Tijdens de Tweede Wereldoorlog wordt een acteur, die zichzelf heeft verkleed als vrouw, door de Nazi's gevangengenomen. Om niet als Engelse spion door de Duitsers te worden neergeschoten, zal hij zijn vermomming moeten volhouden.
| Sound | Michael Hopkins | Sound Editor |
| Directing | Ted Morley | Assistant Director |
| Crew | Terence Feely | Additional Writing |
| Sound | Peter Greenwell | Original Music Composer |
| Camera | Dick Bush | Director of Photography |
| Writing | Hugh Leonard | Screenplay |
| Production | Josephine Douglas | Producer |
| Directing | Bob Kellett | Director |
| Editing | David Campling | Editor |
| Writing | Ted Willis | Story |
| Production | Bobby Blues | Accountant |
| Production | Bobby Blues | Production Accountant |
| Production | G. B. Walker | Casting |
| Art | Don Mingaye | Art Direction |
| Costume & Make-Up | Mark Canter | Costume Designer |
| Crew | Nat Cohen | Presenter |
| Art | Bill Greene | Construction Manager |
| Production | Clifford Parrish | Executive Producer |
| Costume & Make-Up | Wally Schneiderman | Makeup Supervisor |
| Costume & Make-Up | Eileen Fletcher | Assistant Makeup Artist |
| Production | Christopher Neame | Production Manager |
| Directing | June Randall | Continuity |
| Costume & Make-Up | Gordon Bond | Hairdresser |
| Costume & Make-Up | Helen Lennox | Hairdresser |
| Sound | Peter Greenwell | Conductor |
| Crew | Michael Albrechtsen | Special Effects |
| Sound | Gordon Langford | Orchestrator |
| Costume & Make-Up | Masada Wilmot | Wardrobe Master |
| Camera | James Devis | Camera Operator |
| Sound | Peter Greenwell | Music Arranger |
| Art | Ken Court | Assistant Art Director |
| Camera | Douglas Webb | Still Photographer |
| Lighting | Bob Bremner | Lighting Technician |
| Sound | Maurice Askew | Sound Mixer |
| Lighting | John Matthews | Electrician |
| Costume & Make-Up | James Smith | Wardrobe Master |
| Production | Nick Gillott | Location Manager |
| Camera | Dennis Fraser | Grip |
