Het is 1855 en een vrouwelijke pionier besluit samen met een man op te trekken om een wagen met een aantal vrouwen van Nebraska naar Iowa te leiden. De meereizende vrouwen zijn gek geworden van de gruwelheden die ze aan de bijna onbewoonde grens hebben moeten doorstaan en moeten daarom zo snel mogelijk terug naar de bewoonde wereld, richting het oosten. Ze blijken echter niet zomaar meteen van alle ellende te zijn verlost.
Nee, helaas is The Homesman nog niet beschikbaar op Netflix in Nederland.
| Directing | Tommy Lee Jones | Director |
| Writing | Tommy Lee Jones | Writer |
| Writing | Kieran Fitzgerald | Writer |
| Writing | Wesley Oliver | Writer |
| Production | Luc Besson | Producer |
| Production | Deborah Dobson Bach | Executive Producer |
| Art | Wendy Ozols-Barnes | Set Decoration |
| Production | Brian Kennedy | Producer |
| Production | G. Hughes Abell | Executive Producer |
| Production | Richard Romero | Executive Producer |
| Art | Merideth Boswell | Production Design |
| Production | Tommy Lee Jones | Executive Producer |
| Writing | Glendon Swarthout | Novel |
| Production | Peter Brant | Producer |
| Production | Jeanne McCarthy | Casting |
| Production | Michael Fitzgerald | Executive Producer |
| Costume & Make-Up | Lahly Poore | Costume Design |
| Sound | Marco Beltrami | Original Music Composer |
| Editing | Roberto Silvi | Editor |
| Art | Guy Barnes | Art Direction |
| Art | Rosario Provenza | Assistant Art Director |
| Art | Dennis Riewerts | Leadman |
| Costume & Make-Up | Melissa Yonkey | Hairstylist |
| Art | Johnny Long | Greensman |
| Sound | Derek Vanderhorst | Sound Designer |
| Costume & Make-Up | David Atherton | Makeup Department Head |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Sound | David Bach | Supervising Sound Editor |
| Art | James Duddy | Greensman |
| Crew | William H. Burton Sr. | Stunt Coordinator |
| Costume & Make-Up | Emily Egge | Costume Supervisor |
| Sound | Jim Schultz | Music Editor |
| Art | Severino Gonzales | Leadman |
| Sound | Mike Horton | Foley |
| Visual Effects | Félix Bergés | Visual Effects Supervisor |
| Costume & Make-Up | Claire Sandrin | Set Costumer |
| Editing | Loan Phan | Digital Intermediate |
| Crew | Allegro Hopkins | Studio Teachers |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Art | Heidi Mayfield | Set Decoration Buyer |
| Visual Effects | Helen Martí Donoghue | Visual Effects Producer |
| Costume & Make-Up | Mara Herdmann | Set Costumer |
| Crew | Blair Foord | Special Effects Coordinator |
| Camera | Dawn Jones | Still Photographer |
| Sound | Matt Kunau | Dolby Consultant |
| Sound | Phil Barrie | Sound Effects Editor |
| Crew | Juan Luis Gorjon | CGI Supervisor |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Lighting | Lamarr Gray | Rigging Gaffer |
| Camera | Rodrigo Prieto | Director of Photography |
| Crew | Patrick A. Reynolds Jr. | Transportation Coordinator |
| Editing | Devon Miller | Digital Intermediate |
| Costume & Make-Up | Vivian Baker | Makeup Department Head |
| Camera | Robert Presley | Steadicam Operator |
| Lighting | Greg Davis | Rigging Gaffer |
| Directing | Pam Fuller | Script Supervisor |
| Production | Rebecca Puck Stair | Location Manager |
| Art | Brian Austin Wenrich | Art Department Coordinator |
| Art | Paul Judges | Greensman |
| Sound | Jim Schultz | Sound Re-Recording Mixer |
| Crew | Lucas Moore | Studio Teachers |
| Art | Keith Walters | Property Master |
| Directing | Kevin Black | Second Second Assistant Director |
| Crew | Heather Burton | Stunts |
| Sound | Walter Spencer | Foley Artist |
| Production | Faith Strongheart | Production Coordinator |
