Tijdens de Koude Oorlog wordt een Amerikaanse nucleaire onderzeeër aangevallen, en zinkt naar de bodem van de oceaan. De marine vraagt de hulp van een aantal mensen die aan het werk zijn op een nabijgelegen olieplatform om de onderzeeër te lokaliseren.
Nee, helaas is The Abyss nog niet beschikbaar op Netflix in Nederland.
| Directing | James Cameron | Director |
| Production | Gale Anne Hurd | Producer |
| Production | Van Ling | Producer |
| Sound | Alan Silvestri | Original Music Composer |
| Camera | Mikael Salomon | Director of Photography |
| Production | Howard Feuer | Casting |
| Art | Leslie Dilley | Production Design |
| Art | Anne Kuljian | Set Decoration |
| Crew | Mike Johnson | Stunts |
| Editing | Conrad Buff IV | Editor |
| Editing | Joel Goodman | Editor |
| Editing | Howard E. Smith | Editor |
| Art | Russell Christian | Art Direction |
| Art | Joseph C. Nemec III | Art Direction |
| Costume & Make-Up | Deborah Everton | Costume Design |
| Costume & Make-Up | Kathryn Fenton | Makeup Artist |
| Costume & Make-Up | Deena Appel | Costume Supervisor |
| Art | George Stokes | Construction Coordinator |
| Art | Mary Alice Palmer | Art Department Coordinator |
| Art | Dan Webster | Assistant Art Director |
| Art | Brian Cole | Sculptor |
| Crew | Michael T. Daigle | Scenic Artist |
| Art | Screaming Mad George | Sculptor |
| Art | Gershon Ginsburg | Set Designer |
| Art | Andrew Precht | Set Designer |
| Art | Thomas P. Wilkins | Set Designer |
| Sound | Greg Orloff | Foley |
| Sound | John Roesch | Foley |
| Sound | Joseph T. Sabella | Foley |
| Sound | Dody Dorn | Supervising Sound Editor |
| Sound | Blake Leyh | Sound Designer |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Crew | Joe Viskocil | Special Effects Coordinator |
| Visual Effects | Laura Buff | Visual Effects Producer |
| Crew | Kathy Chasen-Hay | Visual Effects Editor |
| Crew | Miller Drake | Visual Effects Editor |
| Visual Effects | Ned Gorman | Visual Effects Producer |
| Visual Effects | Leslie Huntley | Visual Effects Producer |
| Visual Effects | Diana Shornstein | Visual Effects Producer |
| Visual Effects | Hoyt Yeatman | Visual Effects Supervisor |
| Visual Effects | Steve Johnson | Visual Effects Supervisor |
| Visual Effects | Walt Conti | Visual Effects Supervisor |
| Crew | Dick Warlock | Stunt Coordinator |
| Camera | Richard Foreman Jr. | Still Photographer |
| Camera | Paul C. Babin | Camera Operator |
| Camera | George D. Dodge | Camera Operator |
| Camera | Jordan Klein Jr. | Underwater Camera |
| Lighting | Mark A. Shelton | Gaffer |
| Lighting | George S. Neil | Gaffer |
| Camera | Bob Gorelick | Steadicam Operator |
| Lighting | Dwight Campbell | Gaffer |
| Sound | Kenneth Karman | Music Editor |
| Crew | Chuck Clarke | Transportation Coordinator |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Crew | Steve Kelso | Stunts |
| Crew | Kerry Rossall | Stunts |
| Crew | Loren Janes | Stunts |
| Crew | Marcia Holley | Stunts |
| Crew | Diane Hetfield | Stunts |
| Crew | Glory Fioramonti | Stunts |
| Writing | James Cameron | Writer |
| Visual Effects | Christopher Warren | Visual Effects Production Assistant |
| Camera | J. Michael Muro | Steadicam Operator |
| Crew | Pat Romano | Stunts |
| Sound | Lee Orloff | Sound mixer |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Art | Ron Cobb | Conceptual Design |
| Art | Tom Jones Jr. | Construction Foreman |
| Art | John D. Kretschmer | Leadman |
| Art | Karen Steward | Painter |
| Art | Michele Moen | Production Illustrator |
| Art | Joe Cooper | Standby Painter |
| Camera | Ian Fox | First Assistant Camera |
| Camera | Bobby Huber | Key Grip |
| Camera | Robert Hoelen | Grip |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Costume & Make-Up | General Fermon Judd Jr. | Set Dressing Artist |
