New York, 1952. Carol is elegant, verfijnd, rijk en getrouwd. Theresa staat aan het begin van haar leven, onzeker over wie ze wil worden. Uit een toevallige ontmoeting in een warenhuis in Manhattan ontstaat een bijzondere vriendschap tussen deze twee vrouwen. Carol nodigt Therese uit om te ontsnappen en ze ondernemen een spontane reis door Amerika.
Nee, helaas is Carol nog niet beschikbaar op Netflix in Nederland.
Crew | Kelly Reichardt | Thanks |
Production | Stephen Woolley | Producer |
Art | Judy Becker | Production Design |
Directing | Todd Haynes | Director |
Art | Heather Loeffler | Set Decoration |
Production | Christine Vachon | Producer |
Costume & Make-Up | Sandy Powell | Costume Design |
Production | Dorothy Berwin | Executive Producer |
Production | Elizabeth Karlsen | Producer |
Art | Leyna Haller | Set Dresser |
Visual Effects | Allison Paul | Visual Effects Producer |
Art | Jon Griffith | Set Dresser |
Visual Effects | Erik Werlin | Visual Effects |
Costume & Make-Up | Gina Nalli | Set Costumer |
Art | Amy Cluxton | Set Dresser |
Costume & Make-Up | Karen Young | Set Costumer |
Visual Effects | Edson Williams | Visual Effects Supervisor |
Writing | Patricia Highsmith | Novel |
Writing | Phyllis Nagy | Screenplay |
Camera | Edward Lachman | Director of Photography |
Editing | Affonso Gonçalves | Editor |
Art | Jesse Rosenthal | Art Direction |
Sound | Carter Burwell | Original Music Composer |
Production | Bob Weinstein | Executive Producer |
Production | Thorsten Schumacher | Executive Producer |
Sound | Randall Poster | Music Supervisor |
Production | Laura Rosenthal | Casting |
Production | Andrew Upton | Executive Producer |
Production | Cate Blanchett | Executive Producer |
Production | Harvey Weinstein | Executive Producer |
Production | Danny Perkins | Executive Producer |
Sound | Leslie Shatz | Sound Re-Recording Mixer |
Directing | Belle Francisco | Script Supervisor |
Sound | Todd Kasow | Music Editor |
Camera | Wilson Webb | Still Photographer |
Costume & Make-Up | Jerry DeCarlo | Hair Department Head |
Costume & Make-Up | Patricia Regan | Makeup Department Head |
Costume & Make-Up | David Davenport | Costume Supervisor |
Crew | Mark Friedberg | Thanks |
Art | Sarah Young | Set Decoration Buyer |
Art | Francis Link Boysie | Construction Foreman |
Lighting | John W. DeBlau | Gaffer |
Production | Alan Forbes | Location Manager |
Crew | Carla Meyer | Dialect Coach |
Costume & Make-Up | Anne Taylor | Makeup Artist |
Crew | Gretchen McGowan | Post Production Supervisor |
Art | Paul Peabody | Construction Coordinator |
Sound | James David Redding III | Supervising Sound Effects Editor |
Production | Deirdre Costa | Location Manager |
Costume & Make-Up | John Jack Curtin | Key Hair Stylist |
Camera | James McMillan | Key Grip |
Camera | Adam N. White | Steadicam Operator |
Lighting | Thomas William Vincent | Rigging Grip |
Camera | Kirk R. Gardner | Steadicam Operator |
Costume & Make-Up | Susan Bakula | Tailor |
Art | Marlene McCarty | Title Designer |
Art | Joel Weaver | Property Master |
Crew | Kenneth Coulman | Special Effects Coordinator |
Lighting | Mike Dickman | Rigging Grip |
Crew | Kate Wilson | Dialect Coach |
Art | Eric Johns | Greensman |
Sound | Lidia Tamplenizza | Foley Editor |
Camera | Chris Salamone | Dolly Grip |
Lighting | John Zanardelli | Rigging Grip |
Costume & Make-Up | Jenn McLaren | Costume Coordinator |
Production | Meredith Nunnikhoven | Production Coordinator |
Sound | Nigel Maxwell | Boom Operator |
Art | Christopher Walters | Leadman |
Crew | Kelly Laufenberg | Special Effects Coordinator |
Lighting | Jeff Fisher | Rigging Grip |
Costume & Make-Up | Christine Lee | Seamstress |
Crew | Luke Nye | Prop Maker |
Visual Effects | Chris Haney | Visual Effects Producer |
Lighting | Scott Lipez | Rigging Gaffer |
Lighting | Lucas Staley | Rigging Grip |
Costume & Make-Up | Jeni Lee Dinkel | Makeup Artist |
Art | Daniel Fisher | Property Master |
Lighting | Russ Faust | Best Boy Electric |
Directing | Jesse Nye | First Assistant Director |
Art | Bob Smith | Leadman |
Visual Effects | Chris Haney | Visual Effects Supervisor |
Costume & Make-Up | Megan McGilvery | Seamstress |
Sound | Tony Martinez | ADR Editor |
Sound | Eliza Paley | Supervising ADR Editor |
Sound | Tony Martinez | Dialogue Editor |
Sound | Eliza Paley | Supervising Dialogue Editor |
Production | Gwen Bialic | Unit Production Manager |
Directing | Kyle LeMire | Second Assistant Director |
Costume & Make-Up | Morag Ross | Makeup Artist |
Production | Tessa Ross | Executive Producer |
Production | Gwen Bialic | Co-Producer |
Production | Robert Jolliffe | Executive Producer |
Production | Karri O'Reilly | Unit Production Manager |
Costume & Make-Up | Martha Smith | Key Set Costumer |
Costume & Make-Up | Kay Georgiou | Hairstylist |
Camera | Craig Haagensen | "A" Camera Operator |
Sound | Geoff Maxwell | Production Sound Mixer |
Production | Shellie Gillespie | Production Accountant |
Production | D. Lynn Meyers | Location Casting |
Production | Chenney Chen | Extras Casting |
Editing | Perri Pivovar | Assistant Editor |
Editing | John Dowdell | Colorist |
Sound | Leslie Shatz | Sound Designer |
Art | Hal Carlton-Ford | Set Dresser |
Art | Thomas Hunt | Set Dresser |
Art | Timothy Johnson | Set Dresser |
Art | Vanessa O'Kelley | Set Dresser |
Art | Christopher Pappas | Set Dresser |
Art | Gregory Puchalski | Set Dresser |
Costume & Make-Up | Kelleigh Miller | On Set Dresser |
Art | Debbie Stratis | Art Department Coordinator |
Camera | Richard S. Crumrine Jr. | First Assistant "A" Camera |
Camera | Tom Cherry | First Assistant "A" Camera |
Camera | Christopher Ratledge | Second Assistant "A" Camera |
Camera | Jeff Barklage | "B" Camera Operator |
Camera | Amy Faust | First Assistant "B" Camera |
Camera | Alex Esber | First Assistant "B" Camera |
Crew | Matthew Stratton | Special Effects Technician |
Costume & Make-Up | Meghan Corea | Assistant Costume Designer |
Costume & Make-Up | Christopher Peterson | Assistant Costume Designer |