Brighton 1959. Privé-detective Tony Aaron is gespecialiseerd in 'opgezette' overspelzaken. Hij is niet te beroerd om zijn eigen vrouw te fotograferen in het gezelschap van zijn klanten. Op een dag treft hij zijn vrouw en zijn laatste klant, de beroemde schilder Stasio, dood aan. Tony wordt door de politie ondervraagd, ontmoet de weduwe van Stasio, die niet rouwig is om zijn dood, en Stasio's maîtresse Angelina.
Nee, helaas is Under Suspicion nog niet beschikbaar op Netflix in Nederland.
| Writing | Simon Moore | Writer |
| Camera | Vernon Layton | Director of Photography |
| Editing | Tariq Anwar | Editor |
| Directing | Simon Moore | Director |
| Art | Bill Hargreaves | Props |
| Art | James Wadeson | Assistant Art Director |
| Production | Nick Elliott | Executive Producer |
| Production | Anne Henderson | Casting |
| Sound | Ken Weston | Sound Recordist |
| Crew | Paul Weston | Stunts |
| Production | Vincent Winter | Associate Producer |
| Art | Brian Read | Property Buyer |
| Sound | Stan Fiferman | Sound Effects Editor |
| Camera | John Maskall | Camera Operator |
| Art | Stephenie McMillan | Set Decoration |
| Costume & Make-Up | Peter Frampton | Makeup Supervisor |
| Directing | Simon Hinkly | First Assistant Director |
| Sound | Ian Fuller | Dialogue Editor |
| Crew | Valentino Musetti | Stunts |
| Lighting | John Cohen | Genetator Operator |
| Lighting | Stuart Reid | Electrician |
| Costume & Make-Up | Penny Rose | Costume Design |
| Directing | Terry Needham | First Assistant Director |
| Camera | Nigel Kirton | Steadicam Operator |
| Crew | Steve Dent | Stunts |
| Lighting | John Lake | Best Boy Electric |
| Camera | Ray Cooper | Clapper Loader |
| Production | Fred Turner | Executive Producer |
| Sound | Christopher Gunning | Original Music Composer |
| Directing | David Carrigan | Third Assistant Director |
| Directing | Tim Lewis | Second Assistant Director |
| Art | Arthur Wicks | Property Master |
| Sound | Andy Stears | Assistant Dialogue Editor |
| Camera | Keith Hamshere | Still Photographer |
| Production | George Helyer | Executive Producer |
| Art | Tony Reading | Art Direction |
| Sound | Colin Codner | Boom Operator |
| Art | Tim Hutchinson | Production Design |
| Art | Beth DeSort | Set Decoration |
| Costume & Make-Up | Martin Samuel | Key Hair Stylist |
| Art | Alan Booth | Construction Manager |
| Crew | Nick Gillard | Stunts |
| Production | Brian Eastman | Producer |
| Visual Effects | David Harris | Special Effects Supervisor |
| Production | Howard Gibbins | Location Manager |
| Production | Bi Benton | Production Coordinator |
| Crew | Rob Partridge | Armorer |
| Lighting | Micky Wilson | Gaffer |
| Lighting | Les Weighell | Electrician |
| Costume & Make-Up | Catherine Halloran | Costume Supervisor |
| Directing | Annie Penn | Script Supervisor |
| Production | Christian Banfield | Assistant Location Manager |
| Camera | Bob Stilwell | Focus Puller |
