18 April 1945. De Tweede Wereldoorlog is tot een einde gekomen in Europa maar technisch gesproken bevindt Brazilie zich nog steeds in oorlog. Een douanebeambte, een voormalig 'ondervrager' van de politieke politie van president Vargas en een Poolse ex-acteur die de horror van de oorlog overleeft heeft en verdacht wordt een Nazi-vluchteling te zijn, ontmoeten elkaar in Rio de Janeiro in een kantoor van de immigratiedienst. De film portretteert een kritische periode in de Braziliaanse geschiedenis waarin het vechten voor je leven centraal staat.
Nee, helaas is Tempos de Paz nog niet beschikbaar op Netflix in Nederland.
| Writing | Bosco Brasil | Writer |
| Directing | Daniel Filho | Director |
| Costume & Make-Up | Antônio Araújo | Costume Design |
| Production | Daniel Filho | Producer |
| Editing | Diana Vasconcellos | Editor |
| Art | Marcos Flaksman | Art Direction |
| Production | Claudia Bejarano | Executive Producer |
| Production | Júlio Uchoa | Line Producer |
| Production | Carlos Eduardo Rodrigues | Associate Producer |
| Crew | Tuca Moraes | Cinematography |
| Art | Cristina Cirne | Supervising Art Director |
| Art | Odair Zani | Art Direction |
| Directing | Natalia Soutto | Assistant Director |
| Sound | Zezé d'Alice | Sound Technical Supervisor |
| Sound | José E. Caldararo | Foley Artist |
| Directing | Cris D'amato | Assistant Director |
| Directing | Bruno Garotti | First Assistant Director |
| Costume & Make-Up | Rosa Versoça | Makeup Artist |
| Crew | Sylvia Ramos | Post Production Supervisor |
| Costume & Make-Up | Marilia Carneiro | Costume Design |
| Art | Eugênia Maakaroun | Assistant Art Director |
| Directing | Cininha de Paula | Assistant Director |
| Sound | Caue Leal | Sound Editor |
| Sound | Bechen de Loredo | ADR Mixer |
| Sound | Esteban Golubicki | Foley Recordist |
| Sound | Bechen de Loredo | Foley Artist |
| Sound | Adriano Machado | Sound Post Production Coordinator |
| Sound | Francisco Rizzi | Foley Artist |
| Sound | Simone Petrillo | Sound Editor |
| Sound | Vinicius Leal | Sound Editor |
| Visual Effects | Marcelo Ferreira PeeJay | Digital Effects Producer |
| Visual Effects | Daniel T. Müller | Digital Effects Producer |
| Visual Effects | Raquel Sancinetti | Visual Effects |
| Costume & Make-Up | Marianna Luz | Costume Assistant |
| Camera | Joaquim Torres | First Assistant Camera |
| Visual Effects | Eduarda Domenici | Digital Effects Producer |
| Sound | Egberto Gismonti | Music Director |
| Sound | Sebastián Sonzogni | Foley Artist |
| Visual Effects | Vanessa Mariano | Visual Effects |
| Visual Effects | Rogério Marinho | Digital Effects Producer |
| Sound | Claudio Valdetaro | Sound Re-Recording Mixer |
| Visual Effects | Nills Bonetti | Visual Effects |
| Camera | Jorge Moviola | First Assistant Camera |
| Camera | Ique Esteves | Still Photographer |
| Camera | Mustapha Barat | Camera Operator |
| Production | Mariana Zdravca | Post Production Coordinator |
| Camera | Daniel W. Xavier | Second Assistant Camera |
| Sound | Branko Neškov | Sound Re-Recording Mixer |
| Crew | Fillipe Dias | Stunt Coordinator |
| Production | Flavia Santos | Location Manager |
| Editing | Danilo Lemos | First Assistant Editor |
| Visual Effects | Marcelo Siqueira | Visual Effects Supervisor |
| Production | Karina Vanes | Post Production Coordinator |
| Visual Effects | Robson Sartori | Visual Effects Coordinator |
| Crew | Daniela Shaw | Intern |
| Visual Effects | Rogério Marinho | Visual Effects |
| Visual Effects | Marco Prado | Visual Effects |
| Camera | José George Rodrigues Alves | Focus Puller |
| Camera | Gilberto Otero | Camera Operator |
| Editing | Fábio Fatorelli | Assistant Editor |
