Professor Parker neemt iedere dag de trein naar de universiteit. Op een dag ziet hij een schattige puppy zonder baasje in het station. Hij neemt het hondje mee naar huis en er ontstaat een zeer innige vriendschap tussen de twee.
Nee, helaas is Hachi: A Dog's Tale nog niet beschikbaar op Netflix in Nederland.
| Writing | Stephen P. Lindsey | Screenplay |
| Directing | Lasse Hallström | Director |
| Crew | Skip Shea | Stand In |
| Camera | Ron Fortunato | Director of Photography |
| Production | Julia Blackman | Executive Producer |
| Production | Tom Luse | Co-Executive Producer |
| Costume & Make-Up | LuAnn Claps | Makeup Department Head |
| Production | Jeff Abberley | Executive Producer |
| Editing | Kristina Boden | Editor |
| Production | Richard Gere | Producer |
| Production | Shin Torisawa | Producer |
| Production | Warren T. Goz | Executive Producer |
| Production | Jim Seibel | Executive Producer |
| Production | Rick Montgomery | Casting |
| Sound | Jan A. P. Kaczmarek | Original Music Composer |
| Production | Paul Mason | Executive Producer |
| Costume & Make-Up | Deborah Newhall | Costume Design |
| Sound | Robert Fernandez | Sound Re-Recording Mixer |
| Sound | Dave Paterson | Supervising Sound Editor |
| Sound | Gioia Birkett-Foa | Boom Operator |
| Production | Bill Johnson | Producer |
| Production | Paul A. Levin | Associate Producer |
| Production | Stewart McMichael | Executive Producer |
| Production | Robert Ortiz | Unit Production Manager |
| Art | Peter Wilcox | Construction Coordinator |
| Costume & Make-Up | Lyndell Quiyou | Key Hair Stylist |
| Crew | John Ruggieri | Special Effects Coordinator |
| Visual Effects | David Isyomin | Visual Effects Supervisor |
| Sound | Damian Volpe | Sound Effects Editor |
| Sound | Roberto Cappannelli | Sound Re-Recording Mixer |
| Writing | Jason Mayoh | Storyboard |
| Costume & Make-Up | Nichole Pleau | Makeup Artist |
| Crew | Cammeron Truesdale | Scenic Artist |
| Sound | Sally Swisher | Music Editor |
| Camera | Bruce MacCallum | Camera Operator |
| Camera | Francis Spieldenner | Steadicam Operator |
| Directing | Robin Squibb | Script Supervisor |
| Camera | William L. Flanagan | Grip |
| Crew | Caspar von Winterfeldt | Thanks |
| Camera | Joseph Battista | Grip |
| Lighting | Craig Gleason | Electrician |
| Sound | Liz Gallacher | Music Supervisor |
| Camera | Eric Engler | Grip |
| Lighting | John W. DeBlau | Gaffer |
| Crew | Steven Feinberg | Thanks |
| Crew | Al Conti | Stand In |
| Sound | Matthew Haasch | Foley Editor |
| Sound | Sondra James | Loop Group Coordinator |
| Sound | Rachel Chancey | Foley Supervisor |
| Directing | Cara Giallanza | First Assistant Director |
| Sound | Mary Ellen Porto | Dialogue Editor |
| Sound | Sylvia Menno | Dialogue Editor |
| Sound | Anton Gold | Sound Mixer |
| Art | Aimee Butterfield | Set Dresser |
| Sound | Mary Ellen Porto | ADR Editor |
| Art | Chad Detwiller | Production Design |
| Production | Vicki Shigekuni Wong | Producer |
| Production | Dean Schnider | Co-Producer |
| Production | Dwight Opperman | Associate Producer |
| Production | Steph Accetta | Unit Production Manager |
| Production | Julie Chrystyn | Associate Producer |
| Directing | Stephen E. Hagen | Second Assistant Director |
| Production | Michael Viner | Associate Producer |
| Writing | Kaneto Shindō | Original Film Writer |
| Production | Samuel H. Frankel | Co-Executive Producer |