| Crew | Robert Garrett | Additional Music |
| Crew | Jack Cornish | Carpenter |
| Crew | Stephan Schultze | Craft Service |
| Crew | John Anderson | Driver |
| Crew | Neil Gahm | Propmaker |
| Crew | Nancy Blewer | Set Production Assistant |
| Crew | Dominic Jack Pizzo, Sr. | Stand In |
| Crew | Clay Boss | Stunts |
| Crew | Brian Delahanty | Transportation Captain |
| Crew | Anne Marie Stein | Unit Publicist |
| Crew | David Schmalz | Video Assist Operator |
| Editing | Bob Hagans | Color Timer |
| Lighting | James M. McEwen | Best Boy Electric |
| Lighting | Vince Pace | Electrician |
| Lighting | Richard Mula | Lighting Supervisor |
| Lighting | W.D. Hill | Rigging Grip |
| Production | Dennis Osborne | Casting Associate |
| Production | Andrew Chapman | Location Manager |
| Production | Vince Heileson | Production Accountant |
| Production | Laura Greenlee | Production Coordinator |
| Production | Charles Skouras III | Production Manager |
| Production | Paul Tivers | Production Supervisor |
| Sound | George Leong | Boom Operator |
| Sound | Howell Gibbens | Assistant Sound Editor |
| Sound | Stuart Copely | Sound Editor |
| Visual Effects | Jeff Burks | Animation Supervisor |
| Visual Effects | Mike Chambers | Visual Effects Coordinator |
| Sound | James B. Campbell | Orchestrator |
| Crew | Frank Lloyd | Stunts |
| Crew | Rick Avery | Stunts |
| Art | Emily Yudell | Property Master |
| Art | Charles Stewart | Property Master |
| Sound | Robert Renga | Sound Recordist |
| Sound | Joe Dorn | ADR Editor |
| Directing | Newt Arnold | First Assistant Director |
| Visual Effects | John Bruno | Visual Effects Supervisor |
| Crew | Denney Pierce | Stunts |
| Crew | Michael Cassidy | Stunts |
| Directing | Verónica González Rubio | Second Assistant Director |
| Art | Linda Waxman | Assistant Property Master |
| Art | Jean Giraud | Concept Artist |
| Art | Charlotte Patterson | Construction Buyer |
| Art | Phillip Norwood | Storyboard Artist |
| Art | Ernest Farino | Title Designer |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | David Jobe | ADR Recordist |
| Sound | Roy Seeger | Apprentice Sound Editor |
| Sound | Kevin Bartnof | Foley Artist |
| Sound | Marilyn Graf | Foley Mixer |
| Sound | Carolyn Tapp | Foley Recordist |
| Sound | Marian Wilde | Foley Supervisor |
| Crew | Donn Markel | Special Effects Technician |
| Visual Effects | Erik Henry | Visual Effects Assistant Editor |
| Visual Effects | Kristina Birkmayer | Visual Effects Production Manager |
| Crew | Jon H. Epstein | Stunt Double |
| Camera | David Luckenbach | Additional Second Assistant Camera |
| Camera | Michael Griffin | Assistant Camera |
| Camera | Scott R. Davis | Best Boy Grip |
| Camera | Jimmy Leavens | Dolly Grip |
| Camera | Marc Brown | Second Assistant Camera |
| Costume & Make-Up | Joshua Keep | Wardrobe Assistant |
| Editing | Christopher Koefoed | Assistant Editor |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Jim English | Project Manager |
| Production | Robert Gordon | Assistant Accountant |
| Production | Beth DePatie | Assistant Production Coordinator |
| Production | Tekin Cetinkaya | Assistant Unit Manager |
| Crew | Timothy Greenwood | Editorial Staff |
| Visual Effects | Larz Anderson | Effects Supervisor |
| Lighting | Charles 'Tom' Hinson | Key Rigging Grip |
| Production | Hilbert Hakim | Key Set Production Assistant |
| Production | Matt Brown | Production Assistant |
| Production | Jennifer C. Bell | Production Secretary |
| Crew | Gene Witham | Technical Advisor |
| Lighting | Patrick Murray | Underwater Gaffer |
| Crew | Randy E. Moore | Weapons Master |
| Visual Effects | Dennis Muren | Visual Effects Supervisor |
| Art | Peter Childs | Supervising Art Director |
| Editing | Steven Quale | Editor |
