In het Nederland van de 17de eeuw, tijdens de periode van de Tulpenmanie, wordt een kunstenaar verliefd op een getrouwde jonge vrouw, terwijl hij van haar echtgenoot de opdracht gekregen heeft om haar portret te schilderen.
| Art | Bill Crutcher | Supervising Art Director |
| Costume & Make-Up | Alex Rouse | Wigmaker |
| Costume & Make-Up | Ray Marston | Wigmaker |
| Costume & Make-Up | Lucy Sibbick | Key Hair Stylist |
| Art | Dan Crandon | Construction Manager |
| Art | Nick Dent | Art Direction |
| Directing | Carlos Fidel | Second Assistant Director |
| Directing | Ben Quirk | Third Assistant Director |
| Sound | Dusty Albertz | ADR Mixer |
| Sound | Ishbel Beeson | ADR Coordinator |
| Sound | Hugo Adams | Foley Editor |
| Art | Will Loughlin | Greensman |
| Costume & Make-Up | Tapio Salmi | Makeup & Hair |
| Costume & Make-Up | Paul Gooch | Makeup & Hair |
| Art | Lauren Briggs-Miller | Assistant Art Director |
| Sound | Rowena Wilkinson | Foley Artist |
| Camera | Paul Donachie | Steadicam Operator |
| Production | Ruth Earley | Extras Casting |
| Editing | James Stubbs | Assistant Editor |
| Sound | Edward Trybek | Orchestrator |
| Sound | Scott Cannizzaro | ADR Mixer |
| Lighting | Mike Parsons | Electrician |
| Lighting | James Summers | Rigging Gaffer |
| Editing | Ben McIlveen | Digital Intermediate Editor |
| Editing | Debs Richardson | First Assistant Editor |
| Sound | Michael Pärt | Music Editor |
| Crew | Laura Jackson | Floor Runner |
| Crew | Sparky Tehnsuko | Floor Runner |
| Sound | Martin Czembor | Sound Re-Recording Mixer |
| Camera | Woody Gregson | Second Assistant "B" Camera |
| Camera | Jennie Paddon | First Assistant "A" Camera |
| Sound | Steve Bartek | Orchestrator |
| Sound | Sally Boldt | Music Editor |
| Sound | Stuart Morton | Music Editor |
| Production | Carrie-Ann Banner | Production Coordinator |
| Crew | Claudia Kalindjian | Unit Publicist |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Sound | Kevin Penney | Foley Editor |
| Production | Aisha Bywaters | Casting Associate |
| Costume & Make-Up | Rosy Coppola | Seamstress |
| Costume & Make-Up | Anna Kot | Assistant Costume Designer |
| Production | Solomon Artistes | Extras Casting |
| Sound | Simon Diggins | ADR Mixer |
| Sound | Nick Jimenez | ADR Recordist |
| Sound | Adam Mendez | Foley Mixer |
| Sound | Harry Platford | ADR Mixer |
| Sound | Andy Welker | ADR Mixer |
| Art | Jonathan Maris | Storyboard Artist |
| Crew | Russell Oxley | Scenic Artist |
| Sound | Tim West | ADR Mixer |
| Camera | Alex Bailey | Still Photographer |
| Camera | Ashlea Tamara Downes | Second Assistant Camera |
| Camera | Al Hindley | Epk Camera Operator |
| Camera | David Penfold | First Assistant Camera |
| Costume & Make-Up | Debbie Watson | Seamstress |
| Costume & Make-Up | Lucy Sibbick | Key Makeup Artist |
| Crew | Jill McCullough | Dialect Coach |
| Lighting | Jack Farrow | Electrician |
| Sound | Lloyd Dudley | Boom Operator |
| Lighting | Wailoon Chung | Electrician |
| Lighting | Matt Jackman Smith | Electrician |
| Sound | Mark DeSimone | ADR Mixer |
| Visual Effects | Neal Champion | Special Effects Supervisor |
| Art | Teri Fairhurst | Draughtsman |
| Sound | Michael Miller | ADR Mixer |
| Sound | Andrea King | Foley Artist |
| Sound | Tyler Newhouse | ADR Recordist |
| Costume & Make-Up | Heather Bagley | Seamstress |
| Costume & Make-Up | Gordon Harmer | Costume Supervisor |
| Production | Georgia Hume | Production Secretary |
| Sound | Peter Gleaves | ADR Mixer |
| Sound | Dave Paterson | Sound Re-Recording Mixer |
| Crew | Penny Dyer | Dialect Coach |
| Crew | Nadia Venesse | Dialect Coach |
| Production | Halle Sparrow | Production Assistant |
| Directing | Justin Chadwick | Director |
| Writing | Tom Stoppard | Screenplay |
| Production | Harvey Weinstein | Producer |
| Editing | Rick Russell | Editor |
| Production | Alison Owen | Producer |
| Writing | Deborah Moggach | Screenplay |
| Costume & Make-Up | Michael O'Connor | Costume Design |
| Art | Simon Elliott | Production Design |
| Art | Greg Keith | Set Dresser |
| Crew | Nellie Burroughes | Stunts |
| Production | Bob Weinstein | Executive Producer |
| Production | Richard Hewitt | Co-Producer |
| Production | Sarah E. Johnson | Executive Producer |
| Production | Paul Trijbits | Executive Producer |
| Production | Molly Conners | Executive Producer |
| Production | Faye Ward | Co-Producer |
| Production | David Glasser | Executive Producer |
| Sound | Ray Beckett | Sound Mixer |
| Production | Christopher Woodrow | Executive Producer |
| Production | Craig Barwick | Production Accountant |
| Production | Laurie MacDonald | Executive Producer |
| Crew | Gareth Milne | Stunt Coordinator |
| Sound | Danny Elfman | Original Music Composer |
| Production | Patrick Thompson | Executive Producer |
| Art | Will Coubrough | Art Direction |
| Art | Noel Cowell | Property Master |
| Production | Walter F. Parkes | Executive Producer |
| Camera | Eigil Bryld | Director of Photography |
| Costume & Make-Up | Daniel Phillips | Makeup Designer |
| Production | Alison Banks | Unit Production Manager |
| Production | David Campbell-Bell | Location Manager |
| Costume & Make-Up | Daniel Phillips | Hair Designer |
| Crew | Andy Bennett | Stunt Coordinator |
| Production | Justin Chadwick | Executive Producer |
| Production | Maria Cestone | Executive Producer |
| Directing | Jayne Spooner | Script Supervisor |
| Writing | Deborah Moggach | Novel |
| Directing | Deborah Saban | First Assistant Director |
| Art | Rebecca Alleway | Set Decoration |
| Production | Shaheen Baig | Casting |
| Art | Roxana Alexandru | Art Direction |
| Lighting | Mark Clayton | Gaffer |
| Camera | Jim Philpott | Key Grip |
