Het is 1855 en een vrouwelijke pionier besluit samen met een man op te trekken om een wagen met een aantal vrouwen van Nebraska naar Iowa te leiden. De meereizende vrouwen zijn gek geworden van de gruwelheden die ze aan de bijna onbewoonde grens hebben moeten doorstaan en moeten daarom zo snel mogelijk terug naar de bewoonde wereld, richting het oosten. Ze blijken echter niet zomaar meteen van alle ellende te zijn verlost.
Nee, helaas is The Homesman nog niet beschikbaar op Netflix in Nederland.
| Directing | Tommy Lee Jones | Director |
| Writing | Wesley Oliver | Writer |
| Writing | Tommy Lee Jones | Writer |
| Writing | Kieran Fitzgerald | Writer |
| Production | Peter Brant | Producer |
| Production | Deborah Dobson Bach | Executive Producer |
| Editing | Roberto Silvi | Editor |
| Writing | Glendon Swarthout | Novel |
| Production | Michael Fitzgerald | Executive Producer |
| Production | Luc Besson | Producer |
| Production | Jeanne McCarthy | Casting |
| Production | Brian Kennedy | Producer |
| Production | G. Hughes Abell | Executive Producer |
| Production | Tommy Lee Jones | Executive Producer |
| Costume & Make-Up | Lahly Poore | Costume Design |
| Production | Richard Romero | Executive Producer |
| Art | Merideth Boswell | Production Design |
| Art | Guy Barnes | Art Direction |
| Art | Wendy Ozols-Barnes | Set Decoration |
| Sound | Marco Beltrami | Original Music Composer |
| Art | Severino Gonzales | Leadman |
| Sound | Phil Barrie | Sound Effects Editor |
| Costume & Make-Up | Cydney Cornell | Hairstylist |
| Lighting | Lamarr Gray | Rigging Gaffer |
| Art | Johnny Long | Greensman |
| Sound | Derek Vanderhorst | Sound Designer |
| Camera | Dawn Jones | Still Photographer |
| Camera | Rodrigo Prieto | Director of Photography |
| Costume & Make-Up | David Atherton | Makeup Department Head |
| Art | Brian Austin Wenrich | Art Department Coordinator |
| Art | Paul Judges | Greensman |
| Art | Dennis Riewerts | Leadman |
| Crew | Patrick A. Reynolds Jr. | Transportation Coordinator |
| Costume & Make-Up | Mara Herdmann | Set Costumer |
| Crew | Lucas Moore | Studio Teachers |
| Sound | Mike Horton | Foley |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Sound | Jim Schultz | Sound Re-Recording Mixer |
| Sound | David Bach | Supervising Sound Editor |
| Camera | Robert Presley | Steadicam Operator |
| Editing | Loan Phan | Digital Intermediate |
| Production | Rebecca Puck Stair | Location Manager |
| Crew | Allegro Hopkins | Studio Teachers |
| Lighting | Greg Davis | Rigging Gaffer |
| Directing | Pam Fuller | Script Supervisor |
| Sound | Matt Kunau | Dolby Consultant |
| Visual Effects | Helen Martí Donoghue | Visual Effects Producer |
| Visual Effects | Félix Bergés | Visual Effects Supervisor |
| Art | Rosario Provenza | Assistant Art Director |
| Art | James Duddy | Greensman |
| Crew | Blair Foord | Special Effects Coordinator |
| Crew | Juan Luis Gorjon | CGI Supervisor |
| Costume & Make-Up | Emily Egge | Costume Supervisor |
| Costume & Make-Up | Vivian Baker | Makeup Department Head |
| Art | Heidi Mayfield | Set Decoration Buyer |
| Editing | Devon Miller | Digital Intermediate |
| Costume & Make-Up | Melissa Yonkey | Hairstylist |
| Crew | William H. Burton Sr. | Stunt Coordinator |
| Costume & Make-Up | Claire Sandrin | Set Costumer |
| Sound | Jim Schultz | Music Editor |
| Art | Ronald O. Jaynes | Construction Coordinator |
| Art | Keith Walters | Property Master |
| Directing | Kevin Black | Second Second Assistant Director |
| Crew | Heather Burton | Stunts |
| Sound | Walter Spencer | Foley Artist |
| Production | Faith Strongheart | Production Coordinator |
