Tijdens een inbraak in het huis van een oude vrouw, wordt er per ongeluk een geest uit een eeuwenoude fles gelaten. De geest vermoordt de inbrekers en na het onderzoek wordt de lamp naar een museum gebracht. De geest neemt al gauw bezit van het lichaam van de dochter van de museumdirecteur en weet enkele van haar vrienden ervan te overtuigen een nacht in het museum door te brengen.
Nee, helaas is The Lamp nog niet beschikbaar op Netflix in Nederland.
| Directing | Tom Daley | Director |
| Writing | Warren Chaney | Writer |
| Camera | Scott Howell | Key Grip |
| Production | Patricia Balderas | Production Coordinator |
| Production | Fred T. Kuehnert | Executive Producer |
| Costume & Make-Up | Rona Lamont | Costume Design |
| Crew | Bill Forsche | Makeup Effects |
| Production | Deborah Winters | Associate Producer |
| Crew | Thomas Floutz | Makeup Effects |
| Art | John Frick | Set Decoration |
| Editing | Claudio M. Cutry | Editor |
| Crew | Brian Wade | Makeup Effects |
| Crew | John Blake | Makeup Effects |
| Sound | Joel Rosenbaum | Original Music Composer |
| Camera | Herbert Raditschnig | Director of Photography |
| Production | D.W. Chaney | Casting |
| Art | Robert A. Burns | Production Design |
| Production | Warren Chaney | Producer |
| Production | Mohammad Sanousi | Executive Producer |
| Sound | Bruce Miller | Original Music Composer |
| Sound | John L. Mack | Sound Re-Recording Mixer |
| Sound | Steve Mann | Sound Designer |
| Costume & Make-Up | James McLoughlin | Special Effects Makeup Artist |
| Crew | Dick Hancock | Stunts |
| Crew | Neil Summers | Stunt Coordinator |
| Camera | Roy Alan Wilson | Still Photographer |
| Camera | Mike Gilles | Grip |
| Lighting | Kevin Wadowski | Best Boy Lighting Technician |
| Crew | Jim Picciolo | Animal Wrangler |
| Visual Effects | Frankie Inez | Special Effects Supervisor |
| Crew | Kevin Mazeika | Stunts |
| Crew | Cherie Sanders | Stunts |
| Crew | David Sanders | Stunts |
| Production | Beverly Wilson-Wilson | Extras Casting |
| Sound | Richard Tyler | Sound Re-Recording Mixer |
| Directing | Kim Fusch | Second Unit First Assistant Director |
| Directing | Matt Hinkley | First Assistant Director |
| Directing | Beverly Wilson-Wilson | Second Assistant Director |
| Crew | Tom Hartigan | Special Effects Assistant |
| Directing | Paula Barrett-Barbier | Script Supervisor |
| Crew | Lesley Chaney | Special Effects Assistant |
| Costume & Make-Up | Paul Clemens | Special Effects Makeup Artist |
| Costume & Make-Up | John Naulin | Special Effects Makeup Artist |
| Visual Effects | David Prentis | Rotoscoping Artist |
| Camera | Glenn Steward | Key Grip |
| Editing | Chuck Weiss | Associate Editor |
| Crew | Melissa Zoelle | Stand In |
| Costume & Make-Up | Barbara Anne Bock | Special Effects Makeup Artist |
| Costume & Make-Up | Nichael Boggio | Special Effects Makeup Artist |
| Visual Effects | David L. Hewitt | Visual Effects Supervisor |
| Sound | Frank McKelvey | Music Editor |
| Production | Waverly Evans | Production Coordinator |
| Costume & Make-Up | John Blake | Special Effects Makeup Artist |
| Costume & Make-Up | Bill Forsche | Special Effects Makeup Artist |
| Directing | Sanford Hampton | First Assistant Director |
| Sound | Bob Waller | Boom Operator |
| Costume & Make-Up | Richard Mayone | Special Effects Makeup Artist |
| Camera | Brown Cooper | First Assistant Camera |
| Camera | Michael Rothenberg | First Assistant Camera |
| Sound | Dan Hegeman | Sound Editor |
| Sound | Alan Holly | Foley Mixer |
| Crew | Frankie Inez | Special Effects |
| Crew | Maeve Crommie | Stunts |
| Crew | Curtis Herman | Stand In |
| Sound | Bob Waller | Sound Mixer |
| Costume & Make-Up | Steven Summerfield | Special Effects Makeup Artist |
| Camera | Sean Maxwell | Dolly Grip |
| Production | Adam Chuck | Post Production Coordinator |
| Production | Beverly Wilson-Wilson | Production Assistant |
| Camera | Claudia Bailey | Second Assistant Camera |
| Lighting | Richard Cromtom | Best Boy Electric |
| Crew | D.W. Chaney | Studio Teacher |
| Sound | Kevin Hearst | Sound Editor |
| Costume & Make-Up | Gabriel Bartalos | Special Effects Makeup Artist |
| Crew | Christopher Swift | Special Effects Coordinator |
| Crew | David L. Hewitt | Visual Effects Design Consultant |
| Lighting | Dwight Cary | Best Boy Electric |
| Sound | Gary Firth | Music Coordinator |
| Costume & Make-Up | Ron Clark | Makeup & Hair |
| Sound | Cathie Speakman | Sound Editor |
| Costume & Make-Up | Jack Bridwell | Special Effects Makeup Artist |
| Sound | Richard Marvin | Music Programmer |
| Production | Sanford Hampton | Production Manager |
| Art | Chris Meyer | Property Master |
| Art | Chuck Singleton | Construction Manager |
| Sound | Kim Fowler | Assistant Foley Artist |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Sound | Earl Watson | Dialogue Editor |
| Costume & Make-Up | Jim Gill | Special Effects Makeup Artist |
| Camera | Randy Nolen | Steadicam Operator |
| Camera | Scott Smith | Second Unit Director of Photography |
| Directing | Mark S. Thomas | Script Supervisor |
| Costume & Make-Up | Thomas Floutz | Special Effects Makeup Artist |
| Directing | Warren Chaney | Second Unit Director |
| Art | Bill Forsche | Sculptor |
| Sound | Duane Hensel | Assistant Foley Artist |
| Sound | Tim Himes | Sound Mixer |
| Crew | Raymond Fielding | Visual Effects Design Consultant |
| Lighting | Doug Sutton | Chief Lighting Technician |
| Camera | Ralph Watson | Steadicam Operator |
| Art | Larry Navarro | Production Illustrator |
| Visual Effects | Frank 'Paco' Munoz | Special Effects Supervisor |
| Lighting | Robert Gray | Gaffer |
| Camera | Ingo Raditschnig | Second Assistant Camera |
| Costume & Make-Up | Rick Jones | Makeup & Hair |
| Costume & Make-Up | Brian Wade | Special Effects Makeup Artist |
| Crew | Bettie Kauffman | Special Effects Coordinator |
| Costume & Make-Up | Bart Mixon | Special Effects Makeup Artist |
| Lighting | Mark Wells | Gaffer |
