Wanneer de beste vriend van weduwnaar en ex-marinier, Harry Brown op brute wijze wordt vermoord, zint hij op wraak. Op geheel eigen wijze baant hij zichzelf een weg door een donkere wereld, vol wapens, drugs en bendes, waar hij uiteindelijk oog in oog moet komen te staan met de moordenaar van zijn beste vriend.
Nee, helaas is Harry Brown nog niet beschikbaar op Netflix in Nederland.
Directing | Daniel Barber | Director |
Production | Keith Bell | Producer |
Production | Matthew Brown | Producer |
Writing | Gary Young | Screenplay |
Camera | Martin Ruhe | Director of Photography |
Editing | Joe Walker | Editor |
Production | Kris Thykier | Producer |
Production | Matthew Vaughn | Producer |
Production | Reno Antoniades | Executive Producer |
Production | Paul Brett | Executive Producer |
Production | Tim Haslam | Executive Producer |
Production | Christos Michaels | Executive Producer |
Production | Steve Norris | Executive Producer |
Production | Tim Smith | Executive Producer |
Sound | Ruth Barrett | Original Music Composer |
Sound | Martin Phipps | Original Music Composer |
Art | Kave Quinn | Production Design |
Crew | Sian Milne | Stunt Double |
Production | Dan Hubbard | Casting |
Costume & Make-Up | Jane Petrie | Costume Design |
Art | Chris Lowe | Art Direction |
Art | Gemma Ryan | Set Decoration |
Directing | Sally Jones | Script Supervisor |
Crew | Dan Osborne | Armorer |
Directing | Heather Storr | Script Supervisor |
Sound | James Bellamy | Music Editor |
Sound | Matt Biffa | Music Supervisor |
Lighting | Julian White | Gaffer |
Lighting | Martin Duncan | Gaffer |
Lighting | Alan Grayley | Rigging Gaffer |
Camera | Simon Baker | Camera Operator |
Camera | Dion M. Casey | Steadicam Operator |
Crew | Denzil Armour-Brown | Second Unit Cinematographer |
Crew | Thomas Townend | Second Unit Cinematographer |
Camera | Dean Rogers | Still Photographer |
Visual Effects | Bob Hollow | Special Effects Supervisor |
Visual Effects | Pete Jones | Visual Effects Coordinator |
Crew | Nigel Bunyan | Visual Effects Editor |
Crew | Paul Hyman | Visual Effects Editor |
Visual Effects | Michael Stanish | Visual Effects Producer |
Visual Effects | Pedro Sabrosa | Visual Effects Supervisor |
Editing | Nina Hartstone | Dialogue Editor |
Sound | Rob Huckle | Dolby Consultant |
Sound | Andrea King | Foley |
Sound | Jack Stew | Foley |
Sound | Ben Barker | Sound Effects Editor |
Sound | Richard Pryke | Sound Re-Recording Mixer |
Sound | Ian Tapp | Sound Re-Recording Mixer |
Sound | Tom Sayers | Supervising Sound Editor |
Sound | Gillian Dodders | Supervising Sound Editor |
Art | Caroline Bateman | Art Department Assistant |
Costume & Make-Up | Jacqueline Fowler | Hair Designer |
Costume & Make-Up | Kelly Marazzi | Hairstylist |
Costume & Make-Up | Jacqueline Fowler | Makeup Designer |
Costume & Make-Up | Kelly Marazzi | Makeup Artist |
Costume & Make-Up | Alison Rainey | Makeup Artist |
Costume & Make-Up | Abigail Edwards | Makeup Artist |
Editing | Mike Morrison | Digital Intermediate |
Editing | Gavin Round | Digital Intermediate |
Sound | Simon Hayes | Production Sound Mixer |
Sound | Ed Colyer | Foley Mixer |
Sound | Glenn Freemantle | Sound Assistant |
Sound | Glen Gathard | Assistant Foley Artist |
Costume & Make-Up | Nathaniel De'Lineadeus | Special Effects Makeup Artist |
Costume & Make-Up | Chris Lyons | Special Effects Makeup Artist |
Costume & Make-Up | Nadia Stacey | Makeup Artist |
Crew | Pete Ford | Stunt Double |