Een groep Britse studenten probeert na een avondje stappen met behulp van een Ouija-bord geesten op te roepen. De link tussen hen wordt echter verbroken voor ze het ritueel afgerond hebben, met als resultaat dat een demon in hun wereld gevangen raakt. De enige mogelijkheid om dit ongedaan te maken is als alle personen die hem opgeroepen hebben zouden overlijden.
Nee, helaas is Long Time Dead nog niet beschikbaar op Netflix in Nederland.
| Directing | Marcus Adams | Director |
| Writing | Andy Day | Screenplay |
| Production | Eric Fellner | Executive Producer |
| Writing | Marcus Adams | Story |
| Production | Natascha Wharton | Co-Producer |
| Production | Jonathan Finn | Co-Producer |
| Writing | Chris Baker | Screenplay |
| Writing | Eitan Arrusi | Screenplay |
| Writing | James Gay-Rees | Story |
| Writing | Daniel Bronzite | Screenstory |
| Production | James Gay-Rees | Producer |
| Production | Tim Bevan | Executive Producer |
| Editing | Lucia Zucchetti | Editor |
| Production | Andy Pryor | Casting |
| Production | Mairi Bett | Line Producer |
| Sound | Don Davis | Original Music Composer |
| Crew | Tom Delmar | Stunt Coordinator |
| Directing | Elizabeth West | Script Supervisor |
| Costume & Make-Up | Pamela Blundell | Costume Design |
| Crew | Riky Ash | Stunts |
| Art | Alison Riva | Production Design |
| Art | Jane Tomblin | Art Direction |
| Camera | Dion M. Casey | Steadicam Operator |
| Costume & Make-Up | Jill Conway | Key Hair Stylist |
| Production | Benjamin Greenacre | Location Manager |
| Lighting | Norman Smith | Gaffer |
| Camera | Giles Keyte | Still Photographer |
| Art | Carn Burton | Location Scout |
| Camera | Nic Morris | Director of Photography |
| Costume & Make-Up | Renata Gilbert | Makeup Artist |
| Editing | Pani Scott | First Assistant Editor |
| Art | Sam Stokes | Art Direction |
| Costume & Make-Up | Nigel Egerton | Assistant Costume Designer |
| Crew | Brian Best | Makeup Effects |
| Writing | Daniel Bronzite | Story |
| Crew | Guy Bostock | Picture Car Coordinator |
| Lighting | Eamonn Fitzgerald | Electrician |
| Sound | Simon Gershon | Supervising Sound Editor |
| Production | Marshall Leviten | Production Coordinator |
| Production | John Miles | Production Accountant |
| Sound | Richard Welsh | Dolby Consultant |
| Sound | Allan Jenkins | Music Editor |
| Visual Effects | Steve Wiseman | Special Effects Supervisor |
| Production | Michelle Wright | Executive In Charge Of Production |
| Costume & Make-Up | Jane Bevans | Hairstylist |
| Sound | Nick Angel | Music Supervisor |
| Sound | Tim Alban | Sound Re-Recording Mixer |
| Visual Effects | Douglas Larmour | Digital Compositors |
| Sound | Srdjan Kurpjel | Sound Effects Editor |
| Visual Effects | Martin Hobbs | Visual Effects Producer |
| Sound | Erik Lundborg | Orchestrator |
| Costume & Make-Up | Jill Conway | Key Makeup Artist |
| Camera | Tom Maslen | Key Grip |
| Sound | Mark Berrow | Musician |
| Writing | Rachael Prior | Story Editor |
| Production | Orlagh Collins | Assistant Production Coordinator |
| Costume & Make-Up | Anne Lavender-Jones | Costume Standby |
| Crew | Spencer Dodd | Floor Runner |
| Sound | James Andrews | ADR Recordist |
| Art | Douglas Ingram | Storyboard Artist |
| Sound | Hilary Wyatt | Supervising Dialogue Editor |
| Crew | David J. Brown | Special Effects Technician |
| Camera | Shaun Cobley | Clapper Loader |
| Art | Garry Moore | Standby Carpenter |
| Production | Julie Dunne | Additional Casting |
| Production | Michael Elson | Head of Production |
| Directing | Joe Geary | Assistant Director |
| Crew | George Cottle | Stunt Double |
| Costume & Make-Up | Georgina Napier | Wardrobe Assistant |
| Sound | Michael Blakey | Music Producer |
