Preston Tucker was als kind al gefascineerd door auto's en nam zich voor er alles over te leren, zodat hij ze later zelf zou kunnen bouwen. Hij reisde als jongeling inderdaad naar Detroit, het hart van de automobielindustrie, leerde er het vak, ontmoette er Vera, stichtte met haar een gezin en ontwierp er zijn eerste automodel. Als extravagant en extrovert man werd Tucker niet door iedereen gewaardeerd.
Nee, helaas is Tucker: The Man and His Dream nog niet beschikbaar op Netflix in Nederland.
| Directing | Francis Ford Coppola | Director |
| Sound | Melissa Dietz | Dialogue Editor |
| Production | Jonathan Shedd | Assistant Location Manager |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Costume & Make-Up | Karen Bradley | Assistant Makeup Artist |
| Costume & Make-Up | Jill Maley | Key Costumer |
| Crew | Tim A. Davison | Stunts |
| Crew | Gary McLarty | Stunts |
| Camera | Billy Clevenger | First Assistant Camera |
| Art | Doug von Koss | Leadman |
| Production | Susan Griffin | Assistant Location Manager |
| Sound | Mildred Iatrou | Assistant Sound Designer |
| Sound | Martha Pike | Assistant Sound Editor |
| Production | Linda Knechtli | Assistant Accountant |
| Camera | Doug Hunt | Second Assistant Camera |
| Sound | Paige Sartorius | Assistant Sound Editor |
| Editing | Donah Bassett | Negative Cutter |
| Crew | Steve M. Davison | Stunts |
| Crew | Jimmy Nickerson | Stunts |
| Production | Joe Murphy | Production Accountant |
| Costume & Make-Up | Terry Baliel | Assistant Hairstylist |
| Crew | Susan Landau Finch | Unit Publicist |
| Camera | Deborah Morgan | Second Assistant Camera |
| Camera | Dennis Pope | Grip |
| Sound | Clare C. Freeman | Assistant Sound Editor |
| Costume & Make-Up | Anne Polland | Key Costumer |
| Sound | E. Jeane Putnam | Assistant Sound Editor |
| Camera | David Heron | Dolly Grip |
| Sound | Louise Rubacky | ADR Editor |
| Sound | Sandina Bailo-Lape | Foley Editor |
| Camera | Michael Santy | First Assistant Camera |
| Sound | Nicole Boris | Assistant Sound Editor |
| Sound | Diana Pellegrini | Foley Editor |
| Sound | Michele Perrone | Assistant Sound Editor |
| Editing | Roderick W. Finney | Assistant Editor |
| Production | Kimberly Nelson | Production Secretary |
| Crew | Paula Tracy-Smuin | Choreographer |
| Costume & Make-Up | Louis Infante | Key Costumer |
| Sound | Tom Bellfort | ADR Editor |
| Camera | Leo Loverro | Dolly Grip |
| Crew | Steve Collins | Transportation Coordinator |
| Crew | Dick Ziker | Stunts |
| Writing | Arnold Schulman | Screenplay |
| Production | Fred Fuchs | Producer |
| Writing | David Seidler | Screenplay |
| Production | Fred Roos | Producer |
| Directing | Wilma Garscadden-Gahret | Script Supervisor |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Costume & Make-Up | Winnie D. Brown | Costume Supervisor |
| Editing | Louise Rubacky | First Assistant Editor |
| Art | Armin Ganz | Set Decoration |
| Sound | Joe Jackson | Original Music Composer |
| Editing | Priscilla Nedd-Friendly | Editor |
| Art | Dean Tavoularis | Production Design |
| Production | Janet Hirshenson | Casting |
| Sound | Michael Evje | Production Sound Mixer |
| Crew | Buddy Joe Hooker | Stunt Coordinator |
| Production | George Lucas | Executive Producer |
| Sound | Robert Shoup | Sound Effects Editor |
| Art | Alex Tavoularis | Art Direction |
| Sound | Richard Beggs | Sound Designer |
| Costume & Make-Up | Judianna Makovsky | Assistant Costume Designer |
| Costume & Make-Up | Richard Dean | Makeup Artist |
| Production | Teri Fettis-D'Ovidio | Associate Producer |
| Production | Jane Jenkins | Casting |
| Costume & Make-Up | Lyndell Quiyou | Hairstylist |
| Production | Ian Bryce | Unit Production Manager |
| Camera | Vittorio Storaro | Director of Photography |
| Lighting | Pat Fitzsimmons | Gaffer |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Sound | D. G. Fisher | Boom Operator |
| Visual Effects | David Pier | Special Effects Supervisor |
| Sound | Mark Adler | Music Editor |
| Sound | Tim Holland | Sound Effects Editor |
| Production | Francis Ford Coppola | Producer |
| Costume & Make-Up | Milena Canonero | Costume Designer |
| Directing | H. Gordon Boos | First Assistant Director |
| Directing | Buddy Joe Hooker | Second Unit Director |
| Directing | Daniel R. Suhart | Second Assistant Director |
| Directing | L. Dean Jones Jr. | Second Assistant Director |
| Production | Rory Enke | Location Manager |
| Art | Douglas E. Madison | Property Master |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Camera | Richard Dova Spah | Key Grip |
| Sound | Randy Thom | Sound Re-Recording Mixer |
| Crew | Enrico Umetelli | Technical Advisor |
| Production | Aleta Chappelle | Location Casting |
| Sound | Dennie Thorpe | Foley Artist |
| Art | Jim Pohl | Set Designer |
| Production | Anahid Nazarian | Researcher |
| Art | Douglas T. Madison | Assistant Property Master |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Visual Effects | Robert Finley Jr. | Visual Effects |
| Art | Bob Goldstein | Set Designer |
| Production | Maureen Murphy | Production Coordinator |
| Camera | Jamie Anderson | Camera Operator |
| Crew | Carmine Coppola | Additional Music |
