
| Visual Effects | Stuart Murdoch | Special Effects Supervisor |
| Crew | Jeff Derby | Transportation Captain |
| Production | Kerry Barden | Casting |
| Production | Billy Hopkins | Casting |
| Production | Suzanne Smith Crowley | Casting |
| Art | Don Taylor | Production Design |
| Costume & Make-Up | Monica Howe | Costume Design |
| Costume & Make-Up | Eva Marieges Moore | Hairstylist |
| Costume & Make-Up | Renate Leuschner | Wigmaker |
| Costume & Make-Up | Paul Huntley | Wigmaker |
| Directing | Pat Rambaut | Script Supervisor |
| Production | Alan J. Wands | Co-Producer |
| Editing | Michael Parker | Editor |
| Costume & Make-Up | Dianne Millar | Makeup & Hair |
| Costume & Make-Up | Christine Powers | Makeup & Hair |
| Costume & Make-Up | Jan Harrison Shell | Makeup & Hair |
| Costume & Make-Up | Meg Speirs | Makeup & Hair |
| Production | Sarah Lee | Production Manager |
| Directing | Sarah Lee | Second Unit Director |
| Production | Tony Hood | Unit Manager |
| Production | Wendy Broom | Production Manager |
| Directing | William Booker | Second Assistant Director |
| Directing | Nanna Mailand-Mercado | Third Assistant Director |
| Directing | Guy Travers | First Assistant Director |
| Art | John Bush | Set Decoration |
