Het is 1969, New York. De Vietnamoorlog is gaande, er lopen mensen op de maan en Matty (een jonge homo) is net in New York aangekomen waar The Stonewall inn (een thuisplaats voor dragqueens en later het hoofdkwartier van de Amerikaanse homo-emancipatiebeweging) net is geopend. Matty voelt zich er al gauw thuis en ontmoet daar de ware Jacob.
Nee, helaas is Stonewall nog niet beschikbaar op Netflix in Nederland.
| Directing | Nigel Finch | Director |
| Writing | Rikki Beadle Blair | Writer |
| Production | Sue Willis | Unit Manager |
| Editing | John Richards | Editor |
| Production | Ruth Caleb | Producer |
| Sound | Michael Kamen | Original Music Composer |
| Camera | Chris Seager | Director of Photography |
| Art | Thérèse DePrez | Production Design |
| Production | Christine Vachon | Producer |
| Writing | Martin Duberman | Book |
| Production | Billy Hopkins | Casting |
| Production | Matthew Hamilton | Associate Producer |
| Production | Pamela Koffler | Line Producer |
| Costume & Make-Up | Michael Clancy | Costume Designer |
| Directing | Dina Waxman | Script Supervisor |
| Production | George Faber | Executive Producer |
| Crew | Rupert Haselden | In Memory Of |
| Directing | Van Hayden | First Assistant Director |
| Production | Kerry Barden | Casting |
| Production | John Cadwell | Development Producer |
| Production | Jane Hawley | Production Executive |
| Crew | Susanne Hamilton | Post Production Supervisor |
| Production | Anthony Wall | Executive Producer |
| Production | Suzanne Smith Crowley | Casting |
| Production | Poonam Sharma | Executive Co-Producer |
| Writing | Robyn Slovo | Script Editor |
| Production | Jill Sprecher | Unit Production Manager |
| Directing | Annie Tan | Second Assistant Director |
| Sound | Randall Poster | Music Supervisor |
| Sound | Stephen McLaughlin | Music Producer |
| Crew | Nigel Finch | In Memory Of |
| Production | Kenneth M. Kroll | Production Accountant |
| Camera | Richard Audino | Best Boy Grip |
| Camera | Sarah Cawley | "B" Camera Operator |
| Lighting | Simone Perusse | Best Boy Electric |
| Crew | Candis Cayne | Choreographer |
| Camera | Tom Potoskie | Key Grip |
| Costume & Make-Up | Kevin Donaldson | Costumer |
| Costume & Make-Up | Sophia Longoria | Assistant Makeup Artist |
| Crew | Pat Seymour | Additional Music |
| Sound | Laura Lovejoy | ADR Editor |
| Costume & Make-Up | Sophia Longoria | Assistant Hairdresser |
| Art | Peter Loam | Title Designer |
| Art | Annie Ballard | Property Master |
| Art | Harlan Gruber | Construction Coordinator |
| Sound | Alexander John | ADR Editor |
| Sound | Aad Wirtz | ADR Mixer |
| Production | Thomas J. Whelan | Location Manager |
| Sound | Coll Anderson | Production Sound Mixer |
| Sound | Peter Lennard | Sound Effects Editor |
| Camera | Thomas Schnaidt | Assistant Camera |
| Camera | Tracy Litwin | First Assistant Camera |
| Art | Derrick Kardos | Art Department Coordinator |
| Art | Charles Ford | Set Decoration |
| Costume & Make-Up | Jason Rail | Makeup & Hair |
| Lighting | John C. Nadeau | Gaffer |
| Art | Jonathan Cate | Title Designer |
| Costume & Make-Up | Vicki Farrell | Assistant Costume Designer |
| Crew | Manny Siverio | Stunt Coordinator |
| Sound | Alexander John | Music Editor |
| Camera | Linda Jane Sheehan | Second Assistant Camera |
| Sound | Ryan Webb | Boom Operator |
| Costume & Make-Up | Wendy Van Dyke | Wardrobe Supervisor |
| Sound | Tim Ricketts | ADR Mixer |
