Wanneer de beste vriend van weduwnaar en ex-marinier, Harry Brown op brute wijze wordt vermoord, zint hij op wraak. Op geheel eigen wijze baant hij zichzelf een weg door een donkere wereld, vol wapens, drugs en bendes, waar hij uiteindelijk oog in oog moet komen te staan met de moordenaar van zijn beste vriend.
Nee, helaas is Harry Brown nog niet beschikbaar op Netflix in Nederland.
| Production | Keith Bell | Producer |
| Directing | Daniel Barber | Director |
| Writing | Gary Young | Screenplay |
| Production | Matthew Brown | Producer |
| Production | Paul Brett | Executive Producer |
| Production | Tim Smith | Executive Producer |
| Camera | Martin Ruhe | Director of Photography |
| Production | Reno Antoniades | Executive Producer |
| Production | Kris Thykier | Producer |
| Editing | Joe Walker | Editor |
| Production | Matthew Vaughn | Producer |
| Sound | Ruth Barrett | Original Music Composer |
| Production | Tim Haslam | Executive Producer |
| Production | Steve Norris | Executive Producer |
| Sound | Martin Phipps | Original Music Composer |
| Production | Christos Michaels | Executive Producer |
| Art | Kave Quinn | Production Design |
| Crew | Sian Milne | Stunt Double |
| Production | Dan Hubbard | Casting |
| Costume & Make-Up | Jane Petrie | Costume Design |
| Sound | Richard Pryke | Sound Re-Recording Mixer |
| Art | Chris Lowe | Art Direction |
| Camera | Simon Baker | Camera Operator |
| Sound | Jack Stew | Foley |
| Costume & Make-Up | Jacqueline Fowler | Hair Designer |
| Sound | James Bellamy | Music Editor |
| Art | Caroline Bateman | Art Department Assistant |
| Costume & Make-Up | Alison Rainey | Makeup Artist |
| Crew | Thomas Townend | Second Unit Cinematographer |
| Editing | Gavin Round | Digital Intermediate |
| Art | Gemma Ryan | Set Decoration |
| Sound | Andrea King | Foley |
| Sound | Tom Sayers | Supervising Sound Editor |
| Crew | Dan Osborne | Armorer |
| Sound | Ben Barker | Sound Effects Editor |
| Lighting | Alan Grayley | Rigging Gaffer |
| Lighting | Martin Duncan | Gaffer |
| Directing | Sally Jones | Script Supervisor |
| Directing | Heather Storr | Script Supervisor |
| Crew | Nigel Bunyan | Visual Effects Editor |
| Visual Effects | Michael Stanish | Visual Effects Producer |
| Lighting | Julian White | Gaffer |
| Camera | Dean Rogers | Still Photographer |
| Costume & Make-Up | Jacqueline Fowler | Makeup Designer |
| Visual Effects | Bob Hollow | Special Effects Supervisor |
| Sound | Ian Tapp | Sound Re-Recording Mixer |
| Costume & Make-Up | Kelly Marazzi | Hairstylist |
| Crew | Denzil Armour-Brown | Second Unit Cinematographer |
| Sound | Rob Huckle | Dolby Consultant |
| Sound | Matt Biffa | Music Supervisor |
| Camera | Dion M. Casey | Steadicam Operator |
| Visual Effects | Pete Jones | Visual Effects Coordinator |
| Costume & Make-Up | Kelly Marazzi | Makeup Artist |
| Editing | Mike Morrison | Digital Intermediate |
| Crew | Paul Hyman | Visual Effects Editor |
| Visual Effects | Pedro Sabrosa | Visual Effects Supervisor |
| Editing | Nina Hartstone | Dialogue Editor |
| Sound | Gillian Dodders | Supervising Sound Editor |
| Costume & Make-Up | Abigail Edwards | Makeup Artist |
| Sound | Simon Hayes | Production Sound Mixer |
| Sound | Ed Colyer | Foley Mixer |
| Sound | Glenn Freemantle | Sound Assistant |
| Sound | Glen Gathard | Assistant Foley Artist |
| Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
| Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
| Costume & Make-Up | Nadia Stacey | Makeup Artist |
| Crew | Pete Ford | Stunt Double |
