Nate Tanner, eigenaar van de Black Pelican-bar, ziet Wild Bill, een gevaarlijke drugshandelaar die de zaak wil overnemen, in zijn bar aankomen. Voormalig DEA-agent en Nate's neef, Shane Tanner, gaat zich vervolgens tegen hen verzetten om de bar te beschermen. Met de hulp van de ravissante Beau zullen ze een drugsnetwerk ontmantelen dat veel verder reikt dan de bar...
Nee, helaas is Road House 2: Last Call nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Beverly Safier | Costume Designer |
| Sound | Amotz Plessner | Original Music Composer |
| Editing | Edgar Burcksen | Editor |
| Art | Phil Dagort | Production Design |
| Camera | Thomas L. Callaway | Director of Photography |
| Production | Nick Stamos | Co-Producer |
| Production | Kimberly Calhoun Boling | Executive Producer |
| Production | Malcolm Petal | Executive Producer |
| Production | Yoram Pelman | Producer |
| Writing | R. Lance Hill | Characters |
| Writing | Johnathon Schaech | Screenplay |
| Writing | Richard Chizmar | Screenplay |
| Directing | Scott Ziehl | Director |
| Crew | J.J. Perry | Stunt Coordinator |
| Crew | Sam Hargrave | Utility Stunts |
| Crew | Chuck 'Chaz' Hosack | Utility Stunts |
| Crew | Dennis Keiffer | Utility Stunts |
| Crew | Sophia M. Crawford | Utility Stunts |
| Crew | Karin Silvestri | Utility Stunts |
| Crew | Jeff Galpin | Utility Stunts |
| Crew | Patrick Moore | Utility Stunts |
| Production | Yoram Pelman | Unit Production Manager |
| Directing | Michael Amundson | First Assistant Director |
| Directing | James Roque Jr. | Second Assistant Director |
| Crew | Larry Ferguson Jr. | Post Production Supervisor |
| Sound | Patrick M. Griffith | Supervising Sound Editor |
| Camera | Michael Applebaum | "A" Camera Operator |
| Camera | Robert Schierer | First Assistant Camera |
| Camera | Lisa Lengyl | Second Assistant Camera |
| Camera | Daniel Tkaczyk | Second Assistant Camera |
| Camera | Jonathan Robinson | Additional Second Assistant Camera |
| Camera | John Richie | Camera Loader |
| Camera | Patti Perret | Still Photographer |
| Sound | Richard Schexnayder | Production Sound Mixer |
| Sound | Jimmy Armstrong | Boom Operator |
| Sound | Jamey Osborne | Utility Sound |
| Directing | Melinda Taksen | Script Supervisor |
| Art | Raymond Pumilia | Set Decoration |
| Art | Jay Pelissier | Art Direction |
| Art | Gustavo Coto | Leadman |
| Art | Danny Maes | Set Dresser |
| Art | Danny Nick | Set Dresser |
| Art | Chris Britt | Set Dresser |
| Art | Mike Dares | Set Dresser |
| Art | Sam Lothridge | Set Dresser |
| Art | Caleb Guillotte | Art Department Coordinator |
| Art | Bradley Wisham | Construction Coordinator |
| Art | Leonard Marchand | Property Master |
| Art | Jon Graubarth | Assistant Property Master |
| Costume & Make-Up | Paul Anthony Morris | Key Hair Stylist |
| Costume & Make-Up | Krystal Kershaw | Hairstylist |
| Costume & Make-Up | Theresa A. Fleming | Hairstylist |
| Costume & Make-Up | Myke Michaels | Key Makeup Artist |
| Costume & Make-Up | Robin Mathews | Makeup Artist |
| Costume & Make-Up | Lauren Thomas | Assistant Makeup Artist |
| Costume & Make-Up | Elaine Varnes | Key Set Costumer |
| Costume & Make-Up | Renee Dodson | Set Costumer |
| Costume & Make-Up | S. Aimee Helms | Costume Assistant |
| Production | Nita Wilson | Production Coordinator |
| Production | Jason Reppert | Assistant Production Coordinator |
| Production | Elston Howard III | Location Manager |
| Production | Deven Schruff | Assistant Location Manager |
| Directing | George Bott | Second Second Assistant Director |
| Production | Toni Cobb Brock | Local Casting |
| Production | Sally Allen | Local Casting |
| Production | Elizabeth Coulon | Extras Casting |
| Production | Ryan Glorioso | Extras Casting Assistant |
| Lighting | Sean Finnigan | Chief Lighting Technician |
| Lighting | Scott Zuchowski | Best Boy Electric |
| Lighting | Chris A. Trosclair | Rigging Gaffer |
| Lighting | Steven Zieger | Rigging Gaffer |
| Camera | Richard Ball | Key Grip |
| Camera | Mike Bonnett | Best Boy Grip |
| Camera | Kenny Smith | Dolly Grip |
| Crew | Robert Vazquez | Special Effects Coordinator |
| Crew | Pat Tantalo | Special Effects Technician |
| Crew | Matt Neel | Special Effects Assistant |
| Crew | Doug Scaramuzzo | Special Effects Assistant |
| Editing | Rich Evirs | Assistant Editor |
| Sound | Sergio Reyes | Sound Supervisor |
| Sound | Larry Stensvold | Sound Re-Recording Mixer |
| Sound | Stephen Fitzmaurice | Sound Re-Recording Mixer |
| Sound | Steve McCarty | Sound Effects Editor |
| Sound | Stephen M. Galvin | Dialogue Editor |
| Sound | Willy Allen | ADR Supervisor |
| Sound | Paul Drenning | ADR Mixer |
| Sound | Cathleen Rowland | Foley Artist |
| Sound | Galen R. Senogles | Foley Artist |
| Sound | Galen L. Senogles | Foley Artist |
| Sound | Emmit Martin | Music Supervisor |
| Sound | Joseph Magee | Scoring Mixer |
| Sound | Drew DeAscentis | Music Editor |
| Editing | Bruce W. Cathcart | Online Editor |
| Editing | Andrew Drapkin | Colorist |
| Art | Pamela Green | Title Designer |
| Art | Julio Ferrario | Title Designer |
| Production | Mary Margiotta | Casting |
| Production | Karen Margiotta | Casting |
| Crew | Danny Cosmo | Stunts |
