Tijdens de Koude Oorlog wordt een Amerikaanse nucleaire onderzeeër aangevallen, en zinkt naar de bodem van de oceaan. De marine vraagt de hulp van een aantal mensen die aan het werk zijn op een nabijgelegen olieplatform om de onderzeeër te lokaliseren.
Nee, helaas is The Abyss nog niet beschikbaar op Netflix in Nederland.
| Art | Anne Kuljian | Set Decoration |
| Sound | Alan Silvestri | Original Music Composer |
| Production | Gale Anne Hurd | Producer |
| Production | Howard Feuer | Casting |
| Production | Van Ling | Producer |
| Directing | James Cameron | Director |
| Art | Leslie Dilley | Production Design |
| Camera | Mikael Salomon | Director of Photography |
| Crew | Mike Johnson | Stunts |
| Editing | Howard E. Smith | Editor |
| Art | Russell Christian | Art Direction |
| Costume & Make-Up | Kathryn Fenton | Makeup Artist |
| Costume & Make-Up | Deena Appel | Costume Supervisor |
| Art | Joseph C. Nemec III | Art Direction |
| Costume & Make-Up | Deborah Everton | Costume Design |
| Editing | Joel Goodman | Editor |
| Editing | Conrad Buff IV | Editor |
| Camera | Paul C. Babin | Camera Operator |
| Art | Mary Alice Palmer | Art Department Coordinator |
| Art | Dan Webster | Assistant Art Director |
| Art | George Stokes | Construction Coordinator |
| Sound | Dody Dorn | Supervising Sound Editor |
| Visual Effects | Hoyt Yeatman | Visual Effects Supervisor |
| Crew | Michael T. Daigle | Scenic Artist |
| Sound | Greg Orloff | Foley |
| Sound | John Roesch | Foley |
| Visual Effects | Ned Gorman | Visual Effects Producer |
| Art | Thomas P. Wilkins | Set Designer |
| Visual Effects | Steve Johnson | Visual Effects Supervisor |
| Visual Effects | Walt Conti | Visual Effects Supervisor |
| Camera | George D. Dodge | Camera Operator |
| Camera | Bob Gorelick | Steadicam Operator |
| Art | Brian Cole | Sculptor |
| Sound | Blake Leyh | Sound Designer |
| Crew | Kathy Chasen-Hay | Visual Effects Editor |
| Visual Effects | Leslie Huntley | Visual Effects Producer |
| Crew | Dick Warlock | Stunt Coordinator |
| Camera | Richard Foreman Jr. | Still Photographer |
| Art | Screaming Mad George | Sculptor |
| Art | Andrew Precht | Set Designer |
| Lighting | George S. Neil | Gaffer |
| Sound | Joseph T. Sabella | Foley |
| Crew | Miller Drake | Visual Effects Editor |
| Visual Effects | Diana Shornstein | Visual Effects Producer |
| Camera | Jordan Klein Jr. | Underwater Camera |
| Lighting | Mark A. Shelton | Gaffer |
| Crew | Joseph A. Unsinn | Special Effects Coordinator |
| Crew | Joe Viskocil | Special Effects Coordinator |
| Visual Effects | Laura Buff | Visual Effects Producer |
| Art | Gershon Ginsburg | Set Designer |
| Sound | Kenneth Karman | Music Editor |
| Crew | Chuck Clarke | Transportation Coordinator |
| Lighting | Dwight Campbell | Gaffer |
| Directing | Sharron Reynolds-Enriquez | Script Supervisor |
| Crew | Steve Kelso | Stunts |
| Crew | Kerry Rossall | Stunts |
| Crew | Diane Hetfield | Stunts |
| Crew | Glory Fioramonti | Stunts |
| Crew | Marcia Holley | Stunts |
| Crew | Loren Janes | Stunts |
| Writing | James Cameron | Writer |
| Visual Effects | Christopher Warren | Visual Effects Production Assistant |
| Camera | J. Michael Muro | Steadicam Operator |
| Crew | Pat Romano | Stunts |
| Sound | Don J. Bassman | Sound Re-Recording Mixer |
| Sound | Lee Orloff | Sound mixer |
| Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
| Sound | Richard Overton | Sound Re-Recording Mixer |
| Sound | Kevin F. Cleary | Sound Re-Recording Mixer |
| Art | Karen Steward | Painter |
| Camera | Robert Hoelen | Grip |
| Lighting | Richard Mula | Lighting Supervisor |
| Production | Laura Greenlee | Production Coordinator |
| Art | Tom Jones Jr. | Construction Foreman |
| Art | John D. Kretschmer | Leadman |
| Art | Joe Cooper | Standby Painter |
| Camera | Ian Fox | First Assistant Camera |
| Crew | David Schmalz | Video Assist Operator |
| Lighting | W.D. Hill | Rigging Grip |
| Crew | John Anderson | Driver |
| Crew | Dominic Jack Pizzo, Sr. | Stand In |
| Crew | Robert Garrett | Additional Music |
