Brighton 1959. Privé-detective Tony Aaron is gespecialiseerd in 'opgezette' overspelzaken. Hij is niet te beroerd om zijn eigen vrouw te fotograferen in het gezelschap van zijn klanten. Op een dag treft hij zijn vrouw en zijn laatste klant, de beroemde schilder Stasio, dood aan. Tony wordt door de politie ondervraagd, ontmoet de weduwe van Stasio, die niet rouwig is om zijn dood, en Stasio's maîtresse Angelina.
Nee, helaas is Under Suspicion nog niet beschikbaar op Netflix in Nederland.
| Camera | Vernon Layton | Director of Photography |
| Editing | Tariq Anwar | Editor |
| Directing | Simon Moore | Director |
| Writing | Simon Moore | Writer |
| Art | Bill Hargreaves | Props |
| Production | Brian Eastman | Producer |
| Art | Tim Hutchinson | Production Design |
| Art | Tony Reading | Art Direction |
| Production | Anne Henderson | Casting |
| Production | Nick Elliott | Executive Producer |
| Production | George Helyer | Executive Producer |
| Sound | Christopher Gunning | Original Music Composer |
| Art | Beth DeSort | Set Decoration |
| Art | Stephenie McMillan | Set Decoration |
| Directing | Simon Hinkly | First Assistant Director |
| Art | Brian Read | Property Buyer |
| Sound | Andy Stears | Assistant Dialogue Editor |
| Camera | Keith Hamshere | Still Photographer |
| Directing | Tim Lewis | Second Assistant Director |
| Art | Alan Booth | Construction Manager |
| Crew | Nick Gillard | Stunts |
| Production | Vincent Winter | Associate Producer |
| Costume & Make-Up | Martin Samuel | Key Hair Stylist |
| Directing | Terry Needham | First Assistant Director |
| Crew | Steve Dent | Stunts |
| Production | Bi Benton | Production Coordinator |
| Camera | Nigel Kirton | Steadicam Operator |
| Lighting | Stuart Reid | Electrician |
| Directing | Annie Penn | Script Supervisor |
| Costume & Make-Up | Penny Rose | Costume Design |
| Sound | Ian Fuller | Dialogue Editor |
| Production | Fred Turner | Executive Producer |
| Sound | Colin Codner | Boom Operator |
| Production | Christian Banfield | Assistant Location Manager |
| Lighting | Micky Wilson | Gaffer |
| Costume & Make-Up | Peter Frampton | Makeup Supervisor |
| Costume & Make-Up | Catherine Halloran | Costume Supervisor |
| Production | Howard Gibbins | Location Manager |
| Sound | Ken Weston | Sound Recordist |
| Visual Effects | David Harris | Special Effects Supervisor |
| Crew | Paul Weston | Stunts |
| Camera | Ray Cooper | Clapper Loader |
| Directing | David Carrigan | Third Assistant Director |
| Art | James Wadeson | Assistant Art Director |
| Crew | Valentino Musetti | Stunts |
| Lighting | John Lake | Best Boy Electric |
| Lighting | Les Weighell | Electrician |
| Art | Arthur Wicks | Property Master |
| Camera | Bob Stilwell | Focus Puller |
| Lighting | John Cohen | Genetator Operator |
| Camera | John Maskall | Camera Operator |
| Crew | Rob Partridge | Armorer |
| Sound | Stan Fiferman | Sound Effects Editor |
