18 April 1945. De Tweede Wereldoorlog is tot een einde gekomen in Europa maar technisch gesproken bevindt Brazilie zich nog steeds in oorlog. Een douanebeambte, een voormalig 'ondervrager' van de politieke politie van president Vargas en een Poolse ex-acteur die de horror van de oorlog overleeft heeft en verdacht wordt een Nazi-vluchteling te zijn, ontmoeten elkaar in Rio de Janeiro in een kantoor van de immigratiedienst. De film portretteert een kritische periode in de Braziliaanse geschiedenis waarin het vechten voor je leven centraal staat.
Nee, helaas is Tempos de Paz nog niet beschikbaar op Netflix in Nederland.
| Writing | Bosco Brasil | Writer |
| Directing | Daniel Filho | Director |
| Production | Carlos Eduardo Rodrigues | Associate Producer |
| Costume & Make-Up | Antônio Araújo | Costume Design |
| Production | Júlio Uchoa | Line Producer |
| Crew | Tuca Moraes | Cinematography |
| Art | Cristina Cirne | Supervising Art Director |
| Art | Odair Zani | Art Direction |
| Art | Marcos Flaksman | Art Direction |
| Production | Daniel Filho | Producer |
| Production | Claudia Bejarano | Executive Producer |
| Editing | Diana Vasconcellos | Editor |
| Costume & Make-Up | Marilia Carneiro | Costume Design |
| Directing | Cininha de Paula | Assistant Director |
| Costume & Make-Up | Rosa Versoça | Makeup Artist |
| Crew | Sylvia Ramos | Post Production Supervisor |
| Directing | Bruno Garotti | First Assistant Director |
| Sound | Esteban Golubicki | Foley Recordist |
| Sound | José E. Caldararo | Foley Artist |
| Directing | Cris D'amato | Assistant Director |
| Sound | Bechen de Loredo | ADR Mixer |
| Art | Eugênia Maakaroun | Assistant Art Director |
| Sound | Bechen de Loredo | Foley Artist |
| Production | Karina Vanes | Post Production Coordinator |
| Camera | José George Rodrigues Alves | Focus Puller |
| Sound | Zezé d'Alice | Sound Technical Supervisor |
| Sound | Caue Leal | Sound Editor |
| Visual Effects | Marcelo Ferreira PeeJay | Digital Effects Producer |
| Visual Effects | Eduarda Domenici | Digital Effects Producer |
| Visual Effects | Vanessa Mariano | Visual Effects |
| Production | Flavia Santos | Location Manager |
| Sound | Egberto Gismonti | Music Director |
| Sound | Claudio Valdetaro | Sound Re-Recording Mixer |
| Visual Effects | Raquel Sancinetti | Visual Effects |
| Camera | Mustapha Barat | Camera Operator |
| Sound | Adriano Machado | Sound Post Production Coordinator |
| Camera | Joaquim Torres | First Assistant Camera |
| Editing | Danilo Lemos | First Assistant Editor |
| Sound | Francisco Rizzi | Foley Artist |
| Visual Effects | Rogério Marinho | Digital Effects Producer |
| Visual Effects | Marco Prado | Visual Effects |
| Visual Effects | Marcelo Siqueira | Visual Effects Supervisor |
| Production | Mariana Zdravca | Post Production Coordinator |
| Camera | Daniel W. Xavier | Second Assistant Camera |
| Editing | Fábio Fatorelli | Assistant Editor |
| Directing | Natalia Soutto | Assistant Director |
| Sound | Sebastián Sonzogni | Foley Artist |
| Sound | Vinicius Leal | Sound Editor |
| Visual Effects | Rogério Marinho | Visual Effects |
| Camera | Gilberto Otero | Camera Operator |
| Sound | Simone Petrillo | Sound Editor |
| Visual Effects | Daniel T. Müller | Digital Effects Producer |
| Costume & Make-Up | Marianna Luz | Costume Assistant |
| Camera | Ique Esteves | Still Photographer |
| Sound | Branko Neškov | Sound Re-Recording Mixer |
| Visual Effects | Nills Bonetti | Visual Effects |
| Visual Effects | Robson Sartori | Visual Effects Coordinator |
| Crew | Daniela Shaw | Intern |
| Crew | Fillipe Dias | Stunt Coordinator |
| Camera | Jorge Moviola | First Assistant Camera |