| Crew | Nancy Blewer | Set Production Assistant |
| Production | Paul Tivers | Production Supervisor |
| Crew | Stephan Schultze | Craft Service |
| Costume & Make-Up | Emanuel Millar | Hairstylist |
| Camera | Bobby Huber | Key Grip |
| Lighting | Vince Pace | Electrician |
| Production | Andrew Chapman | Location Manager |
| Art | Ron Cobb | Conceptual Design |
| Production | Charles Skouras III | Production Manager |
| Costume & Make-Up | General Fermon Judd Jr. | Set Dressing Artist |
| Crew | Jack Cornish | Carpenter |
| Crew | Clay Boss | Stunts |
| Editing | Bob Hagans | Color Timer |
| Production | Vince Heileson | Production Accountant |
| Production | Dennis Osborne | Casting Associate |
| Crew | Anne Marie Stein | Unit Publicist |
| Art | Michele Moen | Production Illustrator |
| Crew | Neil Gahm | Propmaker |
| Crew | Brian Delahanty | Transportation Captain |
| Lighting | James M. McEwen | Best Boy Electric |
| Sound | Howell Gibbens | Assistant Sound Editor |
| Sound | George Leong | Boom Operator |
| Visual Effects | Mike Chambers | Visual Effects Coordinator |
| Sound | Stuart Copely | Sound Editor |
| Visual Effects | Jeff Burks | Animation Supervisor |
| Sound | James B. Campbell | Orchestrator |
| Crew | Frank Lloyd | Stunts |
| Crew | Rick Avery | Stunts |
| Sound | Joe Dorn | ADR Editor |
| Directing | Newt Arnold | First Assistant Director |
| Art | Emily Yudell | Property Master |
| Sound | Robert Renga | Sound Recordist |
| Art | Charles Stewart | Property Master |
| Visual Effects | John Bruno | Visual Effects Supervisor |
| Crew | Denney Pierce | Stunts |
| Crew | Michael Cassidy | Stunts |
| Crew | Donn Markel | Special Effects Technician |
| Camera | Scott R. Davis | Best Boy Grip |
| Directing | Verónica González Rubio | Second Assistant Director |
| Sound | Kevin Bartnof | Foley Artist |
| Sound | Marian Wilde | Foley Supervisor |
| Art | Ernest Farino | Title Designer |
| Camera | Jimmy Leavens | Dolly Grip |
| Sound | Marilyn Graf | Foley Mixer |
| Art | Phillip Norwood | Storyboard Artist |
| Art | Charlotte Patterson | Construction Buyer |
| Sound | David Jobe | ADR Recordist |
| Camera | David Luckenbach | Additional Second Assistant Camera |
| Sound | Roy Seeger | Apprentice Sound Editor |
| Art | Linda Waxman | Assistant Property Master |
| Art | Jean Giraud | Concept Artist |
| Crew | Jon H. Epstein | Stunt Double |
| Camera | Michael Griffin | Assistant Camera |
| Sound | Robert Deschaine | ADR Mixer |
| Sound | Carolyn Tapp | Foley Recordist |
| Visual Effects | Erik Henry | Visual Effects Assistant Editor |
| Visual Effects | Kristina Birkmayer | Visual Effects Production Manager |
| Editing | Gary Burritt | Negative Cutter |
| Editing | Jim English | Project Manager |
| Production | Tekin Cetinkaya | Assistant Unit Manager |
| Production | Hilbert Hakim | Key Set Production Assistant |
| Crew | Gene Witham | Technical Advisor |
| Production | Robert Gordon | Assistant Accountant |
| Camera | Marc Brown | Second Assistant Camera |
| Lighting | Charles 'Tom' Hinson | Key Rigging Grip |
| Lighting | Patrick Murray | Underwater Gaffer |
| Production | Beth DePatie | Assistant Production Coordinator |
| Crew | Timothy Greenwood | Editorial Staff |
| Visual Effects | Larz Anderson | Effects Supervisor |
| Production | Jennifer C. Bell | Production Secretary |
| Costume & Make-Up | Joshua Keep | Wardrobe Assistant |
| Crew | Randy E. Moore | Weapons Master |
| Production | Matt Brown | Production Assistant |
| Editing | Christopher Koefoed | Assistant Editor |
| Visual Effects | Dennis Muren | Visual Effects Supervisor |
| Art | Peter Childs | Supervising Art Director |
| Editing | Steven Quale | Editor |
| Visual Effects | Glenn Edwards | Mechanical Designer |
| Visual Effects | Glenn Edwards | Mechanical Designer |
| Visual Effects | Glenn Edwards | Mechanical Designer |
| Crew | Wilson Tang | Visual Effects Art Director |
| Sound | Ralph Williams | Musician |
| Visual Effects | Steve Williams | CG Artist |
| Visual Effects | Julia Gibson | Visual Effects Producer |
