18 April 1945. De Tweede Wereldoorlog is tot een einde gekomen in Europa maar technisch gesproken bevindt Brazilie zich nog steeds in oorlog. Een douanebeambte, een voormalig 'ondervrager' van de politieke politie van president Vargas en een Poolse ex-acteur die de horror van de oorlog overleeft heeft en verdacht wordt een Nazi-vluchteling te zijn, ontmoeten elkaar in Rio de Janeiro in een kantoor van de immigratiedienst. De film portretteert een kritische periode in de Braziliaanse geschiedenis waarin het vechten voor je leven centraal staat.
Nee, helaas is Tempos de Paz nog niet beschikbaar op Netflix in Nederland.
| Directing | Daniel Filho | Director |
| Writing | Bosco Brasil | Writer |
| Production | Júlio Uchoa | Line Producer |
| Production | Carlos Eduardo Rodrigues | Associate Producer |
| Production | Daniel Filho | Producer |
| Production | Claudia Bejarano | Executive Producer |
| Crew | Tuca Moraes | Cinematography |
| Editing | Diana Vasconcellos | Editor |
| Art | Cristina Cirne | Supervising Art Director |
| Art | Odair Zani | Art Direction |
| Art | Marcos Flaksman | Art Direction |
| Costume & Make-Up | Antônio Araújo | Costume Design |
| Costume & Make-Up | Marilia Carneiro | Costume Design |
| Costume & Make-Up | Rosa Versoça | Makeup Artist |
| Crew | Sylvia Ramos | Post Production Supervisor |
| Directing | Cris D'amato | Assistant Director |
| Directing | Cininha de Paula | Assistant Director |
| Directing | Bruno Garotti | First Assistant Director |
| Directing | Natalia Soutto | Assistant Director |
| Art | Eugênia Maakaroun | Assistant Art Director |
| Sound | José E. Caldararo | Foley Artist |
| Sound | Zezé d'Alice | Sound Technical Supervisor |
| Sound | Bechen de Loredo | ADR Mixer |
| Sound | Bechen de Loredo | Foley Artist |
| Sound | Esteban Golubicki | Foley Recordist |
| Sound | Caue Leal | Sound Editor |
| Sound | Vinicius Leal | Sound Editor |
| Sound | Adriano Machado | Sound Post Production Coordinator |
| Sound | Branko Neškov | Sound Re-Recording Mixer |
| Sound | Simone Petrillo | Sound Editor |
| Sound | Francisco Rizzi | Foley Artist |
| Sound | Sebastián Sonzogni | Foley Artist |
| Sound | Claudio Valdetaro | Sound Re-Recording Mixer |
| Visual Effects | Nills Bonetti | Visual Effects |
| Visual Effects | Eduarda Domenici | Digital Effects Producer |
| Visual Effects | Marcelo Ferreira PeeJay | Digital Effects Producer |
| Visual Effects | Vanessa Mariano | Visual Effects |
| Visual Effects | Rogério Marinho | Visual Effects |
| Visual Effects | Rogério Marinho | Digital Effects Producer |
| Visual Effects | Daniel T. Müller | Digital Effects Producer |
| Visual Effects | Marco Prado | Visual Effects |
| Visual Effects | Raquel Sancinetti | Visual Effects |
| Visual Effects | Robson Sartori | Visual Effects Coordinator |
| Visual Effects | Marcelo Siqueira | Visual Effects Supervisor |
| Production | Karina Vanes | Post Production Coordinator |
| Production | Mariana Zdravca | Post Production Coordinator |
| Crew | Fillipe Dias | Stunt Coordinator |
| Costume & Make-Up | Marianna Luz | Costume Assistant |
| Camera | Daniel W. Xavier | Second Assistant Camera |
| Camera | Joaquim Torres | First Assistant Camera |
| Camera | José George Rodrigues Alves | Focus Puller |
| Camera | Gilberto Otero | Camera Operator |
| Camera | Jorge Moviola | First Assistant Camera |
| Camera | Ique Esteves | Still Photographer |
| Camera | Mustapha Barat | Camera Operator |
| Production | Flavia Santos | Location Manager |
| Editing | Danilo Lemos | First Assistant Editor |
| Editing | Fábio Fatorelli | Assistant Editor |
| Sound | Egberto Gismonti | Music Director |
| Crew | Daniela Shaw | Intern |
