Vier decennia zijn verstreken sinds Arthur Kipps naar Eel Marsh House afreisde. Nu 40 jaar later komt een groep kinderen die geëvacueerd zijn uit de Tweede Wereldoorlog in Londen aan, wat er voor zorgt dat de meest duistere inwoners van het huis ontwaken.
Nee, helaas is The Woman in Black 2: Angel of Death nog niet beschikbaar op Netflix in Nederland.
Sound | Jeff Richardson | Dialogue Editor |
Writing | Susan Hill | Story |
Writing | Jon Croker | Screenplay |
Directing | Tom Harper | Director |
Production | Guy East | Executive Producer |
Production | Tobin Armbrust | Producer |
Sound | Marcus Trumpp | Original Music Composer |
Editing | Mark Eckersley | Editor |
Production | Julie Harkin | Casting |
Production | Richard Toussaint | Executive Producer |
Production | Aliza James | Associate Producer |
Production | Roy Lee | Executive Producer |
Production | Jane Hooks | Co-Producer |
Production | Ian Watermeier | Co-Producer |
Production | Simon Oakes | Producer |
Production | Nigel Sinclair | Executive Producer |
Sound | Brandon Roberts | Original Music Composer |
Production | Ben Holden | Producer |
Production | Marc Schipper | Executive Producer |
Art | Jacqueline Abrahams | Production Design |
Production | Neil Dunn | Executive Producer |
Production | Jillian Longnecker | Associate Producer |
Production | Richard Jackson | Producer |
Sound | Marco Beltrami | Original Music Composer |
Writing | Susan Hill | Writer |
Art | Toby Riches | Art Direction |
Art | Claudio Campana | Art Direction |
Directing | Marnie Paxton | Script Supervisor |
Costume & Make-Up | Vincent Dumas | Costume Supervisor |
Costume & Make-Up | Annie Symons | Costume Design |
Camera | Tim Wooster | Underwater Camera |
Sound | Peter Burgis | Foley |
Camera | Nick Wall | Still Photographer |
Lighting | Wick Finch | Gaffer |
Lighting | Dave Ridout | Rigging Gaffer |
Sound | John Warhurst | Music Editor |
Visual Effects | Lucy Ainsworth-Taylor | Visual Effects Producer |
Art | Jille Azis | Set Decoration |
Camera | George Steel | Director of Photography |
Camera | Richard Cornelius | Steadicam Operator |
Camera | Harry Bowers | First Assistant Camera |
Camera | Jon Beacham | Camera Operator |
Production | Kevin Riddle | Casting Associate |
Costume & Make-Up | Hannah Edwards | Hairstylist |
Costume & Make-Up | Samantha Kininmonth | Makeup Artist |
Sound | Joe Beal | Sound Effects Editor |
Costume & Make-Up | Cate Hall | Hair Designer |
Editing | Steve Owen | Digital Intermediate |
Sound | Stuart Hilliker | Sound Re-Recording Mixer |
Costume & Make-Up | Cate Hall | Makeup Designer |
Editing | François Kamffer | Digital Intermediate |
Editing | Laura Daniel | Digital Intermediate |
Editing | Tim Drewett | Digital Intermediate |
Editing | Steven Worsley | First Assistant Editor |
Sound | Lee Walpole | Sound Designer |
Sound | Alex Ellerington | Sound Effects Editor |
Sound | Lee Walpole | Supervising Sound Editor |
Visual Effects | Nick Rideout | Special Effects Supervisor |
Visual Effects | Angela Barson | Visual Effects Supervisor |
Sound | Andy Kennedy | Sound Designer |
Sound | Forbes Noonan | Sound Re-Recording Mixer |
Editing | Tom Cairns | Digital Intermediate |
Costume & Make-Up | Sophie Slotover | Hairstylist |
Art | Andrew Munro | Supervising Art Director |
Crew | Andy Bennett | Stunt Coordinator |
Sound | Andie Derrick | Foley |
Crew | Craig Garner | Stunt Double |
Crew | Annabel Canaven | Stunt Double |
Crew | Justin Pearson | Stunt Double |