De legendarische lange-afstandsloper Steve Prefontaine uit het Amerikaanse Oregon was een buitengewoon dynamisch atleet met een grenzeloze passie voor zijn sportieve discipline. Begin jaren '70 verpulverde "Pre" zeven Amerikaanse records op de afstanden tussen 2000 en 10.000 meter en maakte zichzelf en zijn sport ongekend populair. Hoewel hij op 24-jarige leeftijd bij een tragisch auto-ongeluk om het leven kwam, leeft zijn legende nog altijd voort.
Nee, helaas is Prefontaine nog niet beschikbaar op Netflix in Nederland.
| Directing | Steve James | Director |
| Editing | Peter C. Frank | Editor |
| Production | Jon Lutz | Producer |
| Production | Shelly Glasser | Co-Producer |
| Crew | Stanton Barrett | Stunts |
| Crew | Ron Sarchian | Stunts |
| Costume & Make-Up | Ronald Leamon | Costume Supervisor |
| Production | Mark Doonan | Producer |
| Sound | Mason Daring | Original Music Composer |
| Costume & Make-Up | Tom Bronson | Costume Design |
| Production | Beth DePatie | Unit Production Manager |
| Editing | Suzanne Suffredin | Editor |
| Crew | Chris Howell | Stunt Coordinator |
| Crew | Ron Otis | Stunts |
| Art | Nina Bradford | Set Decoration |
| Production | Pam Dixon | Casting |
| Art | Gregory A. Weimerskirch | Art Direction |
| Crew | Rusty Hanson | Stunts |
| Art | Chris Karges | Leadman |
| Directing | Jay Smith | Second Assistant Director |
| Production | Pam Dixon | Associate Producer |
| Crew | Kathy Jarvis | Stunts |
| Sound | Mary Ramos | Music Supervisor |
| Camera | Peter Gilbert | Director of Photography |
| Art | Carol Winstead Wood | Production Design |
| Writing | Eugene Corr | Screenplay |
| Sound | Michelle Kuznetsky Silverman | Music Supervisor |
| Production | Irby Smith | Producer |
| Editing | Jim J. Williams | Color Timer |
| Production | Peter Gilbert | Producer |
| Directing | Jeanne Caliendo | First Assistant Director |
| Editing | John Helde | First Assistant Editor |
| Sound | James Troutman | Supervising Sound Editor |
| Sound | Jason England | Assistant Sound Editor |
| Crew | Stan Barrett | Stunt Coordinator |
| Costume & Make-Up | Marienne O'Brien | Costumer |
| Sound | Dan Thomas | Sound Effects Editor |
| Lighting | Mike Moyer | Gaffer |
| Art | Alun Vick | Construction Coordinator |
| Sound | Robert Marts | Production Sound Mixer |
| Camera | Bruce Birmelin | Still Photographer |
| Costume & Make-Up | Mary L. Pyanowski | Key Hair Stylist |
| Camera | Peter Kuttner | First Assistant Camera |
| Crew | Tom Knott | Special Effects Coordinator |
| Sound | Jeffrey L. Sandler | Dialogue Editor |
| Lighting | Colleen Kingdon | Best Boy Electric |
| Camera | Robin Buerki | "B" Camera Operator |
| Sound | Stuart Goetz | Music Editor |
| Sound | T.W. Davis | Sound Re-Recording Mixer |
| Camera | Robert Zuckerman | Still Photographer |
| Production | Michele Carmel Long | Production Coordinator |
| Sound | Sean Keegan | ADR Mixer |
| Sound | Clancy T. Troutman | Supervising Sound Editor |
| Sound | Brett Grant-Grierson | Boom Operator |
| Sound | T.W. Davis | ADR Mixer |
| Sound | Michael P. Cook | Dialogue Editor |
| Camera | Robin Buerki | Steadicam Operator |
| Directing | Barbara Tuss | Script Supervisor |
| Sound | Glen Auchinachie | Sound Effects Editor |
| Sound | Andre Perreault | Sound Re-Recording Mixer |
| Art | Neil McLeod | Property Master |
| Art | Randal R. Groves | Construction Foreman |
| Visual Effects | Steven R. Benson | Visual Effects Supervisor |
| Crew | Paul E. Stroh | Transportation Coordinator |
| Crew | Don Haggerty | Transportation Captain |
| Costume & Make-Up | Bill Corso | Makeup Designer |
| Writing | Steve James | Screenplay |
